Gerónimo: Una Leyenda Americana

With its superb acting, writing and directing, this masterpiece by Walter Hill is unique, not only in the way it maintains its epic quality in the span of two hours, but in the strong chemistry between the two main characters. The majestic music and scenic photography combine perfectly to compliment the stunning performances of Wes Studi as Geronimo and the breath-taking Jason Patric as Lt. Charles Gatewood. The special friendship shared between the two grand, thoughtful men is the main interest that holds this film together, with Patric's performance being the most exceptional, amid a talented supporting cast of big names.

As a righteous officer and gentleman who remains loyal but unpoisoned by excessive patriotism, Gatewood is a tough but calming influence in the face of great danger, while displaying a maturity that bewilders his more primitive companion Al Sieber (Robert Duvall) who exclaims, "You don't love who you're fighting for and you don't hate who you're fighting against!" In this way, Gatewood is just as complex as he is likable, immediately gaining the trust and admiration of both his friends and enemies.

Whether he assumes the role of an ambassador with his deep eyes and charismatic presence or that of a soldier with his masterful horsemanship (performed by the actor himself), Jason Patric brings a special depth and beauty to Gatewood, making him one of the most impressive and under rated heroes ever captured on film. His presence alone makes this film a great classic, as well as a thought provoking treasure!

This underrated Western (in Germany Hills picture disappears after one week from the cinema) convinces with an excellent script (I realize again, John Milius is much better in writing as directing), a stunning photography and outstanding performances of the lead characters. Studi is great, a wonderful study of pride and his understanding that he never can win his war against white men. Especially this poetic and realistic movie is by comparison with other Indian sagas not a fairy tale from far west. Hill tells the truth and so we see only desperate people and no heroes - on both sides. Great - a must see for fans. I give 8 out of 10 stars.

Wow, where to start, I loved this movie, it's portrayal of Geronimo is complex and gives the viewer a different portrait than most westerns do. It's showing at the box office is regrettable, because it is probably one of the most honest portrayals of the travesty that was the Indian wars. This film showed how men of conscious we're asked to round up a tribe of people's who only wanted to remain free on lands they had held for over a thousand years, soldiers had to follow orders but for many the cost must have been terrible, especially when their words we're repeatedly broken by others under whom they served. But it was a different time and place with politics that few today would embrace. So much tragedy but at least this movie showed the military genius of Geronimo and allowed his name to shine for the future generations to see.

Brig. Gen. George Crook (Gene Hackman) leads a war on the Chiricahua to bring them to their reservation. Geronimo (Wes Studi) agrees to go in peace. Lt. Britton Davis (Matt Damon) is new from Texas. He accompanies Lt. Charles Gatewood (Jason Patric) to go bring Geronimo in. Gatewood befriends Geronimo. Al Sieber (Robert Duvall) is a scout with a proper hatred and respect for the enemy Apache. The army tries to stop a medicine man dancing and a violent incident results. Geronimo escapes the reservation with a group of Apache. That's when the Geronimo Campaign begins.

It's a historical drama without the overdramatization that normally accompanies westerns. There are no easy villains in this. The circumstances keep conspiring to force the groups to clash. There are great actors in this. Most impressive is Wes Studi. His presence makes Geronimo come alive.

This film was part of the revival the western genre had in the beginning of the 90's in the wake of Dances With Wolves. Not all of the westerns from this period are worth seeing (Bad Girls is a good example of that) but there are gems among them. This film, Geronimo: An American Legend being one. It makes an intelligent comment regarding the frankly despicable treatment the Apaches, among other American Indian tribes, recieved at the hands of the American government. In this lies the films strength and the presentation of this theme is the focus of the film's plot. It plays like a historical thesis or argument. This being terrific for people who are looking to know exactly what happened to the Apaches.

However, people who search for great dramaturgical nerve in films should avoid this film. Because there is none. The plot faithfully depicts the historical progress of events and refuses to completely demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the movie slow, and for non-buffs a tedious experience.

Finally, the film has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!