The Cemetery Club

Three lady-friends, Jewish widows in their 60s, grieve together, laugh together, attend weddings and funerals together--but when one of the gals thinks she's found a decent man, the other two interfere out of jealousy or fear (or maybe a bit of both). Screenwriter Ivan Menchell, adapting his play, delivers a collection of lightly dramatic and comedic episodes which result in a half-hearted sitcom--a Jewish "Golden Girls"--and nobody involved with the picture looks as though they had great hopes for it. Possibly hoping to target the "Moonstruck" crowd, director Bill Duke plays on our nostalgic feelings for a cast of familiar faces, warmly sentimental music on the soundtrack, and antiquated comic shtick which may strike some TV viewers as funny (it's The Rerun Club). For a few brief moments, Ellen Burstyn and Danny Aiello create a nice romantic rapport, but her introduction to him (fighting with a groundskeeper and being bitten in the leg!) is a gag that even Mel Brooks might have passed on. Menchell is awfully fond of meet-cutes and warmly bitchy put-downs, and Burstyn has to struggle to carve out an interesting character (it doesn't help that she's weighed down with wigs and scarves and jackets). With its teary-eyed laughter and fake Jewish come-on, the movie appears to be a total fraud; however, there was the germ of a good idea here, particularly with Aiello's cab-driver (he's actually more interesting than the women). Diane Ladd and Olympia Dukakis are certainly capable, but Duke's inconsistent rhythm and indecisive narrative puts a wall around these people--we don't even know for sure if these are likable people, so generic is the writing and handling. ** from ****

After 39 years of marriage, still-attractive music store owner Ellen Burstyn (as Esther Moskowitz) loses her husband to a heart attack. While paying her respects, Ms. Burstyn meets cop-turned-cab-driver Danny Aiello (as Benjamin "Ben" Katz ) in the Pittsburgh cemetery where their loved ones rest in peace. Burstyn and her friends have formed "The Cemetery Club" to mourn their dead husbands; the more traditionally inclined Olympia Dukakis (as Doris Silverman) masters the widow role, but Diane Ladd (as Lucille Rubin) seeks greener pastures. Inactive club member Lainie Kazan (as Selma) is most eager to dig up an new husband. Tired of her cemetery visits, Ms. Ladd shouts, "I refuse to be in a club where half the members are dead!" One of the film's consistently least affected performers, Burstyn wavers along the spectrum.

****** The Cemetery Club (2/3/93) Bill Duke ~ Ellen Burstyn, Danny Aiello, Olympia Dukakis, Diane Ladd

This is a "baby boomer" flick, I totally enjoyed it and thought that the story line was excellent and all the actors were fabulous. The younger generation would not understand the meaning or the humor. This is an all star cast of baby boomer's or older and I think they should be commended for their stellar acting. Ellen Burstyn is beautiful and gave a wonderful performance as usual. Diane Ladd is funny and beautiful. Olympia Dukakis is perfect for the part she played. Lainie Kazan is so funny with all her marriages living her life to the fullest. Everyone should have a group of friends that love and support each other through all of life's ups and downs.

One would think that if you're going to make a movie about 3 widowed friends, you'd either want to make it serious and somber or hysterically funny. Unfortunately, The Cemetery Club is neither and it exists in some weird in between place where you keep waiting to move or laugh.

Obviously inspired by female centered tear jerkers like Terms of Endearment or Steel Magnolias, The Cemetery Club never quite achieves take off and is never funny or moving enough to be memorable like those other films.

You can't say the cast isn't great though. With Ellen Burstyn, Diane Ladd, and Olympia Dukakis, The Cemetery Club should be a lot better than it is and it lets down these fine women at every turn. Burstyn probably fares the best as she's given the most to do and it least gets one good scene where she talks about her dead husband on a date with a potential suitor (Danny Aiello).

It's enough of an accomplishment to see a movie about late-middle age women in our culture of youth, youth, and more youth. "The Cemetery Club" isn't going to be the most memorable movie you ever see, but it's a nice way to spend a couple of hours. Diane Ladd, one of the more underused and underrated actresses in the business, in particular turns in a nice performance.