Nacida ayer

I'm never against remakes. What is there to lose? If the remake is inferior it just reaffirms the rarity of and how difficult it is to produce a true classic. If the remake is superior, then we have a better movie! This movie stands on its own as fair and light entertainment. The performances are right in line with popcorn comedy and will produce a sufficient number of chuckles and laughs.

The problem, of course, is this movie cannot stand on its own. If you remake a classic, you have to make the comparison. This version just doesn't measure up to the 1950 original on any level.

Since many people have not seen the 1950 Born Yesterday, I think this movie will do them just fine. Sooner or later though, if they love movies, they're going to stumble across Judy Holliday's outstanding performance and then this remake may seem a bit weak.

As with most attempts at remaking classics, the 1993 version of Born Yesterday falls far short of the original. It does, however, maintain a charm of its own and it wouldn't hurt to give it a try. However, I certainly, without reservation and whole-heartedly recommend the original as a "must-see"!

this is sort of OK as an afternoon TV movie but stands no comparison against the Oscar nominated and winning original.

The Cukor version has class written all over it with stupendous performances from Broderick Crawford, Judy Holiday and William Holden, great comic timing and real pace.

This is just ambling along, making the motions, insipid in comparison, the famous gin rummy scene is a bit embarrassing really. John Goodman can't make his mind up whether he wants to be a bully or sympathetic, his pest controller in Anachrophobia was a far better comic performance I think. Don Johnson is so low key he seems to be sleepwalking through the role. Melenie Griffith was far better in Working Girl with an all round superior character transformation. So maybe the script and especially direction have to take the blame to a greater degree.

Cheap off-cut compared to prime rump steak.

This remake of the 1950 film which starred Judy Holliday was okay, but nothing super. The major problem was credibility with Melanie Griffith playing "Billie Dawn." I'm sorry, but with her voice and mannerisms in all the movies I've seen her in, it's not believable enough for me to see her as a woman who suddenly gets very smart. Anything is possible! However, she gets too smart, too fast and it's just too much. "Yeah, right," is what you wind up saying over and over. However, I'm not saying she didn't do a good job acting, it's just that I know her too well to have her be credible in this particular role.

I also was sorry to hear another example of a classic-era film re-done with profanity. Here, John Goodman (no surprise) blasphemes here and there as boyfriend "Harry Brock.".This story is nice enough with a bunch of good messages without having to mess it up with needless profanity and sexual innuendos. Can't Hollywood make ONE modern-day comedy without that? Speaking of credibility, I can picture a slob like Goodman being paired with Roseanne Barr, but a hot babe like Griffith? No way.

No wonder there was little chemistry in this film.

However, I have to say Don Johnson, of Miami Vice television fame, was a very likable character in a pleasant low-key role as the tutor-reporter. I was never a big fan of his but I liked him in this movie.

Still, the 1950 version was good enough to stand on its own, not needing a re-make in the first place.

The rude, selfish and arrogant businessman Harry Brock (John Goodman) travels to Washington with his mistress Billie Dawn (Melanie Griffith), his adviser Ed Devery (Edward Herrmann) and his assistant JJ (Max Perlich) to have business meetings with senators. Billie is a former showgirl from Las Vegas and does not have culture, embarrassing Harry in the social events. He hires the journalist Paul Verrall (Don Johnson) to teach Billie that is an intelligent woman and soon she does not accept the treatment spent by Harry toward her. Further, Billie and Paul disclose dirty businesses of Harry and fall in love with each other.

"Born Yesterday" is a remake of the 1950 film with a storyline inspired in "Pygmalion" (1938) and "Educating Rita" (1983). The romance is entertaining and funny and the gorgeous Melanie Griffith shows a great chemistry with her husband Don Johnson. John Goodman completes the cast with great performance. My vote is seven.

Title (Brazil): "O Renascer de Uma Mulher" ("The Rebirth of a Woman")

Putrid remake of the classic play and film about a scrap metal tycoon (a non stop shouting Goodman) turned real estate mogul who pays a Washington newsman (Johnson) to educate his feisty girlfriend (wretched Griffith). This film proves that some treasures should be kept buried and left alone.