CALIFICACIÓN DE IMDb
6.7/10
6.9 k
TU CALIFICACIÓN
Una dramatización de la fase de Hamburgo, Alemania, en los inicios de The Beatles.Una dramatización de la fase de Hamburgo, Alemania, en los inicios de The Beatles.Una dramatización de la fase de Hamburgo, Alemania, en los inicios de The Beatles.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio BAFTA
- 5 premios ganados y 4 nominaciones en total
Nicolas Tennant
- Sailor 3
- (as Nicholas Tennant)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
This is a film above all about the triangular relationship between John Lennon, Stuart Sutcliffe, and Astrid Kirchherr (four-sided if you include Astrid's boyfriend Klaus Voormann, five-sided if you include the band John and Stu were members of: the Beatles) -- a film about real events, about love and life and tragedy -- played out to a backdrop of the Beatles' visits to Hamburg and their performances there.
Based primarily on interviews with Stuart's mother and sister and with Astrid Kirchherr, it's been often criticised as a 'crude caricature', for its factual inaccuracies about the Beatles' time in Hamburg, about the musical performances portrayed, for the one-dimensional portrayal of the "minor" characters, including Paul, George, Pete and John's girlfriend Cynthia, and even for the fact that the actors aren't exact doppelgangers for the characters they portray (they're pretty good likenesses, though).
I can accept all these criticisms, but somewhat to my surprise they didn't spoil the film at all for me. If you want detailed accuracy about the Beatles, this is not for you. Read the books. But if you want to see a film which tells a good story well, and which will give you a real feel for the vibes of the time and for the characters it claims to portray, and an insight into one important aspect of the early history of the Beatles, I think you will enjoy this. I thought I wouldn't, but I did. And I will watch it again. And, did I say? it's about the Beatles.
This is not a biopic, nor does it pretend to be, but it does claim to tell the story of Stu and Astrid, and I thought it did that very well. I don't object at all to the use of some artistic licence, such as Astrid's excellent English. Contrary to some other reviewers, I found the portrayal of the quiet, enigmatic Stu by Stephen Dorff quite excellent, a perfect foil to the bitter, sometimes thoughtful, and wholly charismatic John Lennon, portrayed just as well by Ian Hart.
I first heard the Beatles just before their first British record "Love Me Do" became a minor hit in Autumn 1962. This film portrays events mostly more than a year before then, and even longer before their last stint in Hamburg, at the Star-Club in December 1962, the subject of a famous amateur recording. Apart from the Polydor recordings by Bert Kampfaert, we have little to judge objectively what the band sounded like in 1960-61, but judging from the 1962 live recordings, and the comments of those who heard them before they were famous, I'm quite prepared to believe the Beatles sounded then very much like the band used for the soundtrack to this film. OK, the band aren't the Beatles, and some of the details are a bit askew, but the rock-and-roll standards portrayed were all part of the Beatles' act, and are performed much as they performed them. Everyone tells how Stu Sutcliffe often played turning away from the audience, as often seen in the film. It's hardly a realistic portrayal of the Hamburg clubs on the Reeperbahn in the early 1960s, but I've seen worse, and if you have little idea what life was like for the band before 1962, this will not be a bad introduction.
Comparisons with "A Hard Day's Night" are ingenuous: that was a film made by the Beatles early in 1964 after they were famous (in Britain at least); this is a film about the band when they were teenagers, before pretty much anyone knew them outside Liverpool and Hamburg. Not the same at all. And of course, they didn't sound back then like the Beatles' later recordings, or even like they did on their tours of the US and elsewhere. Perhaps the only recording you can really compare is their first album "Please Please Me" (and the live Star-Club recording, if you have it).
It's a film, for goodness' sake. I enjoyed it as one, and I hope you do too. The characters rang true, especially Ian Hart as John Lennon, and the story is well worth telling, and well worth watching. And, did I say? it's about the Beatles.
Based primarily on interviews with Stuart's mother and sister and with Astrid Kirchherr, it's been often criticised as a 'crude caricature', for its factual inaccuracies about the Beatles' time in Hamburg, about the musical performances portrayed, for the one-dimensional portrayal of the "minor" characters, including Paul, George, Pete and John's girlfriend Cynthia, and even for the fact that the actors aren't exact doppelgangers for the characters they portray (they're pretty good likenesses, though).
I can accept all these criticisms, but somewhat to my surprise they didn't spoil the film at all for me. If you want detailed accuracy about the Beatles, this is not for you. Read the books. But if you want to see a film which tells a good story well, and which will give you a real feel for the vibes of the time and for the characters it claims to portray, and an insight into one important aspect of the early history of the Beatles, I think you will enjoy this. I thought I wouldn't, but I did. And I will watch it again. And, did I say? it's about the Beatles.
This is not a biopic, nor does it pretend to be, but it does claim to tell the story of Stu and Astrid, and I thought it did that very well. I don't object at all to the use of some artistic licence, such as Astrid's excellent English. Contrary to some other reviewers, I found the portrayal of the quiet, enigmatic Stu by Stephen Dorff quite excellent, a perfect foil to the bitter, sometimes thoughtful, and wholly charismatic John Lennon, portrayed just as well by Ian Hart.
I first heard the Beatles just before their first British record "Love Me Do" became a minor hit in Autumn 1962. This film portrays events mostly more than a year before then, and even longer before their last stint in Hamburg, at the Star-Club in December 1962, the subject of a famous amateur recording. Apart from the Polydor recordings by Bert Kampfaert, we have little to judge objectively what the band sounded like in 1960-61, but judging from the 1962 live recordings, and the comments of those who heard them before they were famous, I'm quite prepared to believe the Beatles sounded then very much like the band used for the soundtrack to this film. OK, the band aren't the Beatles, and some of the details are a bit askew, but the rock-and-roll standards portrayed were all part of the Beatles' act, and are performed much as they performed them. Everyone tells how Stu Sutcliffe often played turning away from the audience, as often seen in the film. It's hardly a realistic portrayal of the Hamburg clubs on the Reeperbahn in the early 1960s, but I've seen worse, and if you have little idea what life was like for the band before 1962, this will not be a bad introduction.
Comparisons with "A Hard Day's Night" are ingenuous: that was a film made by the Beatles early in 1964 after they were famous (in Britain at least); this is a film about the band when they were teenagers, before pretty much anyone knew them outside Liverpool and Hamburg. Not the same at all. And of course, they didn't sound back then like the Beatles' later recordings, or even like they did on their tours of the US and elsewhere. Perhaps the only recording you can really compare is their first album "Please Please Me" (and the live Star-Club recording, if you have it).
It's a film, for goodness' sake. I enjoyed it as one, and I hope you do too. The characters rang true, especially Ian Hart as John Lennon, and the story is well worth telling, and well worth watching. And, did I say? it's about the Beatles.
I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.
The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.
Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.
Enjoy all of the films.
The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.
Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.
Enjoy all of the films.
Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.
Softley's 'Backbeat' is my favorite movie I've ever seen. I'm a huge Beatles fan and I've watched many biographical films about The Fab Four like 'Birth of Beatles' for example, and I must admit that this production from 1993 is the best of them all. This picture shows us the Hamburg's episode (early 60s) of Beatles career and it concentrates on relationship between John Lennon (fantastic play by Ian Hart) and Stuart Sutcliffe (aka The Lost Beatle). Lots of laughs, lots of tears and above all - great music ! A must seen for Beatles fans.
¿Sabías que…?
- TriviaAs seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
- ErroresThe train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
- Citas
John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.
- Créditos curiososAt the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
- ConexionesFeatured in Backbeat Band: Money, Version 1 (1994)
- Bandas sonorasGood Golly Miss Molly
Written & Composed by Robert 'Bumps' Blackwell & John Marascalco
By kind permission of Prestige Music Ltd
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Backbeat
- Locaciones de filmación
- Cheney Road, Londres, Inglaterra, Reino Unido(German Gymnasium doubles as The Anchor pub)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,392,589
- Fin de semana de estreno en EE. UU. y Canadá
- USD 126,740
- 17 abr 1994
- Total a nivel mundial
- USD 4,708,451
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta