Los estafadores de baloncesto blancos y negros unen fuerzas para duplicar sus posibilidades de ganar dinero en las canchas callejeras y en un torneo de baloncesto.Los estafadores de baloncesto blancos y negros unen fuerzas para duplicar sus posibilidades de ganar dinero en las canchas callejeras y en un torneo de baloncesto.Los estafadores de baloncesto blancos y negros unen fuerzas para duplicar sus posibilidades de ganar dinero en las canchas callejeras y en un torneo de baloncesto.
- Dirección
- Guionista
- Elenco
- Premios
- 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Wesley Snipes and Woody Harrelson team up on the playgrounds of L.A. to hustle all comers. The direction is sharp and the cinematography is surprisingly impressive as the mean streets of Los Angeles are caught with striking camera shots. The under-rated screenplay is intelligent, focused, and clever. All in all "White Men Can't Jump" is far from being a classic, but it is still a fine film that is better than many think. 4 stars out of 5.
Wesley and Woody are great together. Perez is a plus. You don't have to be a fan of the game to love this movie. It's fast paced, funny and if you are a fan of hoops then you are in Basketball movie heaven. Hustle out to the video store and rent yourself a copy. The film also has more Mama jokes than you can shake a stick at.
This is a truly excellent movie! Lots of people have bashed it as a "basketball" movie, but the truth is, it ain't about basketball at all. It could have been hockey, dart playing or curling, it wouldn't matter. It's about human weaknesses and making new friends. Rosie Perez gave probably her best performance ever, and the interplay between Harrelson and Snipes is great. Don't miss it.
Wesley Snipes and Woody Harrelson star in this film as a couple of con men scheming their ways on the basketball court by betting on their opposing allies. With an intriguing story line added with likable and rootable leads, also with clever sub plots, this film succeeds as an entertaining piece of sports film. Although this film does feel outdated watching in today's day and age, it holds up and is better than initially expected. Rosie Perez is another piece which stands out for the better. White Men Can't Jump got its attention due to its title but it's more than just a sports film, it's further about life and relationships. Underrated film if anything.
After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
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- TriviaWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- ErroresBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Citas
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Créditos curiososIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Versiones alternativasSome U.S. video versions are three minutes longer.
- ConexionesEdited into White Men Can't Jump: Deleted Scene (2000)
- Bandas sonorasMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Los blancos no saben saltar
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 76,253,806
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,711,124
- 29 mar 1992
- Total a nivel mundial
- USD 90,753,806
- Tiempo de ejecución1 hora 55 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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What is the Hindi language plot outline for Los hombres blancos no saben saltar (1992)?
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