CALIFICACIÓN DE IMDb
3.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA woman visiting her father in Egypt becomes involved with Marquis De Sade's descendant and his terrifying cult.A woman visiting her father in Egypt becomes involved with Marquis De Sade's descendant and his terrifying cult.A woman visiting her father in Egypt becomes involved with Marquis De Sade's descendant and his terrifying cult.
Juliano Mer-Khamis
- Mahmoud
- (as Juliano Merr)
Jonathan Cherchi
- Arab Market Hustler
- (as Yonatan Cherchi)
Howard Rypp
- Harry, Matteson's Assistant
- (as Howard Ripp)
Zachi Noy
- Chuck's Father
- (as Tsachi Noy)
Ya'ackov Banai
- Chevalier's Servant
- (as Yaakov Banai)
Joel Drori
- Chevalier's Servant
- (as Yoel Drori)
Yosef Shiloach
- Pardy Hardy
- (as Yosef Shiloa)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A young woman gets mixed up in a cult that is connected to the Marquis De Sade. Handsome looking sets, good make-up effects, lush costumes, and lots of pretty imagery can not cover up the fact that this is an incoherent mess with a skimpy script. The actors and director try hard, perhaps too hard. Rated R; Strong Sexual Content, Nudity, Violence, Adult Themes, and Profanity.
1st watched 8/26/2001 - 3 out of 10(Dir-Tobe Hooper): Scary, yet sadistic(which makes sense) portrayal of a relative of the Marquis De Sade carrying out the same sadistic acts and enjoying it that supposedly his predecessor did. This Tobe Hooper film really doesn't do a whole lot different than his similar in style Freddy Krueger movies with the same star (Freddy himself - Robert Englund) playing a dual role(the Marquis De Sade and his relative). It is also seems like it wants to really poke at Christianity but then loses that in the end much to my chagrin but leaving an inconsistent feel to the movie. Could have been much worse if excesses were taken in sex and violence, but they try to keep this at a minimal despite some disgusting scenes. My final thought is why would Hooper want to make this movie. It obviously took awhile to actually get distributed, then it has to be advertised gruesomely and with Hooper's name in the title to hopefully make some money on his name and his gore. It's obvious this didn't work.
This is one of the smaller films Tobe Hooper directed in the 80s and 90s but one of his darkest in subject matter. There are quite a few thematic links to Texas Chainsaw Massacre: we had a virginal girl getting wrapped up in an underground cabal or torture and black magic. This is not as intense but keeps you invested with its bizarre style and solid performances. Hooper fans won't be turned off by the absurd and symbolic moments, but mainstream horror fans won't get it. This is not a slasher film, but all Hooper films get unfairly graded as such. He works with very esoteric and macabre stories that are not supposed to be realistic. They are old school horror movies with a more intelligent knowledge of evil and depravity. Hooper may have topped himself 2 years later with the similar film "The Mangler" which also starred Robert Englund, who is really having fun in both films. Big recommendation to fans of David Lynch or Jess Franco, whose sometimes producer Harry Allan Towers produced this film!
I don't know much about Tobe Hooper, or why he gets his name in the title, but maybe he shouldn't have bothered. As another commenter mentioned, there isn't really enough horror or erotica to bring in fans of either genre. The plot is incoherent, the Sade sequences are gratuitous, and most of the acting is so-so. Englund was doing his best with weak material, and Zoe Trilling has a really great bottom, but neither is enough to carry this film. This one's a tape-over. Grade: F
Genie (Zoe Trilling) arrives in Egypt to visit her hypocritical, bible-quoting archeologist father (William Finley) and attracts the attention of a group of cultists led by a descendant of the Marquis de Sade (Robert Englund). Englund also plays de Sade in flashbacks, ranting in his cell. Genie is led astray by Mohammed (Juliano Merr), who rides around naked on a horse and Sabina (Alona Kamhi), a bisexual who introduces her to opium smoking, which leads to a wild hallucination featuring topless harem dancers, a woman simulating oral sex on a snake, an orgy and her father preaching in the background! Meanwhile, black hooded cult members decapitate, gouge out eyeballs and slit throats. When Genie is slipped drugs in her tea, she imagines de Sade hanging from a cross, a gold-painted woman in a leafy g-string and herself bloody on a bed covered in snakes. It's all because she's the reincarnation of de Sade's lost love.
This typically sleazy Harry Alan Towers production is redundant, seedy and pretty senseless, but the sets, costumes, cinematography and location work are all excellent and at least there's always something going on.
Score: 3 out of 10
This typically sleazy Harry Alan Towers production is redundant, seedy and pretty senseless, but the sets, costumes, cinematography and location work are all excellent and at least there's always something going on.
Score: 3 out of 10
¿Sabías que…?
- TriviaDirector Gerry O'Hara left the project because he didn't want to shoot a screenplay which envisioned the De Sade character in the eighteenth century.
- Citas
Marquis De Sade: Henri was as criminal as I... as debauched... as depraved. Together... we made the roses bloom... in Sodom.
- ConexionesReferenced in Video Nasty: Kenneth J. Hall Remembers the Direct-to-Video Horror Boom (2014)
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