Household Saints

The film itself was a bit sentimental; however, the performance given by Lili Taylor, convinced me that she rates as a major actor. I was particularly impressed with her hospital bed scene, when she quietly confronted her father about his losing a Pinochle game that resulted in his having to marry her mother.

In the suburbs, an old Italian couple recalls the story of the miracle sausages in the old neighborhood to the younger generations. Butcher Joseph Santangelo (Vincent D'Onofrio) wins Catherine Falconetti (Tracey Ullman) in a game of pinochle. They would have God-obsessed daughter Teresa (Lili Taylor).

I love the old world superstitions and the magical realism. The movie is split in two with the arrival of Lili Taylor. It's an interesting turn for the religious idealism of these characters. I would like more music especially popular music to place the story in the various eras. They probably didn't have the money. Overall, I love the world of this movie.

I first saw this movie in a small "art theater" with a friend. I found it deeper than expected, funnier than expected and an all around enjoyable movie.

It was a nice surprise to find a small film that spoke so largely about life and what it (life) means to us individually. One need not be catholic or Christian, Italian or ethnic to appreciate the layers of understanding and perspective that the characters birth on-screen.

For myself, and my friend, it opened a dialog. We related to the characters in different ways. As we shared what we experienced, we learned that we wanted to see the film again. I wanted to see what she had seen, and she wanted to see what I had seen. We did agree on one thing: We both found the film to be a jewel.

"Household Saints" is one of the best movies that I have seen. With an all-star cast including Tracy Ulman, Vincent D'Onofrio, and Lili Taylor. The only odd thing about this movie is that D'Onofrio plays Taylor's father in this movie. Four years earlier he played her fiancee in "Mystic Pizza" it just seemed odd at first, but then the performances overshadow the odd-casting choice. I seemed to be engrossed by the plot and the performances which were brilliant! Great movie!

This complex and exceptionally intelligent film about two - or even three - generations of Italian-American women, makes you laugh, makes you cry. Splendid play by Lili Taylor, and Tracey Ullman is great as well. The main theme of the film is the relation of these women to love, and to to their Catholic faith about which this film has much to say, doing so in a rather ironic, yet loving and understanding way. Precisely this mode of detached but understansing irony is general mood of the film: the burlesque and the sentimental is mixed and fused together into an expressive unity, free of contradiction and dissonance: a feat very very rarely achieved by any director. So, in short, and quite simply, this is one of the finest movies I have ever seen.