Prime Suspect 3

Set at the height of the AIDS epidemic, this adaptation of Lynda La Plante's story is a potent assessment of just how vulnerable people were horrifically exploited in London in the early 1990s. Taking up her new post with the vice squad "DCI Tennison" (Helen Mirren) is charged with looking into the tragic death (in a fire) of young boy who turns out to have been a high-class rent boy. The investigation soon broadens as she encounters "Vera" (a striking effort from Peter Capaldi), "Jackson" (David Thewlis) and Ciarán Hinds (the sinister, almost malevolent Parker-Jones) and exposes a corrupt network of sexploitation that involves young men/boys and an establishment all too willing to turn a blind eye - or, indeed, to actively participate. David Drury has taken a gritty, punchy script and turned it into a compelling drama that shines a light on not just the seedier side of the sex industry, but also on bullying and gender issues that resonate even more profoundly thirty years later. Mirren has made the role her own, her strength of character dealing with her own team - frequently disdainful, homophobic or just plain disinterested as well as with the wonderfully odious Hinds is enthralling. Thewlis is great as the thuggish enforcer and there are a couple of really uncomfortable-to-watch cameos from Jonny Lee Miller and James Frain as victims of these atrocious abuses of trust and power. I don't know that it is my favourite of these, but it is certainly the most plausible in terms of depicting the brutal, thoughtless and shameless treatment of susceptible young men.

Everything everyone is saying about this one is true. One thing to add: it's a lot for a single sitting. It runs almost four hours. People couldn't have had an option when it was transmitted on telly - they had to wait for the subsequent episodes - but when you rent or purchase it now you can't be forced into that option - and you'll find it nigh on impossible to break things off at the hour or two hour mark - it's just too good as everyone says.

Perhaps the best news is that Lynda La Plante is back. Episode two wasn't bad - but it wasn't La Plante's writing and it didn't have her magical hand on it. This one does. It's as if she took all the stuff she found out worked in the first episode, concentrated it, and flung it back. Everything is deeper, grittier, gorier.

There are seven huge episodes in this opus, all told twenty two hours of viewing. So to single out any one episode and say it's 'best' is going to be difficult, but taking only the first three it's not hard to see which excel more than others, and this one has to rank right at the very top.

Absolutely loved the first 'Prime Suspect' series. It was to me some of the best television to grace my television set. 'Prime Suspect II' was every bit as good, the two are about equal in terms of quality, for the same reasons as before.

'Prime Suspect III' was watched with high expectations when seeing all the 'Prime Suspect' series over-time since reviewing the first series last year. Those expectations were not just met but also surpassed. It has all the things that made the previous two 'Prime Suspect' series so great, and stands out even more because of the characterisation which was even richer and because of the story and its heavier themes than before.

It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is a dark and gritty atmosphere, 'Prime Suspect' in general is both those things story-wise and visually but 'Prime Suspect III' is one of the stronger examples, while also being effectively claustrophobic. It is very hard to forget the music score too. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent.

The story is 'Prime Suspect' at its darkest, most hard-hitting and grittiest for the intense subject matter alone, but in some ways also at its most honest, intricate and emotional. It is a complex story that keeps one guessing right up to the end while also being easy to follow. The interrogation scenes are some of the most harrowing of the whole 'Prime Suspect' franchise, both intensely shocking and even brings tears to the eyes.

Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel.

Helen Mirren gives a typically magnificent performance in the lead, and she has one of her best supporting casts of all the 'Prime Suspect' series that include Peter Capaldi and Mark Strong in early roles and a standout turn from Tom Bell as oily Sergeant Otley. Excelling also are David Thewlis, who has never been more thuggish, and Ciaran Hinds at his most mysterious.

In conclusion, along with the previous two 'Prime Suspect' series, 'Prime Suspect III' is the franchise at its best. 10/10 Bethany Cox

DCI Jane Tennison (Helen Mirren) breaks up with her boyfriend Jake Hunter. He's married and an author of a serial killer book. She's starting a new job and finds old nemesis Sgt. Bill Otley (Tom Bell). They investigate an arson-murder involving underage rent-boys and a cross-dressing cabaret. Thuggish James Jackson (David Thewlis) is the prime suspect. Edward Parker-Jones (Ciarán Hinds) is the club owner. The clientele and police involvement threaten to be a scandal.

Helen Mirren is the lead. This show can never be bad with her driving the boat. This time Otley is back but he's somewhat domesticated. The vicious sexism is no longer there. The case is lascivious and dirty. This is solid TV police drama but nothing compared to series 1 part 1.

At first, we had a hard time understanding the accents, but by the second episode we caught up and enjoyed it a great deal. Then again, we were watching a home-taped VHS copy, so the sound was a little muted.

The acting and the writing were excellent.