Frauds

I realise the first thing people who look at this movie will think 2 things. Australia and Phil Collins grumble, grumble, grumble...Well I watched this film in as best an objective observer as I could be. I like Phil Collins as a musician, I say like, I mean I really like, but however if I thought he was awful I would say so. Sure this film was not going to win an Oscar, But it's clever, Quirky and the humour is darkly rich. The 3 leads are excellent, All border line madness as their worlds collapse around them at various moments. I really enjoyed this film and also goes to show that not only do you not have to spent mega bucks on a good wacky thriller but keep your eyes peeled, The uk and USA don't have the rights anymore on making appealing movies. Rent it, Buy it, Watch it, It will make a good Saturday night :)

Beth comes home to find a burglar in her home. During a struggle she kills him and is later cleared of manslaughter. However insurance investigator Roland Copping begins to look into the case looking for fraud. He eventually finds a fraud by Beth's husband Jonathon and begins to blackmail the couple in a game where the stakes continually rise.

This is an Australian comedy - oops! immediate turn off for me. And it stars Phil Collins - double oops. Whenever I see Phil Collins in a film my immediate assumption is that they couldn't get Bob Hoskins. This really needed to do something special to win me over. And for the first half it does - the robbery scenes are good and then Collins uncovering the fraud is very interesting. However the second half is all a bit daft - Collin's living in an unlikely toy-store house with a range of gadgets and Jonathon being drawn into a deadly game. It has it's moments but the second half is a bit silly.

The cast are mixed. Collins is not a great actor and hams it up - however here the film so overdone that his style almost fits.....almost. His childhood is not well enough explored and instead we are treated to fancy sets and fantasy sequences that aren't set in any context. Byrnes is good as the harassed wife but Hugo Weaving is lost with a stretched role where he has to jump from gentle husband to being on the same level as Collins.

Overall the first half is quite interesting - you don't totally know what's going on in every situation. However the second half is a bit silly and Collins loses any believability as a character. It's a little entertaining but the colourful child-like set takes away much of the dark mystery of the first half.

Watched this one not feeling totally sure how well I'd enjoy it. It seemed like a low budget film which may be amusing for a while then fizzle out, but I'm happy to say I was well interested throughout the film.

The first 5-10 minutes felt a little choppy, like a very rough cut of the film trying to show us a noteworthy aspect we should keep in mind and doing it more haphazardly than it means to. Once we're into the "present time" I guess you'd say, the editing levels out. It feels almost like a kid's movie at times, though with a more adult-but-still-a-bit-silly theme about it.

I don't want to sell this as a "silly" movie. It certainly feels a bit silly at moments and has several moments of questionable setups, but it works for the world that's been setup for us. At least, if you're into the film, it works. One does have to let logic go a wee bit to enjoy this film. If you can't do that, this is probably not the film for you.

Phil Collins is delightfully fun in his sleezy role. I haven't seen him on "Miami Vice," but this is very much how I imagine his character on that show to be like. Really all the acting is good in this. Hugo Weaving and Josephine Byrnes are both terrific; I really liked them more as the film went on.

This is the first film of Stephan Elliott's that I have seen, and based on this film, I am interested in seeing more.

I am giving this a 7 because I did enjoy it overall. It's a fun, light film with a dark twinge to it. It's not a deep film, there's not a lot to take away from it, it didn't make me feel anything substantial. It was a good watch though. I would certainly be game to watch this again in the near future.

Coming across this late at night on ITV1 was quite a find really. I had heard of it, and the idea of Phil Collins as a demented villain did appeal. I really liked the oddball quality of it all, with Collins wonderful as a jovial, buffoonish grinner, treading the line between menace and absurdity in portraying one Roland Copping, who one might call a tad eccentric. The lunacy and non-sequiturs build up very effectively in the middle of the film; perhaps the tone might have been made a little more dark, or perhaps less light, presumably with different, less jaunty music.

Maybe it tails off slightly, but the ending somehow seems to me a gem. The absurdism isn't compromised by a happy ending, it is strengthened by a subtle, fitting conclusion.

I wouldn't say this was a perfect film, but it is damn enjoyable, far from the mainstream and never bland. The sets, by the way, for Copping's house, are fab; just thought I had to add that!

Rating:- *** 1/2/*****

By far this is one of my favorite movies. It is so different than the norm that Hollywood puts out. I came across it one morning on one of the movie channels. I watched the last 45 minutes of it, but was so intrigued I had to track down the movie. I finally found a copy on the PAL system, got it and had it transfered over to VHS. This was a few years ago. I wish they would release it on to DVD.

Phil Collins gives a wonderful performance, he needs to do more movies roles. Hugo Weaving is also a delight to watch, it is different to see him in a non-action role. I recommend this movie to anyone who is lucky to come across it.