Basada en la vida del poeta Jimmy Santiago Baca, la película se centra en los hermanastros Paco, Cruz, y su primo birracial Miklo.Basada en la vida del poeta Jimmy Santiago Baca, la película se centra en los hermanastros Paco, Cruz, y su primo birracial Miklo.Basada en la vida del poeta Jimmy Santiago Baca, la película se centra en los hermanastros Paco, Cruz, y su primo birracial Miklo.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 2 nominaciones en total
Opiniones destacadas
I've seen this movie a couple of times and its got its good points and its bad. It's an interesting story, though generally, it perpetuates the "East L.A. gang member" stereotype. However, it also addresses something I haven't seen before in a movie of this type, and something that was perfectly illustrated (unintentionally) by some of the unfavorable reviews posted here. I'm referring to the character of Miklos, and how stereotypes within his own community about "what is Latin" contribute to the person he becomes. There have been a few reviewers here who feel that the character of Miklos was not believable as Latino, as he was "too" white looking. As I understand, that was exactly the point. He was always having to prove himself as 'more latin than thou' because of his fair skin. Somehow being 'more latin than thou' became akin to being a hardest of the hard gang member. I think that was the most compelling idea out of the movie because that sort of thing happens quite often. Many Latinos subscribe to the stereotype that "all latinos are a sort of medium brown". Forgetting that "Latino" is not a race. It refers to ethnicity. You can be of any race and still be Latino. Those who don't fit into the stereotype of appearance sometimes try to find another way to 'be more Latin', and become susceptible to other, more insidious stereotypes. I've known my fair share of blue eyed blond "Miklos" who felt compelled to prove their "Latin-ness" by being a thug. So despite what has to be a record usage of the word "ese", I found this movie a worthy viewing due to the addressing of this topic.
I am quite often moved to comment when a movie has a wide range of good to bad reviews. This movie is a classic case. Several people called it the worst movie they had ever seen, or words to that effect. Is it? Hardly. It also isn't the best movie ever made. It is long, I'll grant the complaints about that, but one of the beauties of video is you don't have to watch it all at one time. Over-acted? I think that has to do with the genre.
Okay, it isn't the best movie ever made. But I can sum up all of its shortcomings with one contraticting word. It is compelling. I can very much relate to the reviewer who mentioned getting hooked on it on tv in the middle of the night. It is a compelling movie in spite of its shortcomings. Even if it seems overacted, it is compelling because it seems so real in spite of the overacting.
Okay, it isn't the best movie ever made. But I can sum up all of its shortcomings with one contraticting word. It is compelling. I can very much relate to the reviewer who mentioned getting hooked on it on tv in the middle of the night. It is a compelling movie in spite of its shortcomings. Even if it seems overacted, it is compelling because it seems so real in spite of the overacting.
i believe that is one of the better movies ever to come out. a truly amazing story of what life can entail between brothers and how the choices you make defines your direction in life. OK, one might argue that it is rather cheap in the budgetary sense and consequently not a respectable director nor actors are in it makes the flick only more interesting. The acting is however quite good and the prisoners are more than realistic. In other words it gives a nice insight in US (prison-gang)life. On top of that i personally am a great fan of true stories as this is. it is a shame that bad distribution has not given this the place in movie history that it deserves.
This is one of those most people saw by mistake, late one night on cable. I did too, and found myself talking about it for weeks. The only thing that keeps this movie from being rated higher is its length. At times it is too drawn out, but for the most part it is well acted, beautifully shot considering the settings, and tells a good story.
I have yet to to find a person who doesn't fal in love with this movie.
I have yet to to find a person who doesn't fal in love with this movie.
At first glance one feels this is a TV movie, starting with a sunny day somewhere in east LA and a guy coming in and greeting anyone in Spanish, with colorful Mexicans all over. You may think, based on the movie title as well, that it will be one of those gang action movies where the hero beats up everybody. It certainly starts that way, but the movie is not like that.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
¿Sabías que…?
- TriviaDamian Chapa, Benjamin Bratt and Jesse Borrego lived with real gang members in East Los Angeles for three months in order to help the actors develop the characters they were portraying and perfect their roles in the film.
- ErroresMiklo had two parole hearings, supposedly several years apart, but all the members of the parole board are wearing the same outfits and sitting in the same places for both hearings.
- Citas
Miklo Velka: Vatos Locos forever, ese!
- Créditos curiososDuring the end credits we see helicopter shots of Los Angeles. The movie ends with shots of the big tree (pina).
- Versiones alternativasUK theatrical release was edited to secure a 18 rating and removed shots of a butterfly knife being twirled. For the video release further 21 sec. were removed. Director's cut runs ca. 10 min. longer.
- Bandas sonorasComo Un Perro
Written by Severo Miron and Blanca Medel Calvez
Performed by Chelo Silva
Courtesy of Sony Music Entertainment Mexico, S.A. DE C.V.
By Arrangement with Sony Music Licensing
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Blood in Blood Out
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,496,583
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,002,548
- 2 may 1993
- Total a nivel mundial
- USD 4,496,583
- Tiempo de ejecución
- 3h(180 min)
- Color
- Relación de aspecto
- 1.85 : 1
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