CALIFICACIÓN DE IMDb
7.6/10
3 k
TU CALIFICACIÓN
Fiore, un viejo amigo de la infancia solitaria de Darién que no pudo sobrevivir en la Tierra, regresa con las flores que le prometió a Darién.Fiore, un viejo amigo de la infancia solitaria de Darién que no pudo sobrevivir en la Tierra, regresa con las flores que le prometió a Darién.Fiore, un viejo amigo de la infancia solitaria de Darién que no pudo sobrevivir en la Tierra, regresa con las flores que le prometió a Darién.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Tôru Furuya
- Chiba Mamoru
- (voz)
- …
Michie Tomizawa
- Hino Rei
- (voz)
- …
Aya Hisakawa
- Mizuno Ami
- (voz)
- …
Emi Shinohara
- Kino Makoto
- (voz)
- …
Rica Fukami
- Aino Minako
- (voz)
- …
Mahito Ôba
- Newscaster
- (voz)
Karen Bernstein
- Amy - Sailor Mercury
- (English version)
- (voz)
Vince Corazza
- Darien - Tuxedo Mask
- (English version)
- (voz)
- (as Vince Corroza)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was lucky enough to be given a fansub of this movie many years ago, before I really knew anything about the original version of BSSM. It might sound corny, but this movie changed my life. I knew the dub playing on television wasn't the real version, but I didn't know how much had been changed, or how much better the original was, until this! The "R" in the title stands for "romance, but the theme of this movie is definitely loneliness. Mamoru was lonely when he lost his parents as a child, Fiore was lonely when he had to leave his only friend, the Senshi were lonely before they met Usagi. . . the only thing I would have to disagree with is that Usagi is the answer to all loneliness. But then, Usagi is the answer to just about every problem in BSSM, so I shouldn't be surprised :-P . What surprised me about this movie when I first saw it was that this wasn't some dumbed-down little girls' show like the television dub made it out to be. The characters were much less one-dimensional, the plot darker, the voices infinitely less annoying, and it was my first exposure to the recurring theme of homosexuality in BSSM. Fiore is like an obsessed ex-lover of Mamoru's rather than an estranged friend. This is good not only for the comic relief of the girls' speculations on Mamoru's sexuality, but also that Fiore is a very sympathetic character-- even those uncomfortable with homosexuality (as I was when I first saw this) can't help feeling sorry for him, knowing Mamoru will never return his affections the way he wants. The crew interview compares the movie to _Romeo and Juliet_, which may be a bit much, but their Shakespearean influence definitely shows, as this is by far the most beautiful and dramatic of the BSSM movies.
8vkn
Even after watching this several times, this film still leaves a very strong impression on one. It helps if you at least have some familiarity with the Sailor Moon saga (and the thrill will be intensified a lot of you happen to be a major fan, it did for me at any rate ^^). But even those who only know the series by name will have a good time watching this; it's not too hard to follow for the non-fan.
What's mostly impressive is the lightning quick pace of it all; after an introduction to the film's (admittedly flimsy) intrigue, we're treated to a -tremendous- battle scene in Tokyo between the Sailor Senshi and a flower monster. Backed by some hyper-infectuous music and all the funky transform and attack scenes of the early seasons, it's a supreme treat for Sailor Senshi fans. And it's only the beginning; the battle moves to an asteroid in space afterwards. There, the impressive action scenes continue and the plot thickens with insights into the "villain" Fiore that reveal him to be a very interesting character.
Granted, the concept of a misguided "non-villain" who is not properly evil has been done before, but the theme is treated with lots of style in Fiore's case and works excellently; both his sympathetic moments and his flashes of nastiness can be related to, making him a well-built character (and he looks damn cool with that hair, even if it -is- an obvious take on the earlier Ail and Ann designs). All the other characters get some very good moments as well, with Mamoru in particular gaining some much-needed depth to himself in the form of a dark childhood and the mention that he's "been alone all his life". The others do a good job of providing moments of touching friendship and understanding of each other, as well as some utterly hilarious comical moments that manage to give one hysterics every time (Usagi landing flat on her bum while the other leap through the air with grace springs to mind). And of course everyone's amusing typical character traits we know and love from the series rear their heads.
The theme of despairing loneliness, and how it is to find a friend who breaks through all this seems to be the main message of the movie. The way it's treated may strike some as a bit corny, but it works well for those who are prepared to use their imagination for it. It's mainly due to the pretty images and the great music that the film succeeds in making you feel moved and excited all along. Beautiful color palettes are used to create different moods, especially during flashbacks, and there are several subtelties in the visuals that deserve praise; note how the rooms in both flashbacks between Usagi and Mamoru look oddly similiar but with very different colors, and the recurring image of a flower is quite beautiful (there's also a scene that seems like an amusing little nod to Aliens, see if you can pick it out). The thrilling final descent back to earth, set to the beat of the gorgeous song "Moon Revenge" is a simply unforgettable moment which on it's own gives the movie a lot of impact (and it's reason enough to avoid the US dub like the plague; I'm told they chopped out the song as well as the usual scandalous butchery job they've done to the series). It's animation directed at it's very best. The only niggle I can find about the story and the directing is that the Senshi are somehow able to breathe in space, apparently. But, this being a fantasy story, one can hardly blame it for being built on... well, fantasy, basically.
The overall quality of the animation has stood the test of time well and remains very presentable despite never really soaring to eye-popping levels. The detail on the artwork and characters is still quite good and refined, and as stated above, it's the clever use of colors and images that give this movie a lot of strength in the sentimental moments. All of this action, emotion and beauty packed in just over an hour makes for a stunning film that leaves one impressed time and time again (Disney, and in fact all of Hollywood can merely stand and weep in front of Japanese skill of this calibre). It has all the typical fun a Sailor Senshi fan can expect coated with plenty of extra gloss and even a good deal of substance. Fans of the saga or of pretty shojo series in general need not hesitate, and others are encouraged to let themselves be tempted by this little gem. It has that special kind of spark that makes a movie fun to re-visit time and time again.
What's mostly impressive is the lightning quick pace of it all; after an introduction to the film's (admittedly flimsy) intrigue, we're treated to a -tremendous- battle scene in Tokyo between the Sailor Senshi and a flower monster. Backed by some hyper-infectuous music and all the funky transform and attack scenes of the early seasons, it's a supreme treat for Sailor Senshi fans. And it's only the beginning; the battle moves to an asteroid in space afterwards. There, the impressive action scenes continue and the plot thickens with insights into the "villain" Fiore that reveal him to be a very interesting character.
Granted, the concept of a misguided "non-villain" who is not properly evil has been done before, but the theme is treated with lots of style in Fiore's case and works excellently; both his sympathetic moments and his flashes of nastiness can be related to, making him a well-built character (and he looks damn cool with that hair, even if it -is- an obvious take on the earlier Ail and Ann designs). All the other characters get some very good moments as well, with Mamoru in particular gaining some much-needed depth to himself in the form of a dark childhood and the mention that he's "been alone all his life". The others do a good job of providing moments of touching friendship and understanding of each other, as well as some utterly hilarious comical moments that manage to give one hysterics every time (Usagi landing flat on her bum while the other leap through the air with grace springs to mind). And of course everyone's amusing typical character traits we know and love from the series rear their heads.
The theme of despairing loneliness, and how it is to find a friend who breaks through all this seems to be the main message of the movie. The way it's treated may strike some as a bit corny, but it works well for those who are prepared to use their imagination for it. It's mainly due to the pretty images and the great music that the film succeeds in making you feel moved and excited all along. Beautiful color palettes are used to create different moods, especially during flashbacks, and there are several subtelties in the visuals that deserve praise; note how the rooms in both flashbacks between Usagi and Mamoru look oddly similiar but with very different colors, and the recurring image of a flower is quite beautiful (there's also a scene that seems like an amusing little nod to Aliens, see if you can pick it out). The thrilling final descent back to earth, set to the beat of the gorgeous song "Moon Revenge" is a simply unforgettable moment which on it's own gives the movie a lot of impact (and it's reason enough to avoid the US dub like the plague; I'm told they chopped out the song as well as the usual scandalous butchery job they've done to the series). It's animation directed at it's very best. The only niggle I can find about the story and the directing is that the Senshi are somehow able to breathe in space, apparently. But, this being a fantasy story, one can hardly blame it for being built on... well, fantasy, basically.
The overall quality of the animation has stood the test of time well and remains very presentable despite never really soaring to eye-popping levels. The detail on the artwork and characters is still quite good and refined, and as stated above, it's the clever use of colors and images that give this movie a lot of strength in the sentimental moments. All of this action, emotion and beauty packed in just over an hour makes for a stunning film that leaves one impressed time and time again (Disney, and in fact all of Hollywood can merely stand and weep in front of Japanese skill of this calibre). It has all the typical fun a Sailor Senshi fan can expect coated with plenty of extra gloss and even a good deal of substance. Fans of the saga or of pretty shojo series in general need not hesitate, and others are encouraged to let themselves be tempted by this little gem. It has that special kind of spark that makes a movie fun to re-visit time and time again.
In my opinion, this is the best of the three Sailor Moon movies. However, if you're a true Sailor Moon otaku then watch the Japanese version with subtitles. The English dub is filled with mistakes in attack names, translation errors to protect America's "sensitive children", the bad American voice actors, and the list goes on. They also replaced the movie's trademark song "Moon Revenge" with a cheesy, watered down teeny bopper song called "The Power of Love."
Overall, the uncut movie has an engrossing plot that shows how Sailor Moon has matured both as a character and a phenomenon from the first season. The film has something for everyone in it: romance, drama, comedy, and hooks for both young and old anime fans alike. The music is infectiously catching, and they actually pulled off making ChibiUsa likeable.
If you want a good Sailor Moon movie that will keep you hooked then go for this one. Rent it, buy it...just make sure you watch it!
Overall, the uncut movie has an engrossing plot that shows how Sailor Moon has matured both as a character and a phenomenon from the first season. The film has something for everyone in it: romance, drama, comedy, and hooks for both young and old anime fans alike. The music is infectiously catching, and they actually pulled off making ChibiUsa likeable.
If you want a good Sailor Moon movie that will keep you hooked then go for this one. Rent it, buy it...just make sure you watch it!
Sailor Moon R: The Movie is really really good. Even if you are not a big fan of the show, you will enjoy this film. The animation is terrific and the story is great. This film has something for everyone, romance, drama, action, suspense, and comedy. This is also a great family film, (at least the American version is) and teaches a lot of important values, such as friendship and love. No matter what age you are, you will surely enjoy this Japanese treat.
Bishoujo Senshi Sailor Moon, one of the top rated animes in america has now come to the movies! This is the best of all the plot lines, even though Fiore does look exactly like Ail from the series.
¿Sabías que…?
- TriviaReleased in North American cinemas for the first time in early 2017, over twenty-three years after its debut in Japan.
- ErroresWhen Fiore tries to take the crystal from Usagi (on the meteor), Fiore talks while Usagi's lips move.
- Citas
Rini - Sailor Mini Moon: Why is it do you think we fight for you?
Serena - Sailor Moon: Mental void?
- ConexionesFeatured in Anime Abandon: Sailor Moon R: The Movie (2017)
- Bandas sonorasMoonlight Densetsu
Music by Tetsuya Komuro
Lyrics by Kanako Oda
Arranged by Daisuke Ikeda
Performed by DALI (Misuzu Takahashi, Mari Nishimoto, Akira Ishizawa and Sayuri Tsuchiya)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Sailor Moon R: The Movie: The Promise of the Rose?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Sailor Moon R: The Movie: The Promise of the Rose
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 619,902
- Fin de semana de estreno en EE. UU. y Canadá
- USD 253,490
- 22 ene 2017
- Total a nivel mundial
- USD 619,902
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta