Bak fat moh lui zyun

This is an insanely entertaining movie, which plays more like an opera. It's a wild fantasy about the normal warring clans in ancient China. It has it all, a great love story, Kung Fu fights out the ass with all the flying acrobatics you could want. And best of all Brigitte Lin Ching Hsia as the high flying wolf girl with magical skills. This is a tour de force of everything us Americans liked about "Crouching Tiger". The ending is fabulous, with a Kung Fu fight right out of the comic books. Even director Vu said the final battle he wanted to resemble a pin ball machine. It does, and it's crazy, and he made a movie that I couldn't recommend any higher. I'm looking forward to watching the first sequel very much.

A big, mainstream Chinese movie, "bang bang, kiss kiss", except with swords and sorcery. "Clang clang, kiss kiss". Yet,I liked it.

I was a little worried when it started out, it looked like it might get high-handed or overblown. It's a fine line between mythic and stupid, but the reviews on IMDb were all so glowing, I kept at it. The love story was engaging, very believable, and the conflicts were unique. The movie manages to drop on the mythic side of the line.

One thing I noticed: The values are all what we call Western. The individual over the group, the convictions of the heart over the traditions of the clan, etc., and there was no real question about it. The main character kind of reminded me of James Dean or Montgomery Clift. There was even some actual kissing, too, which I think is a Western thing.

It's well done. I especially liked the acting of the two leads. You might find itinteresting, as long as you don't mind the dark witchy stuff or the definitely R-rated violence.

I'm looking forward to Part II. I feel like I'm crowding into the back of a big Hong Kong movie theater.

The "Bride with White Hair" is often defined as a wuxiapian version of "Romeo and Juliet": indeed it's amusing, as we follow this tale of two warriors united by love but separated by their belonging to opposite clans, to ponder on the many joints with Shakespeare's tragedy.

For half of the movie (i.e. 45 minutes), it qualifies as being one of the most astounding fantasy movies I ever saw: firstly, it captures the spectator by showing beautiful images and settings (and I'm sure Cho Yi-hang [Leslie Cheung] is not the only one who dropped, out of bewilderment, his jaw!). Secondly, it creates an aura of mystery around the female lead Lien Ni-chang [Lin Ching Hsia], an assassin who is not less beautiful than she is deadly with the whip. Indeed, Cho Yi-hang one day accidentally stumbles upon her and, although her face is shrouded by a veil and only her eyes appear to him, inevitably falls for her. Out of trivia, in another movie Lin Ching Hsia reveals just the rest of her face (i.e. masking herself behind a raincoat and sunglasses) and yet spellbinds people - precisely, Takeshi Kaneshiro. Is there any way that people can escape Lin Ching Hsia's charm?

So far for the good points for "Bride": fascinating setting, a clever hero (with an endearing portrait of his childhood included) and an alluring assassin, all surrounded by a thick veil of mystery and folklore.

On the negative side, the second half of the movie. Just as Cho Yi-hang's feelings get corresponded by Lien Ni-chang and we expect that love will provide a new injection of vitality and creativity over the ruthless and cold world they dwell in, the movie sinks into predictability and shallowness: our heroes just don't have the same mutual trust that Romeo and Juliet had and, since their decisions are guided, more than love, by their impulsive nature, I missed being fully emotionally involved into their ending struggle. However, the transformation that overcomes sorrowful Lien Ni-chang is super-cool! 7/10

Zhuo Yi-Hang (Leslie Cheung) is raised by his master Tzu Yang (Fong Pao) to be his successor in the leadership of their clan. Yi-Hang meets Lien (Brigitte Lin), a warrior adopted by wolves and accepted by a tribe leaded by the evil magic twins Ji Wushuang (Francis Ng / Elaine Lui), in a lake, and they fall in love for each other. Yi-Hang promises to trust her forever. However, Ji Wushuang also loves Lien and she is sent away from their tribe. When the clan of Yi-Hang is attacked, he does not believe on Lien, thinking that she killed his master and cursing their love.

This beautiful and tragic love story, a kind of Chinese version of "Romeo and Juliet", has wonderful cinematography and costumes. The choreography of the fights is also amazing. The non-linear screenplay is a little confused, but when the viewer sees for the second time, it becomes clearer. My vote is seven.

Title (Brazil): "Entre o Amor e a Glória" ("Between the Love and the Glory")

Its hard and sad to believe this film will never be truly appreciated, even after the success of crouching tiger there wont be too many people interested in viewing this. Its a very sad day for movies when a film like this is so limited in reaching an audience.

The cinematography is so simple sometimes that its breath-taking. The early scene of the young swordsman against a backdrop of a golden sky slicing through falling pink petals beneath a molting tree is perfection on the eye, just stunning, and never i dont think has a woman looked more beautiul than bridgitte lin as the mysterious witch bathing in a cavernous pool.

The storytelling is so grand, so innocent, so perfect that all hollywood "epics" pale in significance, and the acting is of a high quality to match.

Essentially its a martial arts/swordplay/fantasy/love story but in such a refreshing way it almost fails to fall into any of these genres. Rich in history and traditionalism yet something entirely fresh - remember this is 1993, before Ang Lee brought flying Wudan warriors and epic swordplay to the attention of the public. It should be noted that this has been part of chinese cinema for over a decade, but Bride With The White Hair puts it in an entirely different context to the likes of the Tsui Hark Directed Once Upon A Time In China series.

Not to give too much away but by the end even the hardest of hearts will break and at the very least some of the imagery will stay with you for a long long time - i never thought something visualised on a screen could be so beautiful as everyday sights, but somehow its managed - i have no hesitation in saying this is the best cinematography i have ever seen, and any student of camera work or direction should watch it as a piece of art, or more, a work of art. But please judge it on its merits to touch, involve and entertain the audience too, because it does all these things effortlessly

Outstanding

5/5