The Boys of St. Vincent

Horror films as such have nothing on the THE BOYS OF ST. VINCENT. Loosely based on the Roman Catholic child molestation scandals as they unfolded in Canada, this 1991 film was first show on Canadian television but later shown theatrically in the United States. Directed by John N. Smith, featuring an extraordinary cast, and boasting an excellent script, the film is one of the most fearsome experiences you could ever endure.

The story falls into two parts, first offering a portrait of St. Vincent, a Catholic orphanage for boys, as it existed in the early 1970s; then presenting a portrait of the various characters some fifteen years later as the original accusations of child molestation and abuse result in a high profile court case. The film focuses on a number of characters, but most particularly on Henry Czerny, who begins the film as Brother Lavin of St. Vincent--a truly dangerous pedophile who uses his position to sate his desires while also looking the other way re abuse of children by other Brothers at the orphanage. When the scandal at last breaks around him, it is quickly hushed up by the authorities, and Lavin leaves the church. Some fifteen years later he is a respected businessman, a husband, and the father of two sons when the long-forgotten and covered-up case begins to explode relentlessly in the public eye.

The cast is truly amazing here, chief among them Henry Czerny as Lavin, who creates a truly multi-layered portrait of a man at once pitiful but both vicious and dangerous. Equally amazing are the cast of children and their adult counterparts in the latter half of the film, most particularly Johnny Morina and Sebastian Spence, who play the role of Kevin as a child and an adult respectively.

Perhaps the single most impressive accomplishment of the film is the delicate balancing act director Smith achieves, a stance which does not attack the Catholic Church as an institution but which relentlessly exposes the corruption that can exist within it. The film does contain some child nudity, all of it "back shots," and while some may find this in questionable taste it is all carefully filmed and not explotational--and indeed has the effect of further demonstrating the innocence of the children while emphasizing the evil of those who abuse them.

Painful as the film it is, I cannot recommend it too strongly. It should be seen by every responsible adult, not simply for the artistry involved in its presentation, but for the warning it offers. A must see.

Gary F. Taylor, aka GFT, Amazon Reviewer

In my opinion, this is the greatest Canadian film of all time and a true primer on Canadian cinema style. I originally saw this film as a teenager when it premiered on Canadian television in 1992 in two parts, one part on Sunday and one part on Monday. The film should be viewed in this manner, on separate days, to allow the emotions to seep in. Last year, I felt that I was ready to see the film again, and I watched it with my family. The indelible images returned, such as the raging Brother Lavin in the basement towards the end of the second hour. Please see this film.

I watched this film the other night after it was recommended to me by someone with whom I was discussing the film "Song For A Raggy Boy." To say I enjoyed the film would be totally inappropriate given the subject matter but it did grip me and hold my interest throughout it's full running.

What concerned me however was the amount of child nudity involved which I must admit I found disturbing and in all honesty far more than actually necessary. Am I the only one who felt this?

As a survivor of child abuse, I understand that my perspective on these things might vary from other member's views, but I could not help feel there was simply too much and when I compare the film to "Song For A Raggy Boy" I cannot help but question if all of the child nudity was needed.

Other than this one criticism, I thought the film was excellently produced and cleverly presented with extremely powerful performances from the leads.

Despite my previous comments I would recommend this film.

It has taken more than one hundred (100) years of physical and sexual abuse for a small percentage of the churches dirty big secrets were revealed. The Boys of St Vincent deserves to be seen and heard for the majority of good Roman Catholic patrons and clergy to have even a semblance of understanding and appreciation of the wrong doing that took place in the Roman Catholic orphanages and schools over the past one hundred (100) years.

I would like to thank the director and producers for drawing the perfect balance between physical and mental abuse awareness and graphic detail.

The acting of the two lead characters Brother Peter Lavin (Henry Czerny) and Kevin Reevey (Johnny Morina) was especially realistic and as difficult it was to watch the abuse I appreciated how both actors maintained their roles to ensure their audience understood the disgust for which pedophile and manipulation was controlled by the adults who were responsible for the care and education of the children who had no one else to feed, clothe and educate them.

A very strong supporting cast also deserve to be recognized. As much as I would have like to rate the film a 10/10 the subject matter warrants a lesser rating of an 8 out of 10 IMDB rating.

This movie is disturbing and hard to watch sometimes, but I suggest every parent who get the chance to see this movie to do it. Who are these sick people anyway? How can anyone do something like this to a little boy? That boy being thrown into the wall, whipped with a belt buckle and carried up the dark stairs is an image I will never forget. The kids give great performances, especially little Morina. Then you have Czerny as the head priest. Talk about perfect casting. A great performance. Will give you chills. If I didn't know any better, I'd say he was a child-molester, playing one so well. WATCH IT.