La casa de los espíritus

I went into this film blind after missing out on it in the nineties after not appealing to my younger self at the time.

Now i'm more mature and open to all types of film, and not biased (i don't live in South America and have not read the book).

Tbh i didn't even read the storyline before so had no incline to either the story or even the exact genre of film i would be viewing, which imo always makes a film more intriguing the less you know about it.

To cut out the main jist of my review, i throughly enjoyed it from start to end! With great acting, scenery, score and editing you could tell it was a well made film from the off.

With quite a long running time i was expecting some overly long scenes, but it never felt drawn out and the pace was pretty spot on i never clocked watched once! And this is coming from someone that rarely views films longer than two hours and i watched the full 2h 25m original cut of the film.

The only gripe i guess in this version is knowing a couple of the characters (who i won't name) made it to the end starting with a retrospective beginning, i haven't seen the shorter version but i'm guessing this start was changed for the overseas cut?

To sum up, its well worth a watch even if you think the type of film is not for you.

I never expected the tears. I never expected the emotion. I was swept away by the epic story and came crashing to earth when the troops took over. All this despite the fact that I do and did know who Isabelle Allende is and I was aware of the history of coups in S. America. I loved the people with the notable and chilly brilliant exception from Jeremy Irons (Can we ever really love his incredible characters?)

Another underrated movie that seeks much and delivers well although at times with a bit too much telegraphing (the bathing scene with the young Blanca for example.)

It was a three hankie movie in the end, A great three hankie movie.

metro_alma@earthlink.net

I've never been a fan of Bille August, and this film has only furthered my opinion of his work. I found the directing, as well as the editing, choppy and incoherent. Mr. August tried too hard to be mystical and discreet in his telling of the tale--to the point of being annoyingly aloof and superficial.

The take-home message is, however, refreshing in its complexity and layers. The events all seem to come full circle and continue through the generations of the family, as Clara verbalized in her diaries, "the relationships between events." Lende's message was that evil begets evil, and nothing good came from malice. Such is sadly noted upon reflection that many misfortunes stemmed from poor judgment, and unacknowledged or unrectified wrongdoings in the past.

I thought the characters Farula and Esteban were the best-written and the best-acted, by far. Glenn Close exuded every bit of the torn and love-deprived spinster sister, her very gaze a window to her harsh and barren life. Jeremy Irons' portrayal of the dark and contradictory Esteban was brazen yet vulnerable, between his political persona and love for his wife.

I just do not get very inspired in this treatment of Isabel Allende's novel. The worst thing is that I cannot even identify exactly what it is that does not succeed in really drawing me into the story. Evidently the film is well made, beautiful filming, and the cast is really extraordinary, with some magnificent interpretations. The make-up department did excellent work on the aging process of the players. This is the second time I have seen this film, but the story's continuity did not get me really sympathising with and feeling for the characters. There is something missing: however, no way can either Meryl Streep or Jeremy Irons, among the other leading actors, be blamed for this. There is something abstract here which I cannot explain. It may be arguable that this film is better than `Missing' (1982) (qv), however `Missing' pulled me much more into the story.

Certainly, in no way should you pass up this film if you get a chance to see it: there are very good interpretations, at times even wondrous, combining with very intelligent photography and Hans Zimmer doing some of his best work.

This movie is based on the novel of the same title by Isabel Allende. It tells the story of the Trueba family over a span of 50 years. Jeremy Irons plays the passionate yet harsh patriarch of the family. He is a man of contradictions-in public and with his family, he is proper. Behind closed doors, he has many secrets-affairs, brothels, and a bastard son whom he utterly neglects. Time and fate make him confront these demons and he ultimately learns the blessing of forgiveness. Meryl Streep plays his psychically touched wife like an angel-she is so ethereal she seems of the spirit world. Glenn Close plays her love-starved sister-in-law;she conveys her desperation so adeptly. Meryl Streep treats her as a real sister and showers sisterly affection on this poor creature. It is a spellbinding tale and one that has relevance to all families.