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Al haber sido testigo recientemente de los horribles resultados de un proyecto ultrasecreto para devolver la vida a los muertos, un joven angustiado le realiza la operación a su novia despué... Leer todoAl haber sido testigo recientemente de los horribles resultados de un proyecto ultrasecreto para devolver la vida a los muertos, un joven angustiado le realiza la operación a su novia después de morir en un accidente de moto.Al haber sido testigo recientemente de los horribles resultados de un proyecto ultrasecreto para devolver la vida a los muertos, un joven angustiado le realiza la operación a su novia después de morir en un accidente de moto.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 1 nominación en total
Melinda Clarke
- Julie Walker
- (as Mindy Clarke)
Julian Scott Urena
- Mogo
- (as Fabio Urena)
Michael Deak
- Cop #1
- (as Michael S. Deak)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Return of the Living Dead III' is a divisive installment, diverging from the comedic elements of its predecessors. It is lauded for its darker tone and poignant love story, alongside impressive gore and special effects. However, it faces criticism for inconsistent zombie behavior, plot inconsistencies, and pacing problems. Despite mixed reactions, many appreciate its effort to innovate within the franchise, though it struggles to replicate the original's appeal.
Opiniones destacadas
I was reluctant to watch the third part of the series (I have no interest in the second) as I knew the character of Burt would no longer be joining us. The death of Burt in the first ROTLD is one of the most unfortunate things in all cinema and had me depressed for weeks. I had further reservations when the logic of the first one was changed significantly--people in this movie are turned into zombies when bitten by one, which was not part of the original at all (this was also not the case in "Night of the Living Dead," but Romero put it into the sequel. It seems to be a weird detail that was obliquely added to the zombie genre and is now taken for granted). There is also some uncertainty as to why the resurrected character Julie even wants brains. In the first one, the zombies can feel themselves decomposing and only brains can relieve the pain--in this one, she is just inexplicably hungry, and brains... make her full, or something. This leads to a rather hilarious scene in which she's stuffing all sorts of food into her mouth at a gas station and had me wondering if the movie was going to be idiotic, but at that moment the director hits the clutch and the plot veers into full throttle awesomeness. (And in retrospect it's not that big a plot hole; maybe she can't feel herself rotting yet but her body knows it's happening and desires brains.)
We begin following Julie and her boyfriend Curt (weird side note: these are the names of my aunt and uncle!) as they aimlessly run through the streets while pursued by a gang, with Julie becoming more insatiably hungry by the minute. It's top-notch horror. A lot of horror movies have you wondering, "Why don't they just get HELP or something," but here it is clearly impossible for the police or medics to do anything, and you're as stumped about what the characters should do as they are. There's no feeling superior to them, a hard trick to pull off in a horror movie. Eventually, Julie attempts suicide and is rescued by a black man dressed like a Jedi Knight, and here I was no longer sad that Burt wasn't around because this new fellow actually out-awesomes Burt. He takes them to a room in a sewer which he has converted into some sort of temple and announces, "YOU CAN CALL ME... RIVERMAN," whereby I was able to conclude that if I were somehow put in charge of the MPAA rating system, I would rate every movie based on whether or not Riverman was in it (Riverman being played by cult actor Basil Wallace, best known as Screwface from the badass action movie "Marked for Death"). It is while in Riverman's lair that Julie discovers extreme pain can take her mind off brains, leading to the famous scene wherein she mutilates herself beyond recognition (some may see this as another plot hole, since the original ROTLD zombies needed brains to take their minds off pain, but I believe Julie still has enough of a conscience that she prefers the pain to killing). The astute viewer will realize here that all this eating and cutting on Julie's part seems to be referencing some actual real-life issues, although I'm not entirely sure what the point of it is. It might be just a joke, but the tone is dark enough that it makes a sobering addition to an already depressing story.
There's more awesomeness that I don't want to spoil here--I will only say that the freaky zombies from the first movie make an appearance at the end, bringing it all to a chaotic conclusion. Mindy Clarke is AMAZING as Julie--she makes a believable performance out of a role that is far different than the usual teen-horror "scream queen." The doomed bond between her and Curt works as both straight horror and tragedy, and the slick direction and elaborate set pieces make this a fine action flick as well. It's not quite as fun as the first in the series, but it's definitely impressive on its own, and I can honestly rate it as one of the better movies of the 80's. Check it out. 7/10.
We begin following Julie and her boyfriend Curt (weird side note: these are the names of my aunt and uncle!) as they aimlessly run through the streets while pursued by a gang, with Julie becoming more insatiably hungry by the minute. It's top-notch horror. A lot of horror movies have you wondering, "Why don't they just get HELP or something," but here it is clearly impossible for the police or medics to do anything, and you're as stumped about what the characters should do as they are. There's no feeling superior to them, a hard trick to pull off in a horror movie. Eventually, Julie attempts suicide and is rescued by a black man dressed like a Jedi Knight, and here I was no longer sad that Burt wasn't around because this new fellow actually out-awesomes Burt. He takes them to a room in a sewer which he has converted into some sort of temple and announces, "YOU CAN CALL ME... RIVERMAN," whereby I was able to conclude that if I were somehow put in charge of the MPAA rating system, I would rate every movie based on whether or not Riverman was in it (Riverman being played by cult actor Basil Wallace, best known as Screwface from the badass action movie "Marked for Death"). It is while in Riverman's lair that Julie discovers extreme pain can take her mind off brains, leading to the famous scene wherein she mutilates herself beyond recognition (some may see this as another plot hole, since the original ROTLD zombies needed brains to take their minds off pain, but I believe Julie still has enough of a conscience that she prefers the pain to killing). The astute viewer will realize here that all this eating and cutting on Julie's part seems to be referencing some actual real-life issues, although I'm not entirely sure what the point of it is. It might be just a joke, but the tone is dark enough that it makes a sobering addition to an already depressing story.
There's more awesomeness that I don't want to spoil here--I will only say that the freaky zombies from the first movie make an appearance at the end, bringing it all to a chaotic conclusion. Mindy Clarke is AMAZING as Julie--she makes a believable performance out of a role that is far different than the usual teen-horror "scream queen." The doomed bond between her and Curt works as both straight horror and tragedy, and the slick direction and elaborate set pieces make this a fine action flick as well. It's not quite as fun as the first in the series, but it's definitely impressive on its own, and I can honestly rate it as one of the better movies of the 80's. Check it out. 7/10.
Return of the Living Dead III (1993) was released upon the 25th anniversary of the release of Night of the Living Dead (1968). Instead of making another bad spoof, Brian Yuzna wisely decided to make a return to the basics. A creepy and dark horror film. A young military brat and his girl are fooling around on a motorcycle and she's killed in a fatal accident. Grief stricken and severely sprung, the kid takes his girl to the army base where his dad works and takes her to a secret lab and revives her. Sadly the boy doesn't know what he's unleashed and this young "frankenstein" has to destroy his little "creation". If you're going to watch this movie please avoid the "rated" version. As in all of Brian Yuzna's films he likes to make his flicks over the top and very gory. The "family" rental companies carry the "rated" version so "look out" for the "unrated" label. If not then you'll be treated to a bunch of freeze frames and badly cut scenes. A sad tale about true love.
Recommended.
Let's hope this ends the series. If it does then it'll end on a high note.
Recommended.
Let's hope this ends the series. If it does then it'll end on a high note.
Return of the Living Dead III is the type of horror film you can watch with your friends, or your girlfriend. It is a film with a romantic (yet tragic) edge to it that saves it from the muck of sequel overkill. The story follows a young man who, after seeing his girlfriend die who he loves so much, brings her back to life in a top secret facility with the gas that brings back the dead from part 1 (without them being able to get electricuted), but then strange things happen. Clever horror with a edge, with it's only problem not stopping too often and of course the sequel overkill. Still worth a look, especially for horror enthusaists who don't believe there's life after part 2. A-
Curt, a GenXer army brat, is madly in love with Julie, a Gothy punk girl with a fascination for the morbid. In order to impress her, Curt swipes his dads clearance card and the two lovebirds sneak into the high security testing facilities of the military base. Curt's dad, a high ranking military official, is involved in some pretty sick experiments which center around the reanimating powers of the chemical known as 245 Trioxin. After witnessing a gruesome resurrection, Curt and Julie flee, have sex and find out that Curt's dad is being transferred. Rather than be torn asunder, the two run away together. But a terrible motorcycle accident cuts their plans - and Julie's life - short. Now it's back to the base to reanimate his beloved, but even though the resurrected Julie seems normal, it's only a matter of time before her dead body rots, and her human emotions are replaced with an insatiable hunger for living human brains.
This third installment in the ROTLD series avoids the campy black comedy of the first film, and the utter stupidity of the second. It falls somewhere right smack between the two and ends up being halfway decent. There's some great scenes of cutting, scarification and body mutilation as Julie discovers that self inflicted pain can temporarily curb her nasty appetite. Whether or not this was an intentional comment on the habits of GenX teens to mutilate themselves to curb feelings of depression, I don't know, but it's quite effective and, considering that this came out in 1993, rather timely as well. Julie ends up resembling a Cenobite rather than a zombie, decked out in leather, chains and broken glass, but I'm not complaining. There's a LOT of gore, most of which takes place in the military labs as zombies are fitted with harnesses, lobotomized with power drills, held together with metal exoskeletons and, in general, end up resembling an S&M orgy gone horribly wrong. It's pretty nasty, graphic stuff, but the zombies themselves are pretty cool looking, especially one who ends up looking like a freaky, bipedal giraffe.
The story isn't anything new, but some of the acting (especially that of Mindy Clarke as Julie) is pretty good and the zombie effects are impressive. The ending is a downer, but not as grim and disheartening as it could have been.
All in all, it's fairly enjoyable. It's much better than Part 2 was, anyway.
This third installment in the ROTLD series avoids the campy black comedy of the first film, and the utter stupidity of the second. It falls somewhere right smack between the two and ends up being halfway decent. There's some great scenes of cutting, scarification and body mutilation as Julie discovers that self inflicted pain can temporarily curb her nasty appetite. Whether or not this was an intentional comment on the habits of GenX teens to mutilate themselves to curb feelings of depression, I don't know, but it's quite effective and, considering that this came out in 1993, rather timely as well. Julie ends up resembling a Cenobite rather than a zombie, decked out in leather, chains and broken glass, but I'm not complaining. There's a LOT of gore, most of which takes place in the military labs as zombies are fitted with harnesses, lobotomized with power drills, held together with metal exoskeletons and, in general, end up resembling an S&M orgy gone horribly wrong. It's pretty nasty, graphic stuff, but the zombies themselves are pretty cool looking, especially one who ends up looking like a freaky, bipedal giraffe.
The story isn't anything new, but some of the acting (especially that of Mindy Clarke as Julie) is pretty good and the zombie effects are impressive. The ending is a downer, but not as grim and disheartening as it could have been.
All in all, it's fairly enjoyable. It's much better than Part 2 was, anyway.
Return 3 starts off very poorly. Actors are pretending to be in the military in a very cheap looking set. As usual in many low budget horror movies, moronic teenagers decide to break into a top secret military facility for fun.... <sigh>, and naturally accidentally release whatever the base is trying to contain. I was prepared at that point for the worst and settled myself in for 90 minutes of frustration. Return of the Living Dead 2 was one of the worst sequels I had ever seen, so I really wasn't expecting much from Return 3. But then something happened, and Return 3 got better and better. There was a real story! The director actually tried for some character development! There was suddenly plenty of extremely well done gore! There were some moments of real horror!
The scenes where Julie starts cutting and impaling herself were difficult to watch, that's how well done they were. The movie moves from a cheap horror-comedy into a well put together love story with incredibly gory effects. I actually really felt for the main couple, even though she was slowly turning into a zombie! Normally, one of them would get whacked which would give the remaining person a few lame Arnold-type lines, and an excuse to obliterate whatever (or whomever) is supposed to be the bad guy. However, this movie doesn't follow that formulaic path. It takes a very weird turn halfway through and never looks back.
When Julie makes her transformed appearance in the sewer, it is truly an awe-inspiring site! They actually managed to make her look both incredibly repulsive and very sexy at the same time. This film reminded me a lot of the Ginger Snaps movies in the type of character development pursued within the confines of a horror movie. Very pleasant surprise.
8/10
The scenes where Julie starts cutting and impaling herself were difficult to watch, that's how well done they were. The movie moves from a cheap horror-comedy into a well put together love story with incredibly gory effects. I actually really felt for the main couple, even though she was slowly turning into a zombie! Normally, one of them would get whacked which would give the remaining person a few lame Arnold-type lines, and an excuse to obliterate whatever (or whomever) is supposed to be the bad guy. However, this movie doesn't follow that formulaic path. It takes a very weird turn halfway through and never looks back.
When Julie makes her transformed appearance in the sewer, it is truly an awe-inspiring site! They actually managed to make her look both incredibly repulsive and very sexy at the same time. This film reminded me a lot of the Ginger Snaps movies in the type of character development pursued within the confines of a horror movie. Very pleasant surprise.
8/10
¿Sabías que…?
- TriviaAccording to Brian Yuzna's commentary, Trimark did not require the film to use the same actors or have the same comedic elements as the previous two films but they did require the zombies (including Julie) crave and eat brains.
- ErroresWhen they are first testing the Trioxin gas, one of the signs that it's working is that the corpse attains a heartbeat. Yet, in the first movie, the two characters who were first exposed to the gas *lost* their heartbeats, yet were still mobile. Therefore, heart rate should not be used as an indicator of Trioxin's effectiveness.
- Citas
Curt Reynolds: Julie, are you eating him? You should stop it.
- Versiones alternativasThe Trimark/Lionsgate DVD is the heavily censored R-rated version. The uncut, unrated version has since surfaced on the 2016 Vestron Blu-Ray.
- ConexionesFeatured in Durch die Nacht mit...: Pierre Woodman und Brian Yuzna (2007)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- El regreso de los muertos vivientes III
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 54,207
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,810
- 31 oct 1993
- Total a nivel mundial
- USD 54,207
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