Los hombres blancos no saben saltar

Wesley Snipes and Woody Harrelson team up on the playgrounds of L.A. to hustle all comers. The direction is sharp and the cinematography is surprisingly impressive as the mean streets of Los Angeles are caught with striking camera shots. The under-rated screenplay is intelligent, focused, and clever. All in all "White Men Can't Jump" is far from being a classic, but it is still a fine film that is better than many think. 4 stars out of 5.

Wesley and Woody are great together. Perez is a plus. You don't have to be a fan of the game to love this movie. It's fast paced, funny and if you are a fan of hoops then you are in Basketball movie heaven. Hustle out to the video store and rent yourself a copy. The film also has more Mama jokes than you can shake a stick at.

This movie is well-made: it tells a good story, and maintains high production values. The playing-off of different cultures does not really work, but then again that was not central to the story. The hustler being hustled theme could have done with some more Roald Dahl-like wit, but all in all this is an amusing comedy (it does not reach out enough to be considered a dramedy) and a worthy rental for those boring winter evenings.

After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.

White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).

After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10

A gritty comedy set in some tough LA neighborhoods about two basketball hustlers, one white (Woody Harrelson), the other black (Wesley Snipes). After hustling each other, they finally team up to play in a tournament, where with a combination of skill and trash talk they defeat the two guys who normally would have left them in the dust. The trash talk gets silly at times, while the subplot of underworld characters who are chasing Harrelson for an unpaid debt seems to be there only to explain logically why he hustles in the first place, as if he would do something else with his life. In any event, the games go from Venice Beach to Watts, and the settings are as good as the stars. Especially so are the cheap motels where Harrelson and girlfriend Rosie Perez have to live, and the inner city apartment where Snipes and his wife Tyra Ferrel call home, all of which adds up to a realistic slice of life at the time, which now seems to look quite a bit different. Intelligently written and well photographed, it has laid in the back of the shelves at countless video stores waiting to be rediscovered.