El infierno de Jason

'Jason Goes to Hell: The Final Friday' is far from picture, but when I compare it to the ones I have seen (2, 3, 4, parts of 5 and 6, 8) it isn't that awful.

The film is far from scary. I saw the unrated version and only jumped when someone knocked on my window. So if you are in for something to keep you out of your seat rent 'Scream.'

But I liked it because I enjoy gore. It makes the first fifteen minutes of 'Scream' become tame. This movie is hardcore, especially the director's cut (which is available.) It is not for a weak stomach.

So you might as well try it out. I think you will enjoy it.

So, they decided to downgrade the series even more with cheap effects and trashy version of Alien. Didn't rate this 1 star only because it was slightly amusing. This franchise would've been better if it stayed in the 80s.

If there's one thing that can and should be said in defense of "Jason Goes to Hell: The Final Friday", it's this...

...this is one bold, gutsy move for the franchise! Completely subversive and joyously disparate when placed in comparison to the previous eight films. A bizarre, red-headed-stepchild with a strange and sharp leaning towards the overly fantastical and blatantly magical. Taking what had been to that point an increasingly repetitious series, and attempting to inject some fresh blood for what was at the time considered to be the one... last... film to cap it all off.

Is is a success? Well, I'd say for the most part, fans do consider it a failure because it strayed so much from the formula in trying to establish a grandiose finale. And I think I would probably consider it to be a bit of a failure for that very same reason. But it's definitely a fascinating and daring failure. One that I can get behind. Especially after the increasing monotony of the previous two films.

Sue me, but I'll take an interesting failure that attempts to shake up the formula over a bland retread any day of the week!

Jason Voorhees has finally been killed. After an FBI Sting Operation blows his body to smithereens, the town of Crystal Lake is finally able to settle down, knowing the figment that has haunted them for so many years is finally gone.

Or is he?

Nope! As it turns out, Jason has become something more than human, and his evil has given him the ability to possess others through some sort of relatively-unexplained magical means. Now, Jason is coming back to seek vengeance, taking the forms of various characters through body-swapping, intent on locating surviving members of the family, so that he may be reborn again through them in his original form. Now, his only living relative (Kari Keegan), her ex (John D. LeMay) and a bounty hunter who knows the truth about Jason (Steven Williams) must team up to stop him once and for all!

Look, this movie's ridiculous. It's completely out of left-field. It doesn't really connect properly with the previous films. Its storyline is just bizarre. And it's a completely different beast tonally from any of the other flicks...

...but it's a lot of fun!

Director Adam Marcus and writers Jay Huguely and Dean Lorey seem to have a ton of ideas on how to exploit this ridiculous concept, and are given free reign to just go crazy. There's a little something for everyone here. From a touch of the self-aware laughs that made "Jason Lives" so enjoyable, to some wild and whacked-out imagery (you won't look at a straight-razor the same way again!) to some good old-fashioned kills that harken back to the first couple of movies, this film aims to deliver a roller-coaster ride from Hell... and it does deliver on that promise.

Add to that some likable performances, fun and inventive kinetic camera-work that knows how to make the best of it's lowish budget, weirdly entertaining humor and plenty of gore to go around... and it produces a film that I find to be a decent bit of dumb-fun.

This movie is stupid. Beyond belief. And it doesn't feel anything like the previous eight outtings. But I'm OK with that. It's got a lot of insane-o concepts and ideas to play with, it knows exactly what it wants to be, and it's got some fiendishly creative minds at it's helm.

It's a failure... but an entertaining and wildly ambitious failure that I can't help but root for.

So I'm giving it a middle of the road 5 out of 10. If you're a fan of the franchise and are open minded, give it a shot. You might be one of the proud few who really enjoys this off-the-rails nutcase- of-a- flick.

Not actually killed in Manhattan (surprise, surprise), Jason is still at it until an undercover FBI agent (Julie Michaels, who makes time to take a shower) tricks him into an ambush where he's blown to pieces. If you think being head and limbless will stop Mr. Voorhees from returning to his murderous ways, think again. Now we learn that he can be "reborn" through a blood relative and can possess victims by sending an evil black monster into their bodies (idea stolen from THE HIDDEN).

In a touching tribute to the good ol' days of simplicity, overage-looking "teens" make time for skinny-dipping and tent sex before Jason splits the girl in half with a tent stake. This ninth installment in the endless Friday THE 13TH series features a good cast, but is derivative, annoying, unpleasant and not likely to be the final word in the Jason saga, despite ANOTHER cheat title (remember "The Final Chapter" way back in 1984?).

It played theaters in a cut R version (where it flopped), but the unrated "Director's Cut" video and DVD version restores most of the excellent KNB Group gore effects and some nudity, redeeming factors in a low-grade production like this. Kane Hodder (in his third appearance as Jason) also gets a credit for stunts.

Jason Goes to Hell: The Final Friday is (supposedly) the last Friday the 13th chapter... FBI agents hunt down and destroy Jason at Crystal Lake - but Jason has the ability to possess other people's bodies and continues his bloodbath.

I don't think this would be a favourite of the fans - it is quite corny, Jason doesn't feature a lot in the movie... but I think the movie half-way through takes a turn for the better. Instead of being another mindless slasher - the movie goes all John Woo with some cool gun fights and slow motion camera. It was like the director had watched a couple of John Woo films for the first time half-way through shooting the movie and decides... "it would be cool to use this stuff in this movie"!

The "Invasion of the Body Snatcher" plot doesn't work - but I think the stylish gun battles redeem this film somewhat. Sort of recommended!