CALIFICACIÓN DE IMDb
5.0/10
3.7 k
TU CALIFICACIÓN
El último intento de Jack por dar un buen golpe se ve interrumpido cuando dos extraños (sus hijos) aparecen de repente en su puerta para reclamar su paternidad.El último intento de Jack por dar un buen golpe se ve interrumpido cuando dos extraños (sus hijos) aparecen de repente en su puerta para reclamar su paternidad.El último intento de Jack por dar un buen golpe se ve interrumpido cuando dos extraños (sus hijos) aparecen de repente en su puerta para reclamar su paternidad.
- Dirección
- Guionista
- Elenco
Martha Velez
- Mrs. Carter
- (as Martha Velez-Johnson)
Josh Lucas
- Andy
- (as Joshua Lucas)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Siblings Kelly (Sabrina Lloyd) and Eddie Charles (Brian Bonsall) eagerly wait for the release of their father Jack Charles (Patrick Swayze) from prison along with Kathleen Mercer (Hallee Berry). Fifteen months earlier, Kelly escapes from the Dickensian Bigelow Hall. Jack is a petty criminal facing prison time. He robbed drug dealers until he robbed an uncover cop pretending to be a drug dealer. He's also waiting for a large deal to come in. With their mother dead, the kids were left in the foster system. Kelly tells Jack that Eddie is about to be placed in Bigelow Hall. After witnessing director Lazzaro lying to the court, Jack takes matters into his own hands and breaks Eddie out. Jack intends to leave the kids with his grifter mother Rita (Diane Ladd) but their case has become big news. Jack confronts Mercer for her flawed reporting but she's actually investigating the Hall for fraud.
The filmmaker may be attempting for comedy but there are no laughs to be had. This is a somewhat functional road movie of sorts. The little one is a bit annoying. Swayze is caught failing to be funny but his ample charms keep the movie from completely failing. This really doesn't work but the basic premise with Swayze almost works anyways.
The filmmaker may be attempting for comedy but there are no laughs to be had. This is a somewhat functional road movie of sorts. The little one is a bit annoying. Swayze is caught failing to be funny but his ample charms keep the movie from completely failing. This really doesn't work but the basic premise with Swayze almost works anyways.
This film essentially begins with a teenage girl by the name of "Kelly Charles" (Sabrina Lloyd) breaking out of a childcare facility and going to see her father "Jack Charles" (Patrick Swayze) to plead with him to let her and her younger brother "Eddie Charles" (Brian Bonsall) live with him. The problem is that Jack is a small-time criminal who is currently facing charges for armed robbery, and he wouldn't make a good parent even if he wanted to--which he does not. Not only that, but he also has a scheme cooked up with his good friend in New Orleans named "Jerry" (Michael Ironside) to rob a wealthy mob boss within a week and having children around would definitely cause problems. However, when he learns that the head of the childcare facility by the name of "Mr. Lazzaro" (Bob Guntan) is physically and emotionally abusing the children there, Jack decides to confront him in court about it. Unfortunately, with little evidence to back up these claims, Mr. Lazzaro is allowed to retain custody of them. Angry about this, Jack decides to resolve the situation and get his children out of the childcare facility in the only way he knows how--at gun point. Needless to say, this doesn't help his problems with the law. Not only that, but his problems are complicated even further when a newspaper journalist by the name of "Kathleen Mercer" (Halle Berry) becomes involved and sensationalizes the incident all out of proportion. Now, rather than reveal any more, I will just say that this was an okay comedy which benefited from a pretty good performance by Patrick Swayze and Sabrina Lloyd. Admittedly, I was somewhat disappointed with the rather meager roles given to both Halle Berry and Michael Ironside but, all things considered, I enjoyed this film for the most part and I have rated it accordingly. Slightly above average.
Like most action movies, this one has an improbable plot and some impossible sequences. But this can be forgiven, since the movie is primarily a comedy. Patrick Swayze strikes the right note of comic, underclass insouciance, but the film does attempt to say something about parental responsibility and father/child bonding. It also raises some disturbing questions about the predicament of children in state foster care.
There are no love scenes, and little violence. With some language dubbing, this might be suitable for family viewing.
Note to Patrick Swayze fans: Even in his goofy rayon shirts, he's still gorgeous. And we never have to see him in prison clothes.
There are no love scenes, and little violence. With some language dubbing, this might be suitable for family viewing.
Note to Patrick Swayze fans: Even in his goofy rayon shirts, he's still gorgeous. And we never have to see him in prison clothes.
This movie was OK with some flaws the movies about how a man is on the run from the police with his kids who have escaped from a foster home.This movie was better then i thought it would be but it still was a little bit crap and the film stars actors and actresses like Patrick Swayze,Halle Berry,Sabrina Lloyd,Michael Ironside and Brian Bonsall.The movie has an OK plot but at times it got a little bit stupid and Patrick Swayze and Halle berry both done a good job at acting in this movie and if u liked Halle berry in this movie u should see her in the movies monsters ball and x-men 2.Over all this film was OK and my rating is 5 and a half out of 10.
Kelly and Eddie Charles wait the release of their father Jack (Patrick Swayze) along with journalist Kathleen Mercer (Halle Berry) that wants to cover the story. Once Jack is out, trouble follows because he doesn't get along well with his not-long seen kids and he can't even stand them, and they spent the majority of the movie escaping after Jack does some of his foolish things and after a while ends up arrested, tried, acquitted and released once again.
The main problem of this movie is that the main character is a jerk and there is no attempt to make him likeable or endearing in the least. He is always on the verge of exploding and behaves like a fool for most of the time, causing trouble to himself and those near him. The kids were actually likeable because they couldn't stand their dad (just like the audience) and this is the reason why I didn't gave it a lower score (along with the soundtrack that is bound to give lots of nostalgic 1990s vibes).
In substance, one of those films billed as family entertainment but that fails to accomplish this mention. A bad lead, various stupid moments that luckily I forgot... this might also account for why only 15 persons apart from me dared to review it.
The main problem of this movie is that the main character is a jerk and there is no attempt to make him likeable or endearing in the least. He is always on the verge of exploding and behaves like a fool for most of the time, causing trouble to himself and those near him. The kids were actually likeable because they couldn't stand their dad (just like the audience) and this is the reason why I didn't gave it a lower score (along with the soundtrack that is bound to give lots of nostalgic 1990s vibes).
In substance, one of those films billed as family entertainment but that fails to accomplish this mention. A bad lead, various stupid moments that luckily I forgot... this might also account for why only 15 persons apart from me dared to review it.
¿Sabías que…?
- TriviaWhile this production had part of a freeway closed for filming, R.E.M. took advantage and filmed some of the video for R.E.M.: Everybody Hurts (1993) there.
- ConexionesFeatures La noche de los muertos (1968)
- Bandas sonorasCan't Run from Yourself
Written by Marshall Chapman
Performed by Tanya Tucker
Courtesy of Liberty Records
under license from CEMA Special Markets
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 3,418,141
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,286,806
- 29 ago 1993
- Total a nivel mundial
- USD 3,418,141
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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