CALIFICACIÓN DE IMDb
5.4/10
7.3 k
TU CALIFICACIÓN
Alex, un policía ciborg de Los Ángeles, se ve obligado por el comisario Farnsworth a encontrar a su antiguo compañero Jared, que está a punto de entregar datos a terroristas ciborg que desea... Leer todoAlex, un policía ciborg de Los Ángeles, se ve obligado por el comisario Farnsworth a encontrar a su antiguo compañero Jared, que está a punto de entregar datos a terroristas ciborg que desean librar una guerra contra los humanos.Alex, un policía ciborg de Los Ángeles, se ve obligado por el comisario Farnsworth a encontrar a su antiguo compañero Jared, que está a punto de entregar datos a terroristas ciborg que desean librar una guerra contra los humanos.
Blair Valk
- Morico
- (as Borovnisa Blervaque)
Thomas Jane
- Billy Moon
- (as Tom Janes)
Adriana Stastny
- German National
- (as Adrianna Miles)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Celebrate Oliver Gruner's heyday by watching the B-movie masterpiece "Nemesis". It's really pretty good. Gruner may be the poor man's Peter Weller, but he plays his 85% android character with an effective stone face and only shreds of humanity. Tight direction and good special effects also keep it fast moving and fun.
Gruner plays Alex, an undercover cop/cyborg hunter. He becomes involved in a dangerous (and at times confusing) plot that sends him fleeing through an industrial wasteland in search for answers. I was tickled pink by a story that doesn't count on cheesy, cop-out twists to maintain its excitement, but simultaneously delivers the goods of a sci-fi and action movie. It lovingly references the movies it takes from, also- which include "Terminator", "Robocop", and "Blade Runner" which keep it on the respectable side of generic. Director Albert Pyun creates a slick neo-noir atmosphere which extenuates the story.
And the action scenes. Oh, the action scenes. Hit and miss Pyun is in top form- using high-tech, but refreshingly not over the top, weaponry and beautiful urban sets. The shoot-outs are imaginative and never redundant or trite. Don't miss the apartment shoot-'em-up where Gruner shoots at the floor spiraling as to create a hole for him to drop down, which he continues to do for two more floors. As if this wasn't cool enough, Pyun uses a Raimi-esquire shot that stays on Gruner's head as he drops through the building. Yes, 10 years later "Underworld" implemented this idea in a more popular film, but I hardly think it did so in better form. There are great stunts, focused direction and good acting to keep it unrelentingly fun.
"Nemesis" does need work, don't get me wrong. As Pyun demonstrated in his 1997 disaster "Mean Guns", he has a hard time tapping into his characters and material which makes things seem distant, confusing and at times impenetrable. He has a difficulty capturing transitions adequately, which obscures some of the action scenes.
Most in the audience will be pleased by the film's unlimited sex appeal. The movie creates a fascinatingly erotic connection between the near future and wangled, unrestrained sexuality. Deboarah Shelton is endlessly sexy and gives the movie a raw energy that almost compensates for its distant connection to the material.
I loved "Nemesis". It has a wonderfully distributed blend of science fiction and action. While there may be a brick wall between the audience and any hope of an emotional connection, it is sexy and fun enough to remain a great time.
Gruner plays Alex, an undercover cop/cyborg hunter. He becomes involved in a dangerous (and at times confusing) plot that sends him fleeing through an industrial wasteland in search for answers. I was tickled pink by a story that doesn't count on cheesy, cop-out twists to maintain its excitement, but simultaneously delivers the goods of a sci-fi and action movie. It lovingly references the movies it takes from, also- which include "Terminator", "Robocop", and "Blade Runner" which keep it on the respectable side of generic. Director Albert Pyun creates a slick neo-noir atmosphere which extenuates the story.
And the action scenes. Oh, the action scenes. Hit and miss Pyun is in top form- using high-tech, but refreshingly not over the top, weaponry and beautiful urban sets. The shoot-outs are imaginative and never redundant or trite. Don't miss the apartment shoot-'em-up where Gruner shoots at the floor spiraling as to create a hole for him to drop down, which he continues to do for two more floors. As if this wasn't cool enough, Pyun uses a Raimi-esquire shot that stays on Gruner's head as he drops through the building. Yes, 10 years later "Underworld" implemented this idea in a more popular film, but I hardly think it did so in better form. There are great stunts, focused direction and good acting to keep it unrelentingly fun.
"Nemesis" does need work, don't get me wrong. As Pyun demonstrated in his 1997 disaster "Mean Guns", he has a hard time tapping into his characters and material which makes things seem distant, confusing and at times impenetrable. He has a difficulty capturing transitions adequately, which obscures some of the action scenes.
Most in the audience will be pleased by the film's unlimited sex appeal. The movie creates a fascinatingly erotic connection between the near future and wangled, unrestrained sexuality. Deboarah Shelton is endlessly sexy and gives the movie a raw energy that almost compensates for its distant connection to the material.
I loved "Nemesis". It has a wonderfully distributed blend of science fiction and action. While there may be a brick wall between the audience and any hope of an emotional connection, it is sexy and fun enough to remain a great time.
just caught this film again and happy it still stands up after 10 years, Albert Pyun really puts his lowbud helming abilities to great use here with post war locales and great wardrobes, the action is much higher standard than standard b movie fare of today, borrowing much from John Woo / Chow yun-Fat flicks, the story serves to give us the action and effects we want. shame Gruner never topped this and never will with movies like the Circuit and Crackerjack. action 8/10 story 5/10 chicks 8/10
Albert Pyun's stylish direction and excellent use of dilapidated locales make this B-grade sci-fi actioner entertaining throughout (reminiscent of his earlier Van Damme vehicle, "Cyborg"). Although lead actor Olivier Gruner's wooden acting is often unintentionally funny, he has the look, physique, and physical grace to fit the role and to pull off the various kinetic action pieces that highlight the film. An adequate script and competent special effects also help to make this an above average cyborg adventure film.
So despite the awful acting, weirdly convoluted plot, oddball accents, and overabundance of running gunfights, this movie is charming and watchable. It takes a bit of lots of other movies, but makes something knock off Cyberpunk and fun. Not a good movie by any means, but not the worst POS on the planet either.
I had never heard of this movie when I first saw it in the store, but the cover looked cool, and the story sounded neat (well, actually I was more interested in the word "Cyborg" on the cover) so I rented it. I really liked it! Lots of action and CYBORGS!! The plot is a bit confusing, and you never really get a hang of it since they never fully explain it in the movie, but after several viewings I think the plot goes something like this:
LAPD Cop Alex Rain is half-human, half-cyborg (don't expect a mean killing machine àlà RoboCop, though) and he has to stop the Cyborgs before they complete their mission to kill all humans one by one and replace them with Cyborg duplicates. Well, Alex Rain goes to some "low tech, s**t hole called Shang Loo" (quote from the movie) and does a bit of killing and shooting. Well actually he does loads of killing and shooting.
Lots of action, and that's always good. The acting is poor, but Oliver Gruner does a good job as our man, Alex Rain! Poor effects, and a better soundtrack wouldn't hurt. But overall its a pretty good movie! 7 out of 10.
LAPD Cop Alex Rain is half-human, half-cyborg (don't expect a mean killing machine àlà RoboCop, though) and he has to stop the Cyborgs before they complete their mission to kill all humans one by one and replace them with Cyborg duplicates. Well, Alex Rain goes to some "low tech, s**t hole called Shang Loo" (quote from the movie) and does a bit of killing and shooting. Well actually he does loads of killing and shooting.
Lots of action, and that's always good. The acting is poor, but Oliver Gruner does a good job as our man, Alex Rain! Poor effects, and a better soundtrack wouldn't hurt. But overall its a pretty good movie! 7 out of 10.
¿Sabías que…?
- TriviaIn the original script Alex Rain was a 13 year old girl working undercover for the LAPD. Megan Ward, who had just worked with Albert Pyun on Video crímenes (1993), was considered and expressed interest, despite reservations over the high level of violence and a scene in which her character was fully nude (Ward was, obviously, a legal adult at the time). A few test scenes were shot before searching for financiers, which led Pyun to the Shah brothers at Imperial Entertainment. They agreed to bankroll the film on one condition: Alex had to be changed into an adult male and Olivier Gruner, their recent discovery, had to play him. Pyun agreed when the Shahs promised not to influence production in any other way. The concept of Alex being a woman was eventually used in the sequels, played by bodybuilder Sue Price.
- ErroresAfter Alex hits Germaine to the ground, when Farnsworth is looking down at Germaine the camera crew can be seen reflected in his glasses.
- Citas
Farnsworth: Da fucking humans!
- Versiones alternativasThe Japanese VHS features an alternate ending, containing an extended scene with Germaine, and a surprise appearance by Farnsworth at the very end, but also misses the entire stop-motion fight sequence on the plane, even though the sequence with an (inexplicably) badly injured Alex in Einstein's lab is intact.
- ConexionesEdited into Némesis 2 (1995)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,001,124
- Fin de semana de estreno en EE. UU. y Canadá
- USD 197,231
- 31 ene 1993
- Total a nivel mundial
- USD 2,001,797
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