CALIFICACIÓN DE IMDb
7.0/10
40 k
TU CALIFICACIÓN
Un caballero medieval y su sirviente piden a un mago familiar que los envíe atrás en el tiempo para evitar la muerte accidental de su suegro. En cambio, vuelan al siglo veinte.Un caballero medieval y su sirviente piden a un mago familiar que los envíe atrás en el tiempo para evitar la muerte accidental de su suegro. En cambio, vuelan al siglo veinte.Un caballero medieval y su sirviente piden a un mago familiar que los envíe atrás en el tiempo para evitar la muerte accidental de su suegro. En cambio, vuelan al siglo veinte.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 8 nominaciones en total
Arielle Sémenoff
- Jacqueline
- (as Ariel Séménoff)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I admit I haven't seen more than probably 40 or 50 "foreign" films, but of those, this is still the funniest one I have watched. The major problem I had with it was that the dialog (and the humorous lines) came so fast I barely had time to read the subtitles. It gets a little tiring after awhile trying to keep up with the reading and viewing at the same time, at that pace.
As with all comedies, you get smart and stupid scenes. You get more stupid when you have more slapstick, but you also have more laugh-out-loud moments. Such is the case here, as Jean Reno and Christian Clavier portray clownish 11th-century men who suddenly find themselves in modern-day France. Time-travel films almost always are fascinating, whether it's sci-fi or comedy.
Most of the jokes center around the guys trying to figure out today's modern conveniences, such as toilets, and the problems they have trying to figure them out. Also, there are big problems with the men's relatives, who are trying to figure out who these strange-acting guys are all about!
As for family viewing: not suitable. There is no sex and no nudity, but there is rough language which is why it's rated "R."
As with all comedies, you get smart and stupid scenes. You get more stupid when you have more slapstick, but you also have more laugh-out-loud moments. Such is the case here, as Jean Reno and Christian Clavier portray clownish 11th-century men who suddenly find themselves in modern-day France. Time-travel films almost always are fascinating, whether it's sci-fi or comedy.
Most of the jokes center around the guys trying to figure out today's modern conveniences, such as toilets, and the problems they have trying to figure them out. Also, there are big problems with the men's relatives, who are trying to figure out who these strange-acting guys are all about!
As for family viewing: not suitable. There is no sex and no nudity, but there is rough language which is why it's rated "R."
I just finished watching the movie, and it was hilarious. I was laughing outloud at many many points. However, as my title indicated, it was the original french track that made me laugh. As is always the case for biliguals, one cant help but listen to the track and read the subtitles at the same time. Unfortunately, the subtitles do not do justice to the movie.
There are just too many semantic jokes that play off names and locations that could not be translated and make sense. That is why in so many reviews there seems to be a sharp contrast in views of whether or not this was a joke-a-minute movie.
The hollywood remake is awful, in fact,it never really made any sense and and the jokes were far and few in between. This one makes much more sense, and the meeting of people and their descendants makes for many more laughs.
The other factor is the acting and casting. This is just the nature of subtitled movies - one very rarely gets the fantastic acting and language ability of actors when reading the watcher is reading a yellow line, especially in comedy. Those who listen to the movie in its original french thikn the acting was fantastic, the voice casting (something i think is terribly important in acting [say, could Ashton Kutcher play Maximus from Gladiator, no, a high pitched voice could not do it]) is brilliant, but reading a crummy translation (and it was crummy) wont do the film justice.
8/10 for francophiles 6/10 for subtitle readers
There are just too many semantic jokes that play off names and locations that could not be translated and make sense. That is why in so many reviews there seems to be a sharp contrast in views of whether or not this was a joke-a-minute movie.
The hollywood remake is awful, in fact,it never really made any sense and and the jokes were far and few in between. This one makes much more sense, and the meeting of people and their descendants makes for many more laughs.
The other factor is the acting and casting. This is just the nature of subtitled movies - one very rarely gets the fantastic acting and language ability of actors when reading the watcher is reading a yellow line, especially in comedy. Those who listen to the movie in its original french thikn the acting was fantastic, the voice casting (something i think is terribly important in acting [say, could Ashton Kutcher play Maximus from Gladiator, no, a high pitched voice could not do it]) is brilliant, but reading a crummy translation (and it was crummy) wont do the film justice.
8/10 for francophiles 6/10 for subtitle readers
The French have a wonderful sense of detail. I've spent 10 months there, and this sixth sense seeps through most things - including films. Their comedies are almost always very good, and if they could just get rid of the need for banana-skin-humor (in this case a bowl of soup on someone's head), they would be hilarious.
This film is the funniest of the lot. The characters are extremely funny, and the clash between the medieval knight and his sidekick and the modern world is just as grotesque as I imagine it would be in real life.
The part where they have dinner together is the best: "Jour...nuit...jour...nuit..." You can't quit laughing.
This film is the funniest of the lot. The characters are extremely funny, and the clash between the medieval knight and his sidekick and the modern world is just as grotesque as I imagine it would be in real life.
The part where they have dinner together is the best: "Jour...nuit...jour...nuit..." You can't quit laughing.
I watched this film late at night on Channel 4 while not being able to sleep, not knowing what on earth to expect. In fact it turned out to be a delightful film, which really made me laugh and was unashamedly silly while not being specifically aimed at kids. I ended up getting it on DVD and making my friend watch it: she also thought it was great. Neither of us can speak French and while we knew the subtitles probably weren't getting all of the humour across we still found it very enjoyable. Shame it had to be remade, although I never saw the English version I'm sure it wasn't as good. Recommended!
(P.S. We were also shown some of it in French class - the teacher and I giggled throughout and no one else in the class did! So maybe an acquired taste, but I loved it!)
(P.S. We were also shown some of it in French class - the teacher and I giggled throughout and no one else in the class did! So maybe an acquired taste, but I loved it!)
Sometime soon we'll agree not to be mad at the French. When that happens, look for "Les Visiteurs" on cable or at the video place. The frantic humor of this time-shifting comedy works well both on the French dialogue track and through the somewhat loose paraphrases of the subtitles. Yes, folks, subtitles and all, this is a good one.
Christian Clavier emerged from the Splendide, a French take on Second City, to seize the film comedy market by the throat. Like Jerry Lewis, he is in need of a straight man. Lewis's moved on to the Ding-a-Ling Sisters. Clavier has granite-faced Jean Reno of "French Kiss" and "Mission Impossible", the man with the permanent dix-sept heures shadow across his jowls. Their interaction is spot-on hilarious.
Oddly, the memorable quote from this film is in (sort of) English. "OK" is acceptable Franglais, the Academie notwithstanding. Clavier's character becomes fascinated with the word, shouting "O-Kayyy"! at the least provocation. Listen to my wife and I converse: we echo old Jacqouille all the time.
Christian Clavier emerged from the Splendide, a French take on Second City, to seize the film comedy market by the throat. Like Jerry Lewis, he is in need of a straight man. Lewis's moved on to the Ding-a-Ling Sisters. Clavier has granite-faced Jean Reno of "French Kiss" and "Mission Impossible", the man with the permanent dix-sept heures shadow across his jowls. Their interaction is spot-on hilarious.
Oddly, the memorable quote from this film is in (sort of) English. "OK" is acceptable Franglais, the Academie notwithstanding. Clavier's character becomes fascinated with the word, shouting "O-Kayyy"! at the least provocation. Listen to my wife and I converse: we echo old Jacqouille all the time.
¿Sabías que…?
- TriviaMel Brooks was hired to write and record English-language dialogue for the U.S. release. But the version did not test well with audiences, and co-writer/director Jean-Marie Poiré hated it, saying Brooks had turned it from a comedy about a French knight into a parody with French accents so thick it was almost impossible to understand. So Miramax held up U.S. release until the summer of 1996, with standard subtitles. Brooks was paid $500,000 for his efforts, however.
- ErroresWhen Godefroy arrives at Béatrice's, he complains that "there's no longer any hectare of forest". Hectare is a surface area unit that was invented during the French Revolution.
- Citas
[repeated line]
Jacquouille la Fripouille: OKKKKKKKKKKK!
- Créditos curiososAfter the final credits role, stick around for a "Hello to all you credits-lovers!" accompanied by a waving medieval knight.
- ConexionesFeatured in CinéMagique (2002)
- Bandas sonorasSymphonie Ecossaise
(Extraits)
Composed by Felix Mendelssohn (as Félix Mendelsshon)
Performed by The Czech Symphony Orchestra
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Les visiteurs
- Locaciones de filmación
- Château d'Ermenonville, Ermenonville, Oise, Francia(Montmirail Castle, modern times)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FRF 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 659,810
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,792
- 14 jul 1996
- Total a nivel mundial
- USD 659,810
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Relación de aspecto
- 2.35 : 1
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