CALIFICACIÓN DE IMDb
6.6/10
15 k
TU CALIFICACIÓN
La historia del jefe Apache y su resistencia armada a la subyugación de su pueblo por parte del gobierno estadounidense.La historia del jefe Apache y su resistencia armada a la subyugación de su pueblo por parte del gobierno estadounidense.La historia del jefe Apache y su resistencia armada a la subyugación de su pueblo por parte del gobierno estadounidense.
- Nominado a 1 premio Óscar
- 1 premio ganado y 2 nominaciones en total
Opiniones destacadas
This film was part of the revival the western genre had in the beginning of the 90's in the wake of Dances With Wolves. Not all of the westerns from this period are worth seeing (Bad Girls is a good example of that) but there are gems among them. This film, Geronimo: An American Legend being one. It makes an intelligent comment regarding the frankly despicable treatment the Apaches, among other American Indian tribes, recieved at the hands of the American government. In this lies the films strength and the presentation of this theme is the focus of the film's plot. It plays like a historical thesis or argument. This being terrific for people who are looking to know exactly what happened to the Apaches.
However, people who search for great dramaturgical nerve in films should avoid this film. Because there is none. The plot faithfully depicts the historical progress of events and refuses to completely demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the movie slow, and for non-buffs a tedious experience.
Finally, the film has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!
However, people who search for great dramaturgical nerve in films should avoid this film. Because there is none. The plot faithfully depicts the historical progress of events and refuses to completely demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the movie slow, and for non-buffs a tedious experience.
Finally, the film has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!
With its superb acting, writing and directing, this masterpiece by Walter Hill is unique, not only in the way it maintains its epic quality in the span of two hours, but in the strong chemistry between the two main characters. The majestic music and scenic photography combine perfectly to compliment the stunning performances of Wes Studi as Geronimo and the breath-taking Jason Patric as Lt. Charles Gatewood. The special friendship shared between the two grand, thoughtful men is the main interest that holds this film together, with Patric's performance being the most exceptional, amid a talented supporting cast of big names.
As a righteous officer and gentleman who remains loyal but unpoisoned by excessive patriotism, Gatewood is a tough but calming influence in the face of great danger, while displaying a maturity that bewilders his more primitive companion Al Sieber (Robert Duvall) who exclaims, "You don't love who you're fighting for and you don't hate who you're fighting against!" In this way, Gatewood is just as complex as he is likable, immediately gaining the trust and admiration of both his friends and enemies.
Whether he assumes the role of an ambassador with his deep eyes and charismatic presence or that of a soldier with his masterful horsemanship (performed by the actor himself), Jason Patric brings a special depth and beauty to Gatewood, making him one of the most impressive and under rated heroes ever captured on film. His presence alone makes this film a great classic, as well as a thought provoking treasure!
As a righteous officer and gentleman who remains loyal but unpoisoned by excessive patriotism, Gatewood is a tough but calming influence in the face of great danger, while displaying a maturity that bewilders his more primitive companion Al Sieber (Robert Duvall) who exclaims, "You don't love who you're fighting for and you don't hate who you're fighting against!" In this way, Gatewood is just as complex as he is likable, immediately gaining the trust and admiration of both his friends and enemies.
Whether he assumes the role of an ambassador with his deep eyes and charismatic presence or that of a soldier with his masterful horsemanship (performed by the actor himself), Jason Patric brings a special depth and beauty to Gatewood, making him one of the most impressive and under rated heroes ever captured on film. His presence alone makes this film a great classic, as well as a thought provoking treasure!
The valiant, if doomed, Chiricahua Apache tried (as did so many other tribes) to be accommodating after being hounded to the breaking point. Their famous chief, Geronimo, gave himself up voluntarily and tried to lead his people onto the reservation. But, as happened so many times, even after capitulation they were attacked in unwarranted fashion and reacted by leaving the reservation whereupon they were hunted, and hunted, and harried. Some people don't like this film because it tells history more like it was than most movies do about the "conquering" of the American west ... it shows both sides of the story, not just one. With this movie, you can't identify with the hero on one side and the villain or the other. Both are sympathetic, both are reprehensible (isn't that the way a historical drama really ought to be played? In my book, this is a plus). As a native of Arizona, where much of the historical action took place, I find it disturbing that the countryside in which the movie was made is either in some other state or in the wrong part of Arizona, that characters seem to be able to get from Tombstone to San Carlos in one day on horseback (either they had multiple horses, or one dead one), and that there is a bit of overstatement about the honor among the various Apache bands (with reference to the reason that members of some Apache groups served as scouts against other groups). All in all, though, I vote for this one over all the other "Geronimo" movies that have been made.
'Let's start with this: All written history is revisionist. The actual events are revisited and revised in the perspective of the "re-visitor." That said, this remarkably well written, well acted, and generally well executed movie is likely the best account of the "Geronimo Campaign" out there. Head and shoulders above much of the other junk out there about this important American figure. It is, to boot, beautifully filmed and deftly directed. And the narrative approach worked perfectly with this subject. Well worth a couple of viewing hours by anyone who sincerely wants to know what was up with all that.'
This underrated Western (in Germany Hills picture disappears after one week from the cinema) convinces with an excellent script (I realize again, John Milius is much better in writing as directing), a stunning photography and outstanding performances of the lead characters. Studi is great, a wonderful study of pride and his understanding that he never can win his war against white men. Especially this poetic and realistic movie is by comparison with other Indian sagas not a fairy tale from far west. Hill tells the truth and so we see only desperate people and no heroes - on both sides. Great - a must see for fans. I give 8 out of 10 stars.
¿Sabías que…?
- TriviaJason Patric showed his considerable horsemanship in the scene where he has a one-on-one showdown with an Apache warrior. Patric goes from laying across his horse prone on the ground, to ordering the horse back onto its feet while he mounts it as it quickly rolls upright, rifle in one hand, reins in the other.
- ErroresThe steam locomotive used to transport the Apache band at the end is an oil burning locomotive. A phony load of wood sits atop the tender's fuel-oil bunker. The engine is making thick black smoke, an indication of an oil fired locomotive. Such thick smoke is an indication of poor fuel burning, something movie directors request, but hardly real-world practice. Properly operated steam locomotives make much less smoke, regardless of whether fuel is wood, coal, or oil.
- Citas
Al Sieber, Chief of Scouts: There's two dead women there... and two little kids. They scalped them all, all four of 'em. Bounty hunters. The government down here pays 200 pesos a head for men, 100 for women and 50 for those kids. They kill any Indian and then claim they are Apache. I don't see how any man can sink so low. Must be Texans... the lowest form of white man there is.
- Bandas sonorasDeal Gently With Thy Servants, Lord
Performed by The Boston Camerata, Schola Cantorum (as The Schola Cantorum of Boston)
Joel Cohen, Director; Frederick Jodry, Director
Courtesy of Erato Disques S.A.
By Arrangement with Warner Special Products
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Geronimo: An American Legend?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 18,635,620
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,018,452
- 12 dic 1993
- Total a nivel mundial
- USD 18,635,620
- Tiempo de ejecución1 hora 55 minutos
- Color
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Hindi language plot outline for Gerónimo: Una Leyenda Americana (1993)?
Responda