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6.3/10
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Agrega una trama en tu idiomaA new pastor arrives in a stark Vermont village and is intrigued by crippled, misshapen Ethan Frome living on an isolated, hardscrabble farm with his sickly wife Zeena.A new pastor arrives in a stark Vermont village and is intrigued by crippled, misshapen Ethan Frome living on an isolated, hardscrabble farm with his sickly wife Zeena.A new pastor arrives in a stark Vermont village and is intrigued by crippled, misshapen Ethan Frome living on an isolated, hardscrabble farm with his sickly wife Zeena.
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Opiniones destacadas
This is one of the more enjoyable novels I have read in high school and I think this film adaptation fits the book very well. It is about the life of husband Ethan Frome (Liam Leeson) and his disabled wife, Zeena Frome (Joan Allen). They hire a young woman, Mattie Silver (Patricia Arquette), to help tend to household needs and, as time passes, she and Ethan fall in love.
I've found this movie to be quite enjoyable and engaging, as its drama and plot are enthralling and beautifully depicted. The plot does flow well as the movie is faithfully executed in accordance with the novel and the acting is quite astounding for the most part. The characters especially the three leads are sympathetic and phenomenal - you feel the suffering Zeena's illness is causing her and the complexity surrounding the forbidden love of Ethan and Mattie. The simplicity of the Victorian town the movie is set in and the snowy weather give the story a solemn atmosphere.
If you have read the novel before watching this film, you will still feel intrigued by the plot and find the course of the events suspenseful, wondering how everything will play out at the end. It's a good piece of movie drama that is a must-see.
Grade B+
I've found this movie to be quite enjoyable and engaging, as its drama and plot are enthralling and beautifully depicted. The plot does flow well as the movie is faithfully executed in accordance with the novel and the acting is quite astounding for the most part. The characters especially the three leads are sympathetic and phenomenal - you feel the suffering Zeena's illness is causing her and the complexity surrounding the forbidden love of Ethan and Mattie. The simplicity of the Victorian town the movie is set in and the snowy weather give the story a solemn atmosphere.
If you have read the novel before watching this film, you will still feel intrigued by the plot and find the course of the events suspenseful, wondering how everything will play out at the end. It's a good piece of movie drama that is a must-see.
Grade B+
Ethan Frome is one of those stories that is meant to be uncomfortable and unattractive, so if you were put off by either the novel or the movie, it just shows that they succeeded in what they set out to do. Personally, I am slightly ashamed to admit that the novel bored me nearly to tears, but this film version not only refreshed the story in my memory but also breathed a much needed bit of life into the literary version, which is something that I rarely say about a film version of a novel. Before I go on, however, I would like to point out that I realize how much is lost in the transition from novel to film, in that the film is not able to capture Wharton's writing style and there are scenes that are taken out and artistic liberties taken with the material, but as far as a structured story, this is a worthwhile adaptation.
Liam Neeson brilliantly portrays the fated Ethan Frome, a character who is in an unhappy marriage to a wife who is more interested in the social status achieved by being married than in Ethan as a person. Zeena, his wife (played by Joan Allen), is a woman who has become embittered by her life as the wife of a poor man (as Ethan describes her at one point) and the fact that any scrap of love or passion has leaked completely out of her marriage, which was pretty dry to begin with. When Mattie (Patricia Arquette) comes to live with them, things begin to fall apart much more seriously than the emotional way in which the marriage between Ethan and Zeena has long since crumbled.
There are a lot of religious and social undertones throughout the film, as we struggle with Ethan and Mattie, watching them desperately falling in love with each other but each as helpless to do anything about it as the other. Ethan can't leave Zeena for religious reasons, and social reasons as well, since he will be disrespected by the community if he does that (which is a little strange, since you would think there would be even more disapproval from the fact that Ethan and Zeena are distant cousins). And besides that, Ethan has moral reasons of his own for not wanting to leave Zeena, feeling that he has an obligation to her that prevents him from leaving her alone and helpless. This obligation is, of course, derived mainly from Zeena having put so much effort into caring for Ethan's mother before she passed away, an extended act of charity of which she constantly reminds him.
Patricia Arquette delivers a fine performance in the role as Mattie Silver, although her iconography since making this film has completely changed the way she is seen in movies and makes her role as Mattie slightly less believable. But Liam Neeson is the actor here who deserves the most recognition, I can't even imagine someone portraying Ethan Frome more accurately as far as the way he was described in the book than what Neeson did in this film. If you're studying this book in school, it would probably be a good idea to just go ahead and read the book, because this movie is not going to inform you enough to be able to pass a test on the novel, but it certainly works as far as entertainment or as a way to complement the book.
Liam Neeson brilliantly portrays the fated Ethan Frome, a character who is in an unhappy marriage to a wife who is more interested in the social status achieved by being married than in Ethan as a person. Zeena, his wife (played by Joan Allen), is a woman who has become embittered by her life as the wife of a poor man (as Ethan describes her at one point) and the fact that any scrap of love or passion has leaked completely out of her marriage, which was pretty dry to begin with. When Mattie (Patricia Arquette) comes to live with them, things begin to fall apart much more seriously than the emotional way in which the marriage between Ethan and Zeena has long since crumbled.
There are a lot of religious and social undertones throughout the film, as we struggle with Ethan and Mattie, watching them desperately falling in love with each other but each as helpless to do anything about it as the other. Ethan can't leave Zeena for religious reasons, and social reasons as well, since he will be disrespected by the community if he does that (which is a little strange, since you would think there would be even more disapproval from the fact that Ethan and Zeena are distant cousins). And besides that, Ethan has moral reasons of his own for not wanting to leave Zeena, feeling that he has an obligation to her that prevents him from leaving her alone and helpless. This obligation is, of course, derived mainly from Zeena having put so much effort into caring for Ethan's mother before she passed away, an extended act of charity of which she constantly reminds him.
Patricia Arquette delivers a fine performance in the role as Mattie Silver, although her iconography since making this film has completely changed the way she is seen in movies and makes her role as Mattie slightly less believable. But Liam Neeson is the actor here who deserves the most recognition, I can't even imagine someone portraying Ethan Frome more accurately as far as the way he was described in the book than what Neeson did in this film. If you're studying this book in school, it would probably be a good idea to just go ahead and read the book, because this movie is not going to inform you enough to be able to pass a test on the novel, but it certainly works as far as entertainment or as a way to complement the book.
I felt that Ethan Frome was EXTREMELY well acted by all; however, this bleak, depressing drama was very slow moving and lacked intensity which I think would have added to the romantic plot. More development between the characters in the love triangle would have been effective. Costumes, scenery and characters were all very authentic. Just wish it could have been more of an emotional picture.
When Richard Nelson set out to adapt Edith Wharton's classic novel Ethan Frome to the silver screen, he could have never imaged that he would surpass the novel in quality. Marvelous casting and cinematography, as well as a befitting musical score by Rachel Portman, create the perfect audio/visual setting for an American classic.
Ethan Frome is the story of a man broken by his illicit love for his wife's housekeeper cousin. Starting from the present, the story flashes back to many years earlier before the accident that crippled Ethan. His wife Zeena becomes sick and sends for her cousin Mattie to take care of her. Ethan and Mattie fall deeply in love while Zeena becomes sicker and sicker.
While staying largely true to the novel, Richard Nelson makes changes to the story that perhaps Edith Wharton should have considered when writing her tragedy. The identity of the character investigating into Ethan's past has been altered from an engineer to a preacher, a more sensible profession in the context of the story. The depth of Ethan's relationship with Mattie also goes much deeper then in the novel. While perhaps this change could be criticized, it works better for the modern audience in understanding events to come. One of these events, an attempted suicide by Ethan's lover Mattie, was absent from the book yet again helps the viewing audience to feel the intense emotions of the movie. Well-chosen deletions from the book also help pacing while not infringing on its essence.
Perhaps the greatest attribute of "Ethan Frome" is its high-quality acting. Liam Neeson, staring as Ethan Frome, delivers an astounding performance. Perfecting both his character's physical ailment and emotional turmoil, he communicates the part as though it was written for him. Patricia Arquette equalizes Neeson's performance as Ethan's forbidden love Mattie Silver. There are several scenes in which dialogue is not needed to understand what Arquette's character is feeling. Lastly, Joan Allen does a phenomenal job in portraying Ethan's sickly wife Zeena. Though not as antagonistic as in the novel, she none-the-less conveys a meaningful performance.
What gives the movie version of Ethan Frome the edge over its book counterpart is the visual experience and the haunting soundtrack. The camera truly captures the melancholy of the land. There is not a moment in which the atmosphere of the setting does not match the emotional performance of the actors. Rachel Portman also composes a recurrent theme that portrays the spirit of the novel. The music, along with the camera work, help to set the kind of mood that words cannot in this instance. "Ethan Frome" wonderfully tells the story that Edith Wharton meant to in her novel. Outstanding acting and beautiful camera work make "Ethan Frome" a deeply moving film. Those who read the book will be mystified by the superiority of the movie over the novel. Those just interested in a heartfelt tale of forbidden love will not be disappointed either. Though it runs just over an hour-and-a-half, it is paced well and does not rush. As a whole, "Ethan Frome" is highly recommended.
Ethan Frome is the story of a man broken by his illicit love for his wife's housekeeper cousin. Starting from the present, the story flashes back to many years earlier before the accident that crippled Ethan. His wife Zeena becomes sick and sends for her cousin Mattie to take care of her. Ethan and Mattie fall deeply in love while Zeena becomes sicker and sicker.
While staying largely true to the novel, Richard Nelson makes changes to the story that perhaps Edith Wharton should have considered when writing her tragedy. The identity of the character investigating into Ethan's past has been altered from an engineer to a preacher, a more sensible profession in the context of the story. The depth of Ethan's relationship with Mattie also goes much deeper then in the novel. While perhaps this change could be criticized, it works better for the modern audience in understanding events to come. One of these events, an attempted suicide by Ethan's lover Mattie, was absent from the book yet again helps the viewing audience to feel the intense emotions of the movie. Well-chosen deletions from the book also help pacing while not infringing on its essence.
Perhaps the greatest attribute of "Ethan Frome" is its high-quality acting. Liam Neeson, staring as Ethan Frome, delivers an astounding performance. Perfecting both his character's physical ailment and emotional turmoil, he communicates the part as though it was written for him. Patricia Arquette equalizes Neeson's performance as Ethan's forbidden love Mattie Silver. There are several scenes in which dialogue is not needed to understand what Arquette's character is feeling. Lastly, Joan Allen does a phenomenal job in portraying Ethan's sickly wife Zeena. Though not as antagonistic as in the novel, she none-the-less conveys a meaningful performance.
What gives the movie version of Ethan Frome the edge over its book counterpart is the visual experience and the haunting soundtrack. The camera truly captures the melancholy of the land. There is not a moment in which the atmosphere of the setting does not match the emotional performance of the actors. Rachel Portman also composes a recurrent theme that portrays the spirit of the novel. The music, along with the camera work, help to set the kind of mood that words cannot in this instance. "Ethan Frome" wonderfully tells the story that Edith Wharton meant to in her novel. Outstanding acting and beautiful camera work make "Ethan Frome" a deeply moving film. Those who read the book will be mystified by the superiority of the movie over the novel. Those just interested in a heartfelt tale of forbidden love will not be disappointed either. Though it runs just over an hour-and-a-half, it is paced well and does not rush. As a whole, "Ethan Frome" is highly recommended.
Ethan Frome (1993)
This is a classic Edith Wharton melodrama, a hyper-romantic short novel that has turned on and turned off many high schoolers and literature majors over the years. It's a great story and it's hard to go totally wrong with it, but it's an old fashioned story, and more slow and steady than filled with amazing or surprising turns and emotional insights.
Another way to put it is: it isn't a Bronte novel.
So a movie version of Ethan Frome has to find some way of pulling us in very deeply, through characterization, through ambiance, through an attention so small things that make the main plot take on resonance. None of that quite happens here.
The photography makes clear from the first scenes that it is very careful, which isn't a bad thing. The whole film has a steady, beautiful, somewhat constrained quality, using lots of available light. We watch the title character, played by Liam Neeson, with a growing sense of calm partly because of the camera. When we discover the relationship between Frome and his wife, and then with his wife's relative who has come to "help" them with chores, it is always bordering on stiff. I think this is meant to imply a formality to life at the turn of the century (the book was written in 1911 and set a few years earlier). But to my mind people were not so poised, or afraid, or following puritanical strictures as all that.
At any rate, the move ends up weirdly flat as a result. We know the events are romantically intense, but we don't get swept away by them. It's surprising no movie version has been attempted before this one. And it will be surprising if another is tried, hopefully with more effect. This isn't at all bad, nothing glaring here, but being "not bad" isn't quite the idea in the end.
This is a classic Edith Wharton melodrama, a hyper-romantic short novel that has turned on and turned off many high schoolers and literature majors over the years. It's a great story and it's hard to go totally wrong with it, but it's an old fashioned story, and more slow and steady than filled with amazing or surprising turns and emotional insights.
Another way to put it is: it isn't a Bronte novel.
So a movie version of Ethan Frome has to find some way of pulling us in very deeply, through characterization, through ambiance, through an attention so small things that make the main plot take on resonance. None of that quite happens here.
The photography makes clear from the first scenes that it is very careful, which isn't a bad thing. The whole film has a steady, beautiful, somewhat constrained quality, using lots of available light. We watch the title character, played by Liam Neeson, with a growing sense of calm partly because of the camera. When we discover the relationship between Frome and his wife, and then with his wife's relative who has come to "help" them with chores, it is always bordering on stiff. I think this is meant to imply a formality to life at the turn of the century (the book was written in 1911 and set a few years earlier). But to my mind people were not so poised, or afraid, or following puritanical strictures as all that.
At any rate, the move ends up weirdly flat as a result. We know the events are romantically intense, but we don't get swept away by them. It's surprising no movie version has been attempted before this one. And it will be surprising if another is tried, hopefully with more effect. This isn't at all bad, nothing glaring here, but being "not bad" isn't quite the idea in the end.
¿Sabías que…?
- TriviaIn Edith Wharton's original novel, the stranger in town who takes an interest in Ethan is not a new pastor, but a businessman or woman (the gender isn't specified) temporarily staying in the area.
- ErroresIn a winter scene early in the film, a Red-eyed Vireo can be heard singing in the dead of winter in Massachusetts. These birds winter in Amazonia, and arrive in Massachusetts in late spring.
- Citas
Mattie Silver: If I miss my train, where will I go?
Ethan Frome: Where will you go if you catch it?
- ConexionesFeatured in Screen Two: Ethan Frome (1994)
- Bandas sonorasTurkey in the Straw
(uncredited)
American folk tune
[Played at square dance]
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- How long is Ethan Frome?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- American Playhouse: Ethan Frome
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 296,081
- Fin de semana de estreno en EE. UU. y Canadá
- USD 57,623
- 14 mar 1993
- Total a nivel mundial
- USD 296,081
- Tiempo de ejecución
- 1h 39min(99 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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