Bak fat moh lui zyun

A big, mainstream Chinese movie, "bang bang, kiss kiss", except with swords and sorcery. "Clang clang, kiss kiss". Yet,I liked it.

I was a little worried when it started out, it looked like it might get high-handed or overblown. It's a fine line between mythic and stupid, but the reviews on IMDb were all so glowing, I kept at it. The love story was engaging, very believable, and the conflicts were unique. The movie manages to drop on the mythic side of the line.

One thing I noticed: The values are all what we call Western. The individual over the group, the convictions of the heart over the traditions of the clan, etc., and there was no real question about it. The main character kind of reminded me of James Dean or Montgomery Clift. There was even some actual kissing, too, which I think is a Western thing.

It's well done. I especially liked the acting of the two leads. You might find itinteresting, as long as you don't mind the dark witchy stuff or the definitely R-rated violence.

I'm looking forward to Part II. I feel like I'm crowding into the back of a big Hong Kong movie theater.

The Bride with white hair is one of the best movies to come out of Hong Kong. The movie packed with great shots, lightning costumes and sets. Ofcourse you can tell the budget wasn't as high as you're average Hollywood movie but that only adds to this movies charm. There is enough story and good acting to please the mainstream audience and enough action and speed to satisfy the kung fu and action fans. Actualy I think you compare this one with the great Crouching Tiger, Hidden Dragon!!! If you liked that one be sure to check this one out to. Ofcourse don't watch the dubbed print, go for the original one and won't be disapointed. There is also a sequel.

Its hard and sad to believe this film will never be truly appreciated, even after the success of crouching tiger there wont be too many people interested in viewing this. Its a very sad day for movies when a film like this is so limited in reaching an audience.

The cinematography is so simple sometimes that its breath-taking. The early scene of the young swordsman against a backdrop of a golden sky slicing through falling pink petals beneath a molting tree is perfection on the eye, just stunning, and never i dont think has a woman looked more beautiul than bridgitte lin as the mysterious witch bathing in a cavernous pool.

The storytelling is so grand, so innocent, so perfect that all hollywood "epics" pale in significance, and the acting is of a high quality to match.

Essentially its a martial arts/swordplay/fantasy/love story but in such a refreshing way it almost fails to fall into any of these genres. Rich in history and traditionalism yet something entirely fresh - remember this is 1993, before Ang Lee brought flying Wudan warriors and epic swordplay to the attention of the public. It should be noted that this has been part of chinese cinema for over a decade, but Bride With The White Hair puts it in an entirely different context to the likes of the Tsui Hark Directed Once Upon A Time In China series.

Not to give too much away but by the end even the hardest of hearts will break and at the very least some of the imagery will stay with you for a long long time - i never thought something visualised on a screen could be so beautiful as everyday sights, but somehow its managed - i have no hesitation in saying this is the best cinematography i have ever seen, and any student of camera work or direction should watch it as a piece of art, or more, a work of art. But please judge it on its merits to touch, involve and entertain the audience too, because it does all these things effortlessly

Outstanding

5/5

Colorful Asian fantasy with the emphasis on romance and fanciful action; enjoyable enough in itself but not particularly compelling. The plot and look of the film reminded me of the "Chinese Ghost Story" Trilogy (1987-91), which I watched – and loved – only a few years back, while the gravity-defying stunts looked forward to Ang Lee's (obviously more accomplished) CROUCHING TIGER, HIDDEN DRAGON (2000). As is the norm for this sort of film, the characters are all stock types (the nasty Siamese-twin villains being a particular liability) – which means that, for all the pseudo-philosophy which gets spouted (usually by elders) from time to time, the tale follows a rigid, rather simplistic and all-too-familiar path which doesn't allow for much depth or surprise…though "The Bride With White HaIr" herself (when she belatedly appears) is a memorable creation – and I wouldn't mind catching up eventually with this film's sequel (from the same year and director).

Ronny Yu's (Legacy of Rage, The Phantom Lover) Bride With White Hair (1993) is incredible collaboration in the field of cinema. Editor David Wu, cinematographer Peter Pau and director Yu have created a piece of magic that will amaze fans of Orient cinema many years to come. Brigitte Lin plays a girl who has lived among wolves and thus is called wolf girl. She becomes an assassin for horrible cult leader brother/sister-twin mutant, and does her job with her great martial arts skill. Leslie Cheung plays a swordsman who was once, as a child, saved by this mysterious girl, who disappeared so soon he couldn't even thank her. Years after they meet again, and the power of love will change their lives forever..

This film is an adaptation of the same Chinese novel, on what Wolf Devil Woman was based on, too. The film is set and located in somewhere in the past, and I don't think the year and place was mentioned exactly during the film. The visual magic of the film is outstanding as this includes perhaps the best cinematography I've seen in Orient films. Cinematographer Peter Pau has worked as a cinematographer on many other great films, too, which include Savior of the Soul, Naked Killer, Bury Me High, Swordsman and John Woo's The Killer. Editor David Wu has been editor in great films like Crying Freeman, John Woo's Hard Boiled and Bullet in the Head, Swordsman and all three A Better Tomorrow films, by John Woo (first two) and Tsui Hark (part three). Their talent is very fantastic, as the film is a visual delight in every level.

All the exteriors were shot at night, so the unique lightning were able to be created. The camera flows, twists, is at peace and moves like I had rarely seen before. The mist, dust, water, smoke and other similar elements are captured on the screen like if they all were alive, all they meant something and thus are there for purpose. I think a film maker like David Lynch would appreciate this film very much. The camera never acts irritatingly as it creates the whole weird and often twisted atmosphere of the film. People who consider this kind of cinema irritating simply can't understand the possibilities and multi leveled magic of cinema, and thus they consider this kind of visual films bad or stupid. Bride With White Hair shows exactly what are the possibilities of a talented film director and crew. This is totally unique (but also equalled, but probably only in other Orient films!) film making, and demands to be seen on big screen. If that is not possible MAKE SURE you get the widescreen DVD/VHS/LD as it is the film's only and original aspect ratio. The remastered DVD released in Hong Kong is in gorgeous widescreen and the film is uncut, so it is one (and cheap) possible purchase of this film.

The editing and pace of the fight scenes (usually sword fights) is also fantastic, and totally unforgettable. The two most important elements of Bride With White Hair are cinematography and editing. The sword fights are not as plenty as one might think and there is plenty of dialogue and "peaceful" scenes, but there are still numerous sword fights and they are so over-the-top gorgeous, that I didn't feel there were too few of them. The fight scenes are often pretty bloody and violent, but in mythical way and surreal way. The "blood geysirs" are not realistic and they only add to the magic over all look of the film, and they fit here as fantastically as they fit to the very eerie and atmospheric Japanese Baby Cart samurai films. I think Bride With White Hair was going to get a Category III rating due to its violence, but director Yu toned down couple of violent scenes for theatrical release, but the scenes are nevertheless intact on that mentioned Hong Kong DVD release.

The drama scenes between Leslie Cheung and Brigitte Lin are very touching and real, and never unnatural or stupid. The main theme of the film is love and even more, trust between two human beings in love. The end in which we see what happened because of the lack of trust, is very sad and inconsolable for the protagonists. The themes in Bride With White Hair are universal and as topical and important and they were back then when the film was made. I think that Bride With White Hair is occasionally little too slow, and they should have shortened couple of scenes, but this is very minor flaw in a film that has so much merits and unique achievements.

Bride With White Hair's atmosphere is perhaps greater than most of other films' and I think that equal experience could be found only from other Hong Kong or Orient films, as Orient Cinema is so unique compared to most Western films. These Orient film makers have their style and ideas that have never been present in any Hollywood movie, for example, but Hollywood has (had?) its own merits, too, so I'm not understating Hollywood films blindly. Director Ronny Yu is perhaps best known for mass audiences for his Bride of Chucky (the fourth installment in the Child's Play series), but that film is very bad in my opinion, and it is made to please large pop corn audience without any willing to use brains, so don't judge Ronny Yu for Bride of Chucky, if that is the only film you've seen from him. I think it is every director's destiny to make sometimes less personal films because of monetary reasons.

Bride With White Hair is pure Hong Kong classic and almost unbeatable in every level. It can be described as horror, fantasy, romance, action, martial arts and adventure and it is perfect combination of all these. 9/10 masterpiece and doesn't get full ten from me only because of occasional slow moments that could have been tightened. But still, this film is definitely proudly under the phrase "Masterpiece" due to its many cinematic merits and elements I've tried to describe above.