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"Lost In Yonkers" was a nice blend of comedy and drama. Until watching it for the second time, I didn't even recognize Richard Dreyfuss to be the 'Uncle Louie' character, but I did know him by his voice. He played QUITE a character: An extremely stylish, offbeat criminal with a sense of humor.

The main character, 'Bella', was 'slow', according to her domineering mother. She was a delightful young woman who was loved by her nephews, siblings, and all those who knew her. Bella was ready to have a life on her own--the problem being--her Mom.

I really enjoyed this nostalgic, WWII era, movie. I recommend it to audiences of all ages.

How often today do we see films about entire families? Even the missing are still in the frame here, as alive in memory as in space. The acting here from everyone is just superb. The feeling of the stage is wonderfully present. This film belongs to a somewhat small sample of a stage play perfectly realized on the screen.

There are a lot of funny lines in what becomes a very serious movie. Arty has the best one - "Do you think the Germans would let some Jew in Poland send $5000 to a Jew in Alabama?" Pretty sharp for a 12-year old in 1944.

An odd aspect of the film which I think makes the presentation even more theatrical, is the choice to film in the environs of Cincinnati, as far from Yonkers as could be imagined. This serves to isolate the family even more, in a complex way which cannot be described. It's a little like the world of Willy Loman, half real and half imagined.

I really enjoyed this film.

This film is a good look on life during World War II. The film starts out as a comedy involving two youngsters, then evolves into a family drama towards the end. Richard Dreyfuss' character overreacts, is annoying, serves as a major distraction, and hardly has any screen time. Ruehl deserved an Oscar for her performance.

In all, a good warm film.

The mistake most often made when approaching a Neil Simon piece is the thought-line "if Simon wrote it - it must be a comedy". LOST IN YONKERS like THE GINGERBREAD LADY (filmed as ONLY WHEN I LAUGH) is most certainly not a comedy - not that it's not funny. What it is is a heartbreaking story about two brothers who by circumstance end up in the care of their severe Grandmother. Thanks to the powers that be - both Mercedes Ruehl and Irene Worth reprise thier stage roles in the film. Both won the Tony for the stage. Both deserved and Oscar for the film. There are several funny bits amidst this disfunctional family fest - and some very tender moments as well. I highly recommend it - just don't sit down with a bucket of popcorn and expect THE ODD COUPLE. Simon's writing has matured far beyond those days and is rich and wonderful.

The film itself is a fairly good one. It can be touching at times and Bella is well done as is Grandma. (of course these are actors that did them in the play.) I don't like how Louie is done at all, just seems out of place. Also, the boys are the core of the play but not in the movie. They are the comic relief for some very heavy drama and the play is more about how they deal with the situation rather than how the family comes together at the end. I didn't really get the sense that they were brothers either. The movie is good, but read or see the play for a better experience

It's the summer of 1942. Eddie Kurnitz just lost his wife and drives his two boys to live with their grandma (Irene Worth) and unstable childlike aunt Bella (Mercedes Ruehl) in Yonkers while he goes on the road for a job. Grandma owns a candy store but she's a stern woman. She has a boyfriend named Johnny (David Strathairn) who is also slow. They need $5k to open a restaurant and Bella tells the boys that grandma has hidden a large sum somewhere. The boys go sneaking around trying to find it. Uncle Louie Kurnitz (Richard Dreyfuss) is a bagman and henchman. He comes home one night to hide out from gangster Hollywood Harry. He has a black bag which he tells the boys not to touch.

The boys aren't the most charismatic. The problem is that the movie needs to be seen through their eyes. It has to be their movie. The boys are more annoying sneaky money-grubbing brats than adorable kids. Mercedes is wonderful. She's the standout performance and her character is the heart of the movie. The movie is a little quirky but there is nothing funny about it. Director Martha Coolidge isn't able to inject much style into the movie. The movie needs a good soundtrack from the era.

After a triumphant run on Broadway, the film adaptation of "Lost In Yonkers" was completely snubbed at all of the major film awards ceremonies. Neil Simon's classic is brilliantly written and the direction is so simple, yet very subtle. But what really makes the film work is the performances. Dreyfuss is no Kevin Spacey, but does what he can with the role. The two boys are played expertly by their respective actors. Irene Worth reprises her Tony-award winning role and I thank god for that. She is spectacular as the stern grandmother.

But the stand-out here is Mercedes Ruehl. The woman delivers one of the most underrated performances in film history as Aunt Bella. She won a Tony, why no Oscar? Seriously, she is *that* good. Ruehl delivers such a magnificent performance as the slightly disturbed woman. She really should have two Oscars on her mantle.

GRADE: A ACTING: A WRITING: A+ DIRECTING: B MVP: RUEHL

When two kids have to live with their aunt, uncle and grandma for a while, they get used to it the best way they can. Richard Dreyfuss, who plays their uncle is pretty good when his character acts like some big shot in the film. Other than that, he wants everything to be perfect and to teach the boys stuff that he shouldn't teach. Mercedes Ruel plays the boys aunt who teaches what life these days are all about. The boys try to depend on their aunt more than on their uncle. She also couldn't handle her mom and is scared of her because she acts kind of mean. Even if you haven't seen the play, see this.

After watching this movie, I became interested in finding out about the young actor Brad Stoll who played the role of Jay. How sadenned I was to learn that he died of cancer. His talent was very promising, and it is tragic that his career was cut short at such a young age. Nonetheless, this film serves as a testimony to his fine ability, and I never tire of watching it. The performances are excellent across the board, and the story well written. I give it my highest recommendation.

Lost in Yonkers is a joyless and pointless film, totally without humor or appeal. The two boys are really just a McGuffin to display the relentlessly Hitlerian grandmother, who looms over the film like an ominous dark cloud. None of the characters are compelling or even interesting. Richard Dreyfuss is totally miscast and wasted in the role of the two-bit gangster uncle. Nothing of note happens throughout the entire movie. If you tuned in for some Neil Simon comedy, you will be sadly disappointed ... and relieved when this dreck is finally over.

The only things really going for this schmaltzy and emotionally unearned screen adaptation are Simon's dialogue and some (in a vacuum) strong characters, especially the grandma, aunt and younger brother. Otherwise, director Coolidge just can't seem to really grasp the unique tone of the story. Too heavy when it should be light (inter-family relationships), and too light when it should be heavy (the mafia threat). Worst of all, Dreyfuss is wasted and horribly miscast.

Memorable, well thought-out characters interact in this family disrupted by WWII. Set (of course) in Yonkers, a domineering grandmother inhibits aspirations of her offspring with selfish, puritanical behavior deriving from her own, difficult upbringing.

This movie is an excellent screen adaptation of a great play. Instead of being hokey or sentimental, the story provides a candid portrayal of a family in crisis, as each family member is forced to deal with issues that have long repressed. Essentially, the story centers around the relationship between an overbearing mother, performed magnificently by Irene Worth, and her confused daughter, played by Mercedes Ruehl. Ms. Ruehl's performance is a tour-de-force. She completely dominates this movie. The climactic scene between the mother and daughter is both poignant and powerful, and raises this movie to the level of great cinema and drama. Richard Dreyfuss also gives a strong performance as the brother with the bravado but also with a heart. This movie should be a must-watch for anyone who likes screen adaptations of plays and for people in general who like strong drama.

Lost in Yonkers is originally a play by Neil Simon, adapted for the silver screen. With a cast including Richard Dreyfuss, Merchedes Rheul, and Irene Worth, this movie has comedy written all over it. Irene Worth plays "Grandma" a hard, bitter, miserable old lady whose five children each have something wrong with them as a result of a miserable childhood. Her daughter Bella (Rheul) is the only child to still live at home and has a slight mental handicap which adds a lot of humor to the film. One of her sons owes 9,000 dollars to a loan shark as a result of his late wife's medical bills. He has a year to pay it back, but cannot take a job unless he has someone to look after his children; 13 year-old Arty (Mike Damus) and 15 year-old Jay (Brad Stoll). Leaving him with no choice, his debts force him to leave his children with his mother. The whole film is just delightful, a light-hearted comedy that takes a few dramatic turns but ultimately will leave you satisfied and content. Brilliant performances by Damus and Stoll who hilariously portray their characters' wonderment at the absolute wierdness of their family. Two thumbs up!

Go to sleep instead.

What a slow moving movie that offers little to no entertainment.

Why did I bother to get this? I don't know...I struggled to watch this all the way through to the end.

I must have turned this on 7 or 8 times to continue watching it.

Even Richard Drefuss whom I find has great charisma fails to bring to light any interest in this plot.

It's slow and maybe if you were born in the 1940's this might be of interest, but I think this is so dramatically slow that it's bad just for being slow and not bad - if that makes any sense to you.

I'm glad that I had cable TV, otherwise I would have been really bored on a dismal Saturday and Sunday.

Neil Simon finally does some serious drama in this better than best movie. Although the movie is based mainly around the two boys, I believe the moral is how one individuals power can affect the lives and dreams of everyone else.

Although the movies ending was not a very happy one, it was nice to take a break from the routine "and they lived happily ever after" sort of ending. It's nice to have a not so nice ending in which most real life stories have.

The movie was very well planned out and the 1940's theme was very well detailed. Although the movie was nowhere near as good as the play, I still believe it's cast deserves a high rating.

I actually was in an on stage production of this. I can say with utmost certainty that a play was better than a movie with RICHARD DREYFUSS!!!!!!!!!!!!!!! He was the only competent actor. Otherwise, the acting s atrocious. The kid actors were okay, and better than most. Merchedes Rheul is just terrible. I don't think she should have been added to the cast in any way. This is a true disgrace towards Neil Simon. Of course, Mr. Simon delivered in the sense of storytelling. This film was just a letdown.

I've lost count of how many times I've seen this movie. It's one of my favorites, and I know I'll return to it again and again, especially when I feel the need to "feel something." The story is ostensibly about the adventures of two young boys left in the care of their hostile grandmother who owns a candy store and their run-ins with their gangster-uncle and their allegedly mentally challenged Aunt Bella. But for me, childlike Aunt Bella, brilliantly portrayed by Mercedes Ruehl, really steals the show. In spite of her reputation for being dim-witted, she displays an extraordinary depth of perception regarding the motivations of the other characters and the emotional courage to accept them with all their limitations. One of the most poignant moments in the movie for me is where the grandmother, who has suffered so much loss in her life, and prides herself on never having shed a tear in spite of all this loss, finally has the chance to be vulnerable. Does she take the chance? You'll have to watch the movie to find out!

LOST IN YONKERS has more going for it than most movies: solid filmmaking, from script to final cut; topnotch, flawless performances by an outstanding cast; humor and drama of the highest order. Dreyfuss is incapable of a bad performance; Mercedes Ruehl holds her own (perhaps even outshining Dreyfuss in this instance); Irene Worth is the living, breathing embodiment of The Survivor- hard as steel, perhaps, but not without good reason(s); and David Strathairn as the hapless Johnny is to be pitied, to be sure- but it's the two boys, Jay (the late Brad Stoll, in a winning turn) and Arty (Mike Damus, in a performance so nuanced that it belies his years), through whose eyes we see it all, who steal the show. With direction like this (by Martha Coolidge), it COULDN'T fail. Check it out.

The movie begins with Eddie and his sons Jay and Arty making a hot automobile ride to see the boys' grandmother in Yonkers during World War II (no air conditioning, except in theaters). The boys are told to wait in the grandmother's candy store until their grandmother is ready to see them. At the store, the boys meet their crazy Aunt Bella. Then they come upstairs and find out the real reason for their visit: their father has to take a job down South to pay off their debts, and since their mother has just died, he has no choice but to leave the boys with their grandmother, who doesn't like kids to begin with.

The boys have to make the best of the situation, and of course their grandmother is very strict and expects them to work in the candy store. Meanwhile, Bella has a boyfriend Johnny, a movie usher who cannot serve in the military because, like Bella, he is disabled. They want to open a restaurant and Bella's mother has the money hidden somewhere. The boys try to find the money and manage to get in trouble for that and other things. Later, their Uncle Louie shows up and shows the boys a good time, though the boys believe he is a gangster, and there are some bad guys after him for whatever reason. Jay wants to work with his uncle, even if he is dishonest in what he does.

Mercedes Ruehl was the standout performer, showing a character obviously quite disturbed at first but almost 'normal' later, especially when she confronts the mother who has mistreated her all these years. Irene Worth made a stern grandmother who only rarely showed a tender side, and even after a bitter argument with Bella, she was only subdued but not loving (we do learn some of what made her this way). Richard Dreyfuss came across quite nicely too, and I thought all the major actors played their characters well. The situation just wasn't one I enjoyed watching that much.

One character I was glad to see only a few times was Aunt Gert, who had a breathing problem that grew tiring quickly.

This movie was not easy to watch, though it could be funny at times. Based on a Neil Simon play, it should have been a mix of comedy and poignant drama, and sometimes that mix works. For me it didn't, and about two-thirds of the way through, the movie went completely off track and never really recovered. I can see some people liking this type of movie, but it wasn't really for me.

"Lost is Yonkers" is a Neil Simon comedy drama based on his highly successful 1991 stage play of the same title. The play won the 1991 Pulitzer Prize for drama and won four top Tony awards on Broadway. Besides the Best Play, it took three top acting awards. Two of those actors reprised their roles in this film. Irene Worth as Grandma Kurnitz and Mercedes Ruehl as Aunt Bella are outstanding in the film, as they must have been on the stage.

This story is a classic example of Neil Simon's method and talent at combining comedy and drama. It reflects a great deal on his own childhood growing up in the Bronx of New York City during the Great Depression - and, around his own Jewish culture and family background. Simon wrote more than 30 stage plays, many of which were then made into films for which he wrote most of the screenplays. And, he also wrote original screenplays. Some of his works were hilariously funny comedies (i.e., "Murder by Death" film of 1976), but many stage and screen works combined humor with more serious situations.

"Lost in Yonkers" is one such film, about a highly dysfunctional family. This play and film capped the successful trilogy of 1983-86 autobiographical plays, "Brighton Beach Memoirs," "Biloxi Blues," and "Broadway Bound." The role of the youngest boy, Arty, resembles Simon's boyhood when he tried to cover his ears to block out the frequent squabbles of his parents. Simon discussed his background and attraction to comedy in a 2002 book by Susan Koprince, "Understanding Neil Simon." He says, "I think part of what made me a comedy writer is the blocking out of some of the really ugly, painful things in my childhood and covering it up with a humorous attitude... do something to laugh until I was able to forget what was hurting."

Several scenes in this film show that clearly, with different characters, including Arty, brother Jay, Uncle Louie and especially Aunt Bella. All of the cast are very good in this film, with Mercedes Ruehl especially displaying great talent of being able to move between humor and drama, sorrow and gaiety, sadness and frivolity. In the film, Bella goes to the movies often. Simon went to many movies as a kid, and especially liked the comedies - Laurel and Hardy, Charlie Chaplin, Buster Keaton.

One other aspect struck me about this film. It's opening scenes showed numerous cars and trucks of the mid-1940s, and street scenes that seemed to be right out of that period. At least through the end of the 20th century, there was a considerable side business for the film industry. It was the storage and supply of old vehicles, aircraft, mechanical and electric machines, appliances and devices of all kinds. These would be rented or leased then for movies like this. But, in the 21st century, the use of real things from older days is being replaced with CGI

Here are some favorite lines from this film.

Uncle Louie, "I could've been a concert violinist but the handkerchief kept falling off my neck." Arty, "What?" Uncle Louie, "Too fast for you, huh, boys? Never mind."

Arty, "How incredible. It's like having a James Cagney movie in your own house."

Uncle Louie, "Once you start depending on people, you'll never make it on your own."

The kids and their crazy aunt are a joy. One of my favourite films, so sad about Brad stroll