The Substitute

As awkward as this film is, there are moments that can only be described as, sublime. The moments are pinpointed by faces. If you read the film through the faces of its characters you'll have a memorable experience. The pain and anger in Amanda Donohue's face is as entertaining and shattering as anything Bette Davis has ever done. Mark Whalberg ambles down into the film scene with a bang, looking straight into the camera, inviting us to "get busy". The faces of the students, Molly Parker and Martin Cummins among them, tell us, in beautiful close ups, how much their murderous teacher has done for them. Then the teacher tells them how much they mean to her, we see the kids faces from above as her point of view. It is just wonderful. Last but not least is the amazing score by Gerald Gouriet (Madame Souzatska, Seeds of Tragedy) All in all I had the feeling that a genial mind was at work here, but chained to some kind of wall of mediocrity. As rarities go, this is the "rariest". Worth the trip.

I was curious about "The Substitute" because it was Mark Whalberg's debut as an actor but I couldn't have imagined the pleasures that this off beat melodrama had to offer. Elegantly told with unexpected holes in the narration here and there but with a thrilling central performance by Amanda Donohoe that left me kind of breathless. There is also a visual intention that is both surprising and deeply engrossing. Amanda Donohe looking at herself in the mirror at different times of her shattering journey gives you clues as to were her mind is. What does she actually see when she looks into the mirror? She was always a positive human being that was pushed into an infernal situation and instead of getting herself out she gets in deeper and deeper. I felt sympathy for her and at the same time she terrified me. The superb Hitchcockian score is another major plus.

Wow! I had a lot of fun, I was taken and manipulated in the most delicious way. Amanda Donohoe creates a very human monster. She is spec-ta-cu-lar! That pain that you perceive in every one of her smiles is like an emotional ticking bomb that sooner or later is going to explode. I had to be reminded this movie was made for cable TV about two decades ago and that may explain its inconsistencies. Martin Donovan, the director, has an eye and an elegance so beautifully present in his Apartment Zero. There is a clear ambition, visual and dramatic in this surprising movie - look at that triangular moment at the school party. Father, son and teacher. Or the computer search with images and words taking over the screen. Also, the performances are totally cinematic. It bears repeating that Amanda Donohoe's performance deserves some kind of trophy. Dalton James, Natasha Gregson Wagner, Molly Parker and even Mark Wahlberg making his film debut have moments of beauty and power. All the characters even the smallest have a chance to shine. I've been trying to buy it in Amazon or Netflix - they never heard of it! I can't find it anywhere but I'm determined to see it again.

It has been awhile since audiences have seen Amanda Donohoe. (Remember L.A. Law?).

She is actually quite good as a teacher with less than good intentions; she looks mysterious and menacing. It is surprising also that Mark Wahlberg (previously known as "Marky Mark") is in this film I recently saw him in "The Shooter" and he has come a long way.

For a TV suspense film this is not bad. Dalton James ("90210") also has a part as Ben's son, who realizes Donohoe is capable of murder. There are a few scenes reminiscent of Psycho, when he is in the library collecting information about the teacher and her murderous history. Natasha Gregson Wagner also has a small part as a student and Molly Parker ("Intensity").

All in all, not a bad film for a rainy day.

A surprising, classy, if not perfect, melodrama /thriller/comedy of horrors. Amanda Donohoe is exceptional in a character tailor made for Bette Davis. Those smiles with a creepy underneath. She goes for it in a performance that it's as complex as it is fun to watch. This movie by the enigmatic Martin Donovan is a mix of extraordinary moments - cinematic, surprising, beautiful, frightening and funny as well a downright bad, amateurish moments - I'm trying to find everything Donovan has done. Not an easy thing, believe me. But for what I've seen so far, he is a welcome lyrical oddity. "The Substitute" uneven as it is, remains in my mind as if inviting me to see it again. I will, for sure. Mark Wahlberg makes his film debut here looking straight into the camera. I bet Donovan knew what he was doing. I highly recommend it for lovers of the strange and unique.