Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.
- Ganó 4 premios Primetime Emmy
- 25 premios ganados y 82 nominaciones en total
Opiniones destacadas
What the public could not accept, was that the stories did not have neat endings. Life, and crime stories are messy. The show reflected that. And I'm grateful for it's honesty.
On the other hand, I'm grateful they allowed the show to have a movie that ended several major story lines. At the end of it all, we needed closure, even it some of the endings weren't "happy endings". That in itself showed the quality - the truth of this show.
Fiction can be truthful, and "real". This was the best example . And NBC should hang it's head in shame for the way it treated it. I'm glad that "Munch" still lives on Law & Order SVU, but it's a shadow of a great character in a great show.
On TV you take what you get.
Audrey Braugher delivered one of the greatest and intense performances on TV or anywhere else for that matter as Detective Francis Xavier "Frank" Pembleton. The supporting cast, which included Kyle Secor, Clark Johnson, Yaphet Kotto, and Callie Thorne (to name a few) were also great. Tom Fontana is one of the best TV writers ever. "Three Men and Adena" is one of the most intense and compelling episodes I've seen. This series has had more famous guest stars on it than any other show, except "The Simpsons." They included Robin Williams, Lili Tomlin, James Earl Jones, Steve Buscemi, Vincent D'Onofrio, and David Morse among others.
Braugher and Fontana won Emmys. The show also received The Humanitas Prize and The Peabody (which has only gone to two other drama series, "St. Elsewhere" and "The West Wing").
The characters were outstanding. It's always good to watch excellent drama in which characters have strengths and weaknesses. Their weaknesses were were emphasized greatly to show realism. Naturally, the stories were great.
Another thing I miss was the crossover between "Homicide" and "Law and Order". These shows retained their individual styles while bringing the characters together so nicely.
It's too bad that it's gone.
This show truly did duck the "system" of other dramas, staying true to the source and portraying realistic characters. Anguish, joy, anger, humiliation, and respect are evident in the faces of the characters in assorted episodes. The first few seasons were the best, in my opinion, but the other seasons were still better than anything else on the networks. I shudder to think that "Nash Bridges" beat this amazing show in the ratings. If you are at all interested, try to find this show on television in your area. There is no middle ground with this show; you will either hate it or love it. All that I know have become addicted to it.
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- TriviaIn 1988, Baltimore Sun reporter David Simon joined the Baltimore Police Homicide Unit as a civilian assistant in order to chronicle a year in the life of a big-city homicide squad. His extensive notes, interviews, and observations were eventually published as the book, "Homicide: A Year on the Killing Streets." This book served as the inspiration for the TV series Homicide: Life on the Street (1993). Much of the first and second seasons are taken from actual events recounted in the book.
- ErroresIn a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective.
- Citas
Det. Frank Pembleton: You know, every day I get out of bed and drag myself to the next cup of coffee. I take a sip and the caffeine kicks in. I can focus my eyes again. My brain starts to order the day. I'm up, I'm alive. I'm ready to rock. But the time is coming when I wake up and decide that I'm not getting out of bed. Not for coffee, or food or sex. If it comes to me, fine. If it won't, fine. No more expectations. The longer I live, the less I know. I should know more. I should know the coffee's killing me. You're suspicious of your suspicions? I'm jealous, Kay; I'm so jealous. You still have the heart to have doubts. Me? I'm going to lock up a 14-year-old kid for what could be the rest of his natural life. I got to do this. This is my job. This is the deal. This is the law. This is my day. I have no doubts or suspicions about it. Heart has nothing to do with it any more. It's all in the caffeine.
- ConexionesFeatured in The 45th Annual Primetime Emmy Awards (1993)