The Hour of the Pig

I am surprised this film is not more popular. Only sorry i did not see it on the big screen, but found the plot interesting, and the acting superior, especially C.Firth and Ian holm. Some of the lines are very amusing, especially from Courtois' clerk. I have watched this many times, and never find it boring, See it for a good watch.

The quirkiness that another reviewer objects to is part of this movie's charm. The opening scene, a hanging, where one of the co-participants (a donkey) in an unnatural act is freed upon petition of the townspeople, is simply wonderful and sets the tone for what follows.

Not pointed out by any reviewers yet is that the director seems to have reproduced scenes out of European paintings (Flemish, I believe) - the deer in the inn, the man from the inquisition seated in the tavern, the innkeeper's wife and staff gathered to meet the lawyer when he arrives at the in, and more. The lighting, colors, and scene arrangement are faithfully reproduced. This is just one example of the charms of this movie, which is virtually unknown to the public.

And one of the most delicious parts is the witch's blessing. Whenever I lend or give away a copy of this, I pointedly give it with my own blessing.

In 15th century France a suave, urban lawyer moves to the country to get a greatly needed change. He is in search of the noble peasant. He has tired of the guiles and wiles of city-folk; he wants nothing more of them. Unfortunately he is almost immediately beset with the wackiness that could only be found in the country. He now has to defend a pig. And against the charge of murder no less. This is a moving story. To see how people who differed were viewed as animals hurts my sensibilities but it wasn't that long ago...

Firstly, this movie is based on true legal cases during the 15th century which makes it intriguing from the get go. It is based on Richard Cortois, played by Colin Firth, an Advocate who leaves a practice in Paris, to seek the simple country life in a village named Abbeville. What he finds is a quite different story. Country law applies to both man and beast and that is where much of the fun unfolds. The story centers mainly around the case against a pig accused of killing a Jewish child. Courtois, at first, finds the case a bit ridiculous, but finds that as the defense Advocate, he must represent the pig. He is also solicited by the pig's owner to try the case "as the pig is everything to them". As the story unfolds, it becomes evident that there is more here than meets the eye. The case becomes a symbol of maintaining order in the little country town. Courtois attempts to get to the bottom of the mystery and finds that other children have similiarly gone missing over the last year. He is provided a hint by a client tried for witchery saying "Look to the boy, Maitre". It is a great film on many levels and provides quite a bit of comic relief during the many trial sequences. Ian Holm, as the priest who has his own defination of good-which includes trysts with many of his lady parishoners, gives a worthy performance as does Nicole Williamson as the corrupt Seigneur. It is Colin Firth who shines in his wonderful portrayal of Richard Cortois, the one driving force of nobility and honor in the town rotten to the core with evil.

This film deserves to be far better known. It's clever, fun, and a terrific balance of successful Hollywood pacing with non-traditional, non-Hollywood storytelling.

Yes, it's a historical murder mystery. But it's a film about excess, as is the recent Marie Antoinette, but this one is darker and more substantive. The dialogue is sharp, often funny, and vaguely unsettling.

Like all good films, several elements work together. The photography, the costuming, the soundtrack, and the characterization all underscore the script's emphasis on indulgence. It's really very well done.