Homicide: Life on the Street

I have never been a big fan of police serials, but this is my all time favourite. I have nothing to add to the earlier comments, other than that in a time with complicated racial conflicts, poverty induced crime and the problems stemming from social inequality, this show tried to comment on the real problems facing the modern society.

And it was exciting too.

It was a gloomy day when NBC cancelled this amazing show, but unfortunately, not enough viewers were watching. It can now be viewed in syndication - as of January 1999 it is shown on Court-TV weeknights. "Homicide" was an Emmy and Peabody-award-winning show. Because of its unique shooting style, magnificent writers, and terrific actors, it is the best show I ever watched. Other cop shows are no comparison. In fact, no other drama on network television had such a racially diverse cast. This is the only drama I have seen with African-American actors in leading roles. It is a sad fact that there aren't other shows like it out now.

This show truly did duck the "system" of other dramas, staying true to the source and portraying realistic characters. Anguish, joy, anger, humiliation, and respect are evident in the faces of the characters in assorted episodes. The first few seasons were the best, in my opinion, but the other seasons were still better than anything else on the networks. I shudder to think that "Nash Bridges" beat this amazing show in the ratings. If you are at all interested, try to find this show on television in your area. There is no middle ground with this show; you will either hate it or love it. All that I know have become addicted to it.

As an aspiring writer, and a longtime local of Maryland, this series has continuously touched me and will probably always be in my memories.

Not much more can be said about "Homicide: Life on the Street" that hasn't already been said. Excellent writing, gripping messages, memorable characters...this is an example of the epitome of drama, this is a study of human behavior, and like the book that inspired it, this is a tribute to the brave men and women who strive to see that justice is served in real life.

In case you don't know the general idea, it's about a believable group of individuals tracking down killers--who are often portrayed as disturbed individuals themselves, not brawlers. The heart of the stories primarily takes place in two settings: The box, and the street--with humorous, often thought provoking intervals happening in the station and during car scenes.

The best season: Six, in my opinion. This season combined the series' great writing (stories like "Blood Ties", "The Subway", "Abduction", "Finnegan's Wake", "Fallen Heroes", etc.) with some general excitement throughout almost the entire run of episodes. Also, every character present has something interesting or likable about them (the poster for "Homicide: The Movie" features mostly the collective image of season six). "Homicide" didn't often focus on intimate relationships, but the main one towards the story's end was developed in a clever, truly romantic way.

Overall, as you've probably heard before, this is one of the best shows ever to air on television. It will always be regarded as such.

Simply, the most rewarding dramatic broadcast television show I have ever seen. HLOTS was consistently character driven, well written and beautifully shot and edited. The acting stands alone as a singular achievement in broadcast TV. An across the board gifted ensemble speaking emotionally provocative, unflinchingly honest and challenging words.

Two things kept this show from legendary status: First, for most of it's run, it suffered from a terrible schedule spot, Friday. Second, it was a challenging show. In no way is that a denigration, in fact, the opposite. The levels of meaning presented in the writing and reinforced by the camera style and acting required a level of attention that people normally bring with them to watch the theatre.

Regarding it's lack of very many Emmy's, it was produced outside of Hollywood, yet was made with substantive quality and artistic integrity. My guess is that it therefore lacked clout and engendered jealousy at the same time.

It's cliché, but HLOTS was ahead of it's time. Many shows on today echo much of the style and substance HLOTS pioneered. Look no farther than THE SHIELD, NIP TUCK or THE SOPRANOS for dramatic quality similar to what HLOTS was doing 10+ years ago.

There are other good dramas on TV today, but HLOTS connected so consistently on an emotional and aesthetically fulfilling level that I felt like I had lost a friend when it finished it's run. I can't say that about anything I've seen before or since.

Sorry Law and Order, but there's just something special about this show and there's more of a place for it in my heart, and it has nothing to do with the fact it takes place in my home state (well OK, that's does have something to do with it). It had an unconventional style different from that of L & O, but there were times I found it to be more intellectual.

There was never a bad episode, and the casting was all good, especially Andre Braugher, Yaphet Kotto, Kyle Secor, and Richard Belzer. It's too bad that some cast members left earlier than they should of (Ned Beatty, Jon Polito), but they were ably replaced.

It's really a shame that more people didn't watch this show which led to its cancellation, and appreciate it more with some of the crap that's on TV these days, which is a sad commentary on TV viewers as a whole. Oh well, there's always the reruns on Court TV.