Used People

My feeling is that the film could have been better. As a whole, it is a little irregular, lacking some cohesion. However, the parts it is composed by are very nice, charming, funny, smart. The collection of well-developped and unique characters is excellent, and all actors do a great job. Then, although with reservations, I consider it a good and singular romantic comedy.

Some great roles for woman were written in the end of the last century such as Thelma And Louise, Steel Magnolias, Fried Green Tomatoes, Moonstruck, and this one, slightly overlooked in that stellar company. Used People tells a wonderful tale of a widow and grandmother played by Shirley MacLaine to whom a second love comes right at the funeral of her husband.

As this Jewish family is sitting Shiva for MacLaine's husband, Marcello Mastroianni comes in, unknown and imparts a secret to MacLaine concerning her late husband.

Mastroianni intrigues her, but MacLaine's most Jewish of families is against the very idea of her keeping company with him.

There are a host of wonderful roles besides the leads and it's the mark of a great film that these characters are invested with individuality by the writers. Some great players bring said individuality to those parts.

MacLaine's two daughters, Marcia Gay Harden and Kathy Bates are as different as can be. Harden is constantly acting out with different Hollywood legends portrayed. She's a real drama queen, years later still in mourning for a child she lost. She has a great scene with her other young son Michael Branton who also been acting out some dangerous things.

Kathy Bates was the less favored daughter with a weight problem who lets MacLaine have it. Bates is sick of the indulgence given Hardenand who could blame her.

Two aged actresses from earlier days, Sylvia Sidney and Jessica Tandy have some wonderful scenes as a pair of old Jewish yentas. They quarrel but there's a bond there.

An old tune that Frank Sinatra recorded with Tommy Dorsey, The Sky Fell Down provides a great musical theme for November/November romance.

Used People is a great ensemble film and should get a lot more attention than it has gotten.

What a wonderful little movie! Simple story of thwarted lives and new-found love boasts one of the best casts in movie history.

Shirley MacLaine stars as a Jewish widow in 1969 New York who is pursued by a strange Italian, Marcello Mastroianni. He's waited for 23 years for her to be available. She has 2 troubled daughters, Kathy Bates and Marcia Gay Harden. Bates is fat and unhappy; Harden is nuts. Her mother, Jessica Tandy, is afraid of anything new. Also along for the ride are Sylvia Sidney, Joe Pantoliano, Louis Guss, Charles Cioffi, Bob Dishy, Doris Roberts, Helen Hanft, and cute Matthew Branton.

With 1969 New York as a backdrop, anything is possible. The Mets win the World Series.... We land on the moon..... And Mastroianni lands MacLaine! Simple, sweet, and beautifully acted.

The accents waver a tad, but on the whole this film is well written and acted. Tandy and Sidney are splendid as the old women looking for once last thrill--they move to Florida.... Bates and Harden are heartbreaking as the bickering sisters.... MacLaine and Mastroianni are perfection.

A rare chance to see 4 Oscar winners in one film!

After seeing this film, still not available on DVD, one wants to say, "How did this movie ever get made?" It is funny, intelligent, sensitive, and perceptive. No exploding cars. No teens making out. No monsters from outer space. Used People is just excellent and thoughtful entertainment of a sort that makes one want to cheer. The script is unusually good, and the acting is outstanding. The leads, Marcello Mastronini and Shirley McLaine, could not have been selected and directed with greater care. Kathy Bates, Jessica Tandy, and Marcia Gay Harden are terrific. The photography is outstanding, and the sets recreate the 1940s and late 1960s very believably. The contrast between Jewish and Italian families in New York is most amusing. Why were no academy awards lavished on this film? Perhaps because it is out of step with contemporary cultural norms and deals essentially with seniors, i.e. people who have lived through much and have a measure of wisdom. Don't miss it.

If you like the "Moonstruck" kind of film - a many-layered, multi-charactered tumble of the comic and the tragic (with plenty of shouting and raging) romping to a happy ending - you'll love this. It's packed, it's fast-moving, it's funny, it's wonderfully acted - above all, it's human. The elderly, gentle Mastroianni still charms and delights, though it's a pity they challenged his English with so many difficult lines. As a counterbalance, Shirley Maclean is a Fury again (cf. "Steel Magnolias"), to be smoothed and softened only by the friction with daughter Bibby (Kathy Bates) and the dedication of her new suitor. True, the story has its creaks and groans - what better to road to a woman's heart than to save her grandson from certain death? - but exuberance carries the day, we are swept along and are happy to rejoice with the rest of the cast in the Grand Finale. Of course, if you didn't like "Moonstruck" . . .