Contra una pantalla azul simple e inmutable, una banda sonora densamente entretejida de voces, efectos de sonido y música intenta transmitir un retrato de las experiencias de Derek Jarman co... Leer todoContra una pantalla azul simple e inmutable, una banda sonora densamente entretejida de voces, efectos de sonido y música intenta transmitir un retrato de las experiencias de Derek Jarman con el SIDA.Contra una pantalla azul simple e inmutable, una banda sonora densamente entretejida de voces, efectos de sonido y música intenta transmitir un retrato de las experiencias de Derek Jarman con el SIDA.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
There is nothing I can write here that hasn't been written before about this film. A masterpiece. A seemingly 'dull' film. A brave and courageous final farewell from a great man.
Art for Arts Sake? Ars Gratia Artis? No. Absolutely not. This is a film made by a dying man while practically on his deathbed. His sight robbed of him, what more could an experimental film-maker do?
A powerful script telling of his life ('I'm sitting in a cafe....'), the things around him (the cyclist who nearly knocks him over to then hurl abuse at him), his lifestyle (I am a cock sucking straight acting lesbian man, I am a not-gay).
Jarman's Voice Over is the most provocative text about one's own death I know of. Of course, he knew he was dying. His doctors told him he was dying. He goes into graphic details of his medications, his symptoms, his pains. Never again can a film maker describe their own death in such a way, Jarman has done it and done it brilliantly.
The Blueness also plays a part. After a few minutes I felt angry, annoyed at having to stare at a screen of blue. I tried looking at the floor, closing my eyes, anything to avoid the blue. But I kept looking back.
A Masterpiece. Simple as that.
Art for Arts Sake? Ars Gratia Artis? No. Absolutely not. This is a film made by a dying man while practically on his deathbed. His sight robbed of him, what more could an experimental film-maker do?
A powerful script telling of his life ('I'm sitting in a cafe....'), the things around him (the cyclist who nearly knocks him over to then hurl abuse at him), his lifestyle (I am a cock sucking straight acting lesbian man, I am a not-gay).
Jarman's Voice Over is the most provocative text about one's own death I know of. Of course, he knew he was dying. His doctors told him he was dying. He goes into graphic details of his medications, his symptoms, his pains. Never again can a film maker describe their own death in such a way, Jarman has done it and done it brilliantly.
The Blueness also plays a part. After a few minutes I felt angry, annoyed at having to stare at a screen of blue. I tried looking at the floor, closing my eyes, anything to avoid the blue. But I kept looking back.
A Masterpiece. Simple as that.
Not sure I could have made much of it without knowing at least a little backstory, and even then, it was somewhat hard to get a handle on at times. It is just 75 minutes of a blue screen, but the audio is surprisingly engaging, and there is some narrative to be found within it.
There's a good deal of spoken word, often poetic, and sometimes quite moving. Some of the snippets of music used here are also fantastic- not sure if they were sampled and if so where from, but they added a lot.
Despite the short length, had put off watching this for a while because I wasn't sure I was ever in the right mood for something this different and challenging. Even tonight, it wasn't the perfect movie for this very day, but at least now I'll know what to expect, and can maybe return to it on a day when I'm feeling like I could connect to it more.
But for the parts that did get to me, and the fact that it was an experiment that was mostly pulled off very well, a good deal of credit must be given.
There's a good deal of spoken word, often poetic, and sometimes quite moving. Some of the snippets of music used here are also fantastic- not sure if they were sampled and if so where from, but they added a lot.
Despite the short length, had put off watching this for a while because I wasn't sure I was ever in the right mood for something this different and challenging. Even tonight, it wasn't the perfect movie for this very day, but at least now I'll know what to expect, and can maybe return to it on a day when I'm feeling like I could connect to it more.
But for the parts that did get to me, and the fact that it was an experiment that was mostly pulled off very well, a good deal of credit must be given.
Jarman's masterpiece was always going to attract a lazy criticism from the mainstream mindset: pretentious, trendy, self-indulgent etc.
But to dismiss it out of hand as no better than a first year art student's project is to fail to appreciate the rich narrative.
The coldness of the blue focusses the mind on what Jarman has to tell us, perhaps far better than any other colour would've done. We cannot help but listen, and take in one very gifted man's grim yet positive perspective on gay life, and a slow death through AIDS.
Brian Eno's musical score is stark and haunting, with passages of female vocal harmony that are strongly influenced by contempory sacred music from Eastern Europe.
Watch this film with an open mind: Force yourself to keep staring into the blue yonder, and it will empower you with a new level of vision and perspective.
But to dismiss it out of hand as no better than a first year art student's project is to fail to appreciate the rich narrative.
The coldness of the blue focusses the mind on what Jarman has to tell us, perhaps far better than any other colour would've done. We cannot help but listen, and take in one very gifted man's grim yet positive perspective on gay life, and a slow death through AIDS.
Brian Eno's musical score is stark and haunting, with passages of female vocal harmony that are strongly influenced by contempory sacred music from Eastern Europe.
Watch this film with an open mind: Force yourself to keep staring into the blue yonder, and it will empower you with a new level of vision and perspective.
Derek Jarman's "Blue" is amazing. the blue screen amplifies the sad and vivid sound-track. at times fast, at times slow. Jarman's dark sense of humor peaks out every now and then. very hard to watch the whole movie with out a break. a great sound-track for a long drive in the car.
An interesting and intimate avant garde account of Derek Jarman's life. Together with his closest collaborators, they'll tell the story of blue, a story of a man and a story of what he could have been. It was primarily inspired of the last color Jarman was able to see by this time. HIV has pretty much left him blind and a former shell of himself.
I only rated it as three out of five since I think while affecting it is not something I believe raises the bar of filmmaking. It will be forever memorialized for being one of cinema's greatest memento mori AND a monument of 90's HIV-LGBTQ+ Storytelling. It will be admired in circles AND I respect that. BUT I view films against others in terms of how it will affect the medium. I think its brute honesty is admirable, its concept unique BUT overall, it is just that A Statement.
Still Recommended.
I only rated it as three out of five since I think while affecting it is not something I believe raises the bar of filmmaking. It will be forever memorialized for being one of cinema's greatest memento mori AND a monument of 90's HIV-LGBTQ+ Storytelling. It will be admired in circles AND I respect that. BUT I view films against others in terms of how it will affect the medium. I think its brute honesty is admirable, its concept unique BUT overall, it is just that A Statement.
Still Recommended.
¿Sabías que…?
- TriviaDerek Jarman went completely blind as a side effect of AIDS which is why this film is audio based. He died the year after its production.
- Citas
Terry, Nigel: We've always been mistreated and the moment anyone gives us the slightest bit of attention we over-react with our thanks.
- ConexionesFeatured in Derek Jarman: Life as Art (2004)
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- How long is Blue?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- GBP 90,000 (estimado)
- Tiempo de ejecución1 hora 19 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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