El despertar de la bestia

This may be one of the greatest (and when I say the greatest,I mean THE GREATEST) horror film I've seen since SHOWGIRLS! The lead actor, Mark Kinsey Stephensen, channels the Mr. Tamborine man-size cajones of William Shatner with the acting range of a toaster oven not plugged in and with no muffins in it. The presence of veteran actors David Warner and John Rhys-Sallah-Gimli-Davies only heightens the cheese factor to Limburger-sized heights. This film contains AT LEAST 12 rewindable moments, including the gratuitous butt-shots of ham-sandwich sporting actress Maria Ford, the attack in a library by the Unameable on a bunch of mullet-coiffed cops, and an Obi-Wan Kenobi moment in which the LA Gear wearing sidekick is visited by the ghost of the Gorton's fisherman. Kudos to the supporting cast as well, from obviously gay George Takei wannabe pal to the hairy-kneed college student who looks like bastard love child of Fabio and Corey Feldman. Stack 'em high and dig in.

This sequel picks up directly where part one left off and finds the two main characters from the original film seperating the human half from the demon half of part one's monster. They flee with the human half, but the demon eventually escapes from her prison and seeks out the human part to her and killing anyone in her way. Sometimes exciting, sometime scary, slightly better then part one, but bland.

Rated R; Violence, Brief Nudity, and Profanity.

I wanted to see what was out there for Lovecraft stuff to get in the mood for Halloween and came up with this movie. An absolutely stupid choice of lead actor combined with a really bad script makes the whole thing kind of "Killer Tomatoes" cool.

This kind of thing happens in the story: They go into some underground tunnels beneath a graveyard with no plan, no guns, no secret charm, just Don Knotts and Mr. French going to see if the monster that killed 4 people last night is still there. They find this crazed demon-infested girl and reach near it's hugely-fanged face to pull out a hair to study. Just one dumb idea after another.

My favorite part? Check out the sound it makes when the deputies are shooting the lock at the end.

I didn't see the first movie, but I don't think I needed it to review this.

OK i remember watching this movie when i saw this on video back when i was like 17 and i thought it was a good movie and they tried to take off where the last film ends but the only thing that they messed up on was that they said the creature was born from Joshua Winthrop daughter but that is false he was born from Joshua Winthrop wife in the first film, that really was the only error i found in the movie. The movie was a good overall sequel, i wish they could of had a little more blood and guts, let you know what happened to Tanya from the first film. She was just seen driving off in the police car and was really not mention again. Otherwise not a bad movie

This might be the only Lovecraft movie sequel to actually adapt a Lovecraft story ("The Statement of Randolph Carter," which actually preceded "The Unnamable") and is a superior sequel. Well, I think it is superior since I can't remember liking THE UNNAMABLE that much (outside of some nice make-up). Stephenson is an unusual lead, a very intense nerd totally focused on his task at hand. Klausmeyer, who inexplicably sees his character renamed from Howard Damon to Eliot Damon Howard, is good as well. Completely underutilized David Warner slipped in for one day to shoot a scene as the college chancellor and Rhys-Davies might have been there for a couple of days. The film offers lots of gore and, again, the creature design is pretty damn spiffy. The real star, however, is b-movie actress Maria Ford. This might actually be her strongest acting role as the displaced 17th century girl (and I'm not saying that because she spends 50% of her screen time nude). Sadly, I decided to look her up online and she has had some horrific plastic surgery in the ensuing years.