El bebé de Mâcon

This is an astonishing Fiction-Within-Fiction exercise that ingeniously implicates the viewer in the appalling acts of violence on screen. Thus, it is one of the most visceral and sickening movies ever made, but of the highest moral and artistic integrity.

Don't miss it. If you can handle it...

This is one of (if not THE) most controversial films Peter Greenaway has ever made. Having become something of a media darling, first with "The Draughtsman's Contract", but mainly after "The Cook, The Thief, His Wife and Her Lover" and "Prospero's Books" the British media turned against Greenaway when "The Baby of Macon" was released in 1993. This fact is all the more ironic since the central theme of the film is the danger of celebrity and the way in which people are built up so they can be knocked down at a later stage in their careers.

"The Baby of Macon" is not necessarily an easy film to watch and many viewers may not find it to their taste, due in part to the powerful imagery Greenaway utilises within the film. The infamous gang rape of Julia Ormand's character is what everyone comments on, although I think it's very well handled and for the majority of the time the camera focuses on the other characters around the stage (a similar process to the way the camera pans left to a corner of the warehouse when Michael Madsen slices the cop's ear off in Tarantino's "Reservoir Dogs") rather than the rape itself.

It seemed to me at the time (as it does now) that the majority of film critics who dismissed the film missed the point of it all. All too often so-called popular film critics merely discuss films in terms of whether they personally enjoy them or not, rather than examining a director's motives and aims in making a particular film and whether those objectives have been achieved. In my opinion, Greenaway does succeed in hitting his marks in "The Baby of Macon" and manages to make some very important points about society in a powerful and challenging film, which will not however leave the viewer with that 'feelgood' feeling that they get from a film like, say, "Titanic".

This film is simply a masterpiece, the ultimate experience in visual poetry. If I didn't think Greenaway was a master film maker before, I certainly did after viewing The Baby of Macon.

His use of the Camera is stunning, I believe it is the closest thing to perfection in reference to the Camera, Actor and Stage. There were so many moments of genius throughout the Film that I was overwhelmed and had to see it a second time to soak it all in.

He has captured the era, the aura, the atmosphere of the subject better than anything I have seen before. The script was a work of Art, the blending of Vulgarity and Beauty, from the spoken word to the lavish colours and movement captured on Film, a true masterpiece in every sense of the word.

Yes, I highly recommend this Film, it has volumes to say, if you desire a deeper, fulfilling feast of mind and heart. Everything a Greenaway fan could want, and more.

THE BABY OF MACON is Peter Greenaway's most disturbing and shocking film yet. It's about a baby born of a deformed woman in a disease ridden village. The villagers go berserk due to the fact that the mother is so grossly deformed, and soon a different woman claims the baby as her own and pretends that she is still a virgin to gain the town's approval!!!

Her parents detest, so she locks them up. She tries to seduce a man that she is in love with, but the man is killed by the baby in the process. What occurs afterward is nothing short of horrifying. I'll just say that some truly disgusting events transpire, and the film ends in a hollow and empty climax.

I felt that the film was effective in demonstrating it's views and certainly was grueling, but the appeal of the film is what makes it so hard to really review. Who on earth would want to watch this? People who want to see a good movie maybe, but they will no doubt be put off by the subject matter. Fans of independent cinema will probably appreciate it, but most likely won't rush to see it.

Everyone else will probably not find much appeal in this kind of storytelling. But that's kind of what's so cool about Greenaway. He is able to create film in a way that most cannot. He's in a class of Chaotic cinema where any sort of personification is possible and signature themes are easier to put to light than a real story. I found the film moving, but unless your a big fan of set design, I'm going to have to recommend it to Greenaway fans only.

Oh, the humanity! I have deep admiration for the man that is Greenaway. The Baby of Macon is a masterwork that is really above criticism. The imdb reviews are pretty much what I would expect from people who live by the credo "ignorance is bliss". They are shocked. They are apalled. They are horrified. How can this film be viewed as anything less than indulgent maniacal trash, they say.

Well, of course, they must be correct. After all, with all the nudity and curt cursed characters who exist in a red world of servants and oblivious royalty embroiled in seemingly pointless situations.....

Huh?

To sum up, come to Greenaway when you're ready for him. He is so far ahead of modern cinema that he'll be dead 60 years before people start to call him the greatest filmmaker of all-time.

And the nudity? All you "appalled" juveniles are just upset that it is unerotic. You sick perverts.