Time Trax

It is rare that I find myself looking forward to watching re-run TV programs, "Time Trax" is one of those interesting shows that I keep tuning in for on the SciFi Channel.

Darien Lambert (Dale Midkiff) is a policeman from the future (25th Century or so) who must travel back in time (usually the present) to find and send back to his time "criminals" who have also time travelled and are usually endangering the current time's inhabitants with advanced devices ("of EVIL").

Darien is assisted by his holographic computer "Selma" (smartly played by Elizabeth Alexander) who appears from his rather futuristic credit card / weapon / transporter.

This show is pure fantasy and, at times, corny, but Dale Midkiff makes his character impressively believable.

In spite of the fact that the "parallel universe" premise became so prevalent towards the end, Time Trax was a terrific show. First, Dale Midkiff's character had an incredible interest in history. 44 episodes to chase down ghosts of the past made for some interesting dialog.

Second, it was obvious that because of his lack of emotional bonding in his orphanage spent youth, relationships in his time travels were especially important. It was apparent in all of his dealings with those he wound up helping during each episode.

Third, the concept of exceptional intelligence and physical prowess added greatly to his larger than life persona. Darien was more than a good cop, he was in essence a superhero, one who could perform amazing acts in the 20th century.

As a kid I remember watching, I'm 32 now and am pretty sure it's atleast a little responsible for the great movie imagination I have today!

Many times I remember shows being much more enjoyable than they actually were. But rewatching this series on roku channel is almost as satisfying as the first time when I was in my 20s, unlike Xfiles and UFO reruns that kind of bore me these days. I think one of the more enjoyable elements of the show, as hellraiser's review mentioned is the fun factor. It's not as dark and dramatic as Xfiles or UFO for instance. Hellraiser also nailed it IMO with a comparison to knight rider.. Although, on a much tighter budget. The writers did a good job of selling the futuristic angle and yet keeping a low budget by camouflaging the most often used items to look like current day devices. (I used to have an AT&T Universal card that looked exactly like that!) Also, by making all of Darien's future physical gifts internal, they didn't have to pay for alien makeup or anything. So this is a nice little escapism on a tight budget. Although, I do not want to discount the 2hr pilot which probably used most of the season 1 budget with its futuristic shots. It was believable enough and stands up pretty well even today. I always enjoyed Selma with her Aussie accent and formal diction. Hellraiser did possibly misunderstand some facts, which I had to pause and re-watch sections of the pilot to Understand. Sambi was getting paid by these criminals to send them back and used the money to fund his further research. His long term plans were definitely to jump back to the past once he had his team in place and try to institute a new world order. However, as seen in the pilot episode, he was shocked and unprepared for Darian's arrival in the past, but he maneuvered to try and make the best of the situation.

Time Trax - OK, here's the deal: a cop from the future (Darien Lambert) travels back in time to track down roughly 200 escaped fugitives from his time and to settle the score with the time machine's creator, who just happened to have killed off the only woman the cop loved for a long time. Simple, right?

Well, yes. That was basically the problem - from a theatrical point of view. Sure, the show's writers worked hard at kicking in some complications. For example, the cop happens to be an ethnic minority in the future, a "blanco," but that seats him in the majority here. They give him disguised weaponry: namely, his futuristic Star-Trek-in-a-box computer hologram projector and historical archive widget and a nifty non-lethal gun formed to look like a credit card and car-alarm. However, he loses this things constantly - just multiply the number of times you've forgotten where to put your keys by like 1 million, and that's about par for the show. In addition, either the convicts he's chasing will sniff them out, or some plucky 20th century kid will inevitably treat them like the mundane objects they're made to resemble.

Overall, this was not enough to give the show much "drawing power." As noted above, these are plot devices and not necessarily related to developing the character.

Having said that, I must say that this was still one of my favorite shows to watch between the ages of 13-14; like MacGyver or the A-Team, this show had a very dynamic episode-to-episode style with no complicated soap opera sagas to slow down the enjoyment - things were always wrapped up neatly in about an hour.

To speak plainly: the show's main export is just plain fun. It's fun to watch the time-displaced cop rediscover everything about the 20th century that we take for granted (like junk food, boxing [which is outlawed in his time but not any other martial art - go figure], amusement parks, and the fact that here he's not a minority at all (which is something one commenter already hit on - they could have done a LOT more with - if the goal had been character development). It's also fun to watch him struggle with being two hundred years in his own past where his favorite restaurant has only one location and the chef hasn't figured out the signature recipe yet, where the Chicago Cubs suck even though they're a dynasty 200 years from now [which is a shame - it really only took about 8-9 years for the Cubs to make that leap, not 200], and he struggles with the idea that he may never go home, though that might not be bad considering he's found the cute ancestor of his former love.

All of this didn't make the show great per se, but it did make the show special. In many ways it was akin to the radio shows of old, like the Shadow, where the contrived plots and weak villains are less important than the overall aesthetic that the show inspires. It was the genuine sense of wonder and amusement from rediscovering the present that helped the audiences simmer in Darien's nostalgia and homesickness.

Fans of sci-fi will appreciate the techno-widgets and special effects for what they are - a means of conveying the storyline with dazzling and emotional spectacle; however, if you're looking for spectacular drama, you've come to the wrong place. Here's my advice: don't go to the circus and expect to sit next to Hamlet, but if you do go, grab some cotton candy, ask a clown to teach you to juggle, pet the lions, and flirt with as many cute acrobats as you can see because you'll enjoy going a whole lot more.