Hechizo del tiempo

This movie is so charming. It starts out with Phil Connor, the Bill Murray character, doing his Bill Murray. Cynicism emanating from every pore. He is harsh, disinterested, angry, full of angst. Making jokes about everything. Everybody knows it. Everybody feels it. When the "gift" or "curse" comes to him to relive the same day over and over, he at first is confused, then flippant, then angry, then suicidal, and, finally, sees it as a chance to reclaim his humanity. This is done in a series of repetitious acts which ultimately lead to his willingness to sacrifice himself, live for the day, and try to show that he is worth saving. What this movie does, like "It's a Wonderful Life," is ask us what we would do, given the same circumstances. Would we fall into a retreat of depression? Would we become something that we always wanted to be? Would we keep living it the same way, hoping for he best? Murray's character wants the romance and the commitment that he was never willing to give. He toys with his own approach to the world, experimenting and doing things until he gets them right. He goes through a period of embracing the bad, lusting after Andy MacDowell, forcing himself on the other women in the town, disdaining the "characters" he meets. But like most "everymen," he eventually must become good because without that, it doesn't matter anymore.

He can only impress so much; he can only be angry so long. I find this movie so intriguing, not for what it says but for what it teaches. Some don't like the ending, but whatever the forces are that bring it about, it has to be. If we accept that premise, it's OK.

It's been 6 or even 7 years since I watched this masterpiece. Possibly, you would argue: 'Hey, if it is a excellent movie, what is Titanic, The Godfather and The Shawshank Redemption?" Well, if you are still not bored after a hundred views, it is perfect movie for you. And it holds for me. Easy, but important idea is the key of everything. This is love we all want in our lives. And I should note pretty good acting of Bill Murray.

It's 2019 and I still watch this movie from time to time, feels like 6am all over again. I've seen a few copy-cat movies borrowing the same 'repeats' but it's just not the same or memorable.

The humor is charming and intelligent, great lines, characters and can even make you fall in love with the town. The scene with the old man always gets to me, you really feel for all the characters. I can watch this over and over.

I thought the film was terrific when I saw it in theaters twelve years ago. Recently in watching it again on cable, I was amazed at the quality of the screenplay. I didn't notice the first time. But on repeated viewings (like reliving Groundhog Day), I was impressed at the story created by the writers. This film is so much more than witty jokes and comic riffs arranged around a gimmick. It has an internal logic and consistency that is very rarely found in screenplays. No joke seemed disposable, and as you laugh your way along, the philosophy underlying the film takes over your imagination.

Check the IMDb listings for this film's awards: look at the numerous British awards for writing. And yet this film was not even nominated for an Oscar. It is so rare that a film's jokes seem just as fresh more than a decade later, but I believe that is because the theme underlying the humor will never go out of fashion.

The acting was terrific, and I now think this is Bill Murray's best work (though I didn't take it seriously when I first saw the film.) But the screenplay is the one of the finest ever written. I don't know if it's studied in film schools, but it ought to be.

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ON HAROLD RAMIS' DEATH: Ramis told The Associated Press in a 2009 story about the 50th anniversary of Second City. "When you hit it right, those things last."

I found that quote in a story on Ramis' death. The story curiously did not mention "Groundhog Day." If there is any film to serve as a fitting memorial for Harold Ramis, it must be "Groundhog Day." A totally perfect script, perfectly executed. He hit it right, and when will he get the recognition he deserved decades ago?

Bill Murray can be a very funny guy, especially when given roles where his character has a deliciously cruel edge. He has one of those faces, and a voice to go with it, which can make nastiness and sarcasm funny. Groundhog Day is a highly enjoyable vehicle for Murray's talents. It also has a very clever concept, neatly brought to the screen by actor-turned-director Harold Ramis (who starred alongside Murray in the Ghostbusters films).

Pittsburgh weather-man Phil Connors (Bill Murray) is sent on assignment to Punxatawney, where on Groundhog Day each year the locals have a tradition of consulting the groundhog to find out if spring is imminent or if they should prepare for 6 more weeks of winter. Phil despises the job and the town, and can't wait to get it over with.... even though he has a soft spot for Rita (Andie MacDowell), the producer overseeing his broadcast. Phil's dislike of Punxatawney, its people and its traditions is set to get a hell of a lot worse though.... as when he awakens the next morning he finds himself reliving the same day. And so it goes - every time Phil gets up, it's still February 2nd and he seems destined to be stuck in the same day for the rest of eternity.

It seems early on in the proceedings that the film might run out of steam and inspiration. After all, how can a film about a day which repeats itself be anything but repetitive? Thankfully, Groundhog Day is full of ingenious ideas, and it successfully throws up new developments and delightful twists at every opportunity. The film is laced with memorable dialogue, and Murray gets to play one of the defining roles of his career as a facetious, sharp-tongued misanthrope who ultimately learns the error of his ways. Groundhog Day is a very good film indeed, and restores one's faith in the imagination still lurking beneath the dismayingly shallow surface of Hollywood.