Obsesión fatal

When I first watched this film, I could not help but marvel at how brilliant Ray Liotta was at his role. Even though Kurt Russell and Madeleine Stowe both gave very good performances, it is Ray Liotta that stands out the most. I found that the transition that Liotta made between playing a nice guy to an obsessed and jealous psycho was absolutely outstanding.I believe he deserved an award for his exceptional performance. Not many actors could pull off a performance like Liotta did. Overall I felt that this film was a well thought out thriller, and was well cast. It definitely deserves the credit it gets. I would thoroughly recommend this film to anyone who enjoys a good thriller.

I remember seeing this film in theaters in 1992 at the tender age of 12, and I can recall now how frightened I was. That just goes to show the professionalism involved in this first-rate thriller. When a cop is on your back, what are you gonna do? Call the cops? Hmmmm....Kurt Russell and Madeleine Stowe struggle to find that answer here. Ray Liotta has never been creepier. Kurt Russell shines yet again in a role balancing the everyman we can relate to and the hero we cheer for in the end. One of the best thrillers of the 1990s.

A couple are befriended by a police officer who answers their burglary call, but his attentions increase to a point of obsession and he beings to make their lives uncomfortably difficult pushing them both to breaking point.

Released the same year as spate of 1992 thrillers including Single White Female, Basic Instinct, Traces of Red, Consenting Adults and Final Analysis name a few Unlawful Entry is a tighter than the aforementioned. It's easy to knock a film in retrospect, as it's been done so many times since but at the time while not totally original it encompassed the best of the genre. Jonathan Kaplan delivers a very entertaining obsession flick and while borrowing elements from Pacific Heights (1990),Cape Fear (1991) & (1962) Lewis Colick's screenplay plays out interesting character developments and arcs especially as Kurt Russell's Michael Carr unravels and Ray Liotta's Pete Davis unveils.

Liotta is perfect as Davis an unbalanced police officer and Russell hams it up, debatably a little too much, as the aggravated husband. There's an overlooked supporting cast, including Ken Lerner and Madeleine Stowe in her heyday. James Horner's score is strong and of its time and it all adds up to an engaging thriller that would later be emulated in Lakeview Terrace (2008) and The Fan (1996).

Worth viewing if only for the underrated Liotta in one of his better roles.

I consider myself a big film buff, but before I'd seen it recently, I'd never even heard of Unlawful Entry. The story is pretty simple: a couple in love (Kurt Russell and Madeline Stowe) make friends with a cop (Ray Liotta) who turns out to be possessive and to make their lives a living hell (see also: The Cable Guy, which follows the same lines). But, with a simple story, this low-key film deserves recognition for being a clever and original thriller. Throughout the film, you feel all the emotions that Kurt Russell is feeling as his life is slowly taken away from him by the ever-menacing Ray Liotta. In brief, this is a fabulous film, which was under-appreciated and a missed hit.

Unlawful Entry is by no means a great film; not even by genre standards, but it still stands out as a more than adequate example of the genre, and aptly portrays the basic thriller tradition. Next to thrillers from the same period; films like Basic Instinct, Unlawful Entry may seem a little tame, but as it puts the focus on its trio of central characters, the film becomes more interesting than it would have if experienced director Jonathan Kaplan had tried for more action and sex scenes. The film portrays the frightening idea of someone 'above the law' abusing their power for their own means, and does this through police officer Pete Davis. The action centres on married couple Michael and Karen Carr, who call the police one night after a thief breaks in and holds the wife to knife point. However, it turns out that they've actually made things worse for themselves as the officer sent to the house takes a liking to Karen, and thus makes it his business to infiltrate their relationship and try to take Michael's wife for himself...

It has to be said that the film doesn't offer much in the way of surprises, as the plot is purely formulaic and can be likened to any number of similar films, but somehow the familiarity of the plot gives it something of a relaxed feel, and while experienced movie watchers will feel that they've seen it all before, the film is carried off with enough panache to see it through. Unlawful Entry relies a lot on its actors, and the three at the centre of the story manage to deliver worthwhile performances. Kurt Russell gets toned down in his role as the unlucky husband, while Madeleine Stowe doesn't get to do any heavyweight acting, but at least looks nice. The pair doesn't really have any chemistry together, which is a shame and brings the piece down - but this is offset by a conniving Ray Liotta, who manages to get under the skin despite looking a bit like David Hasselhoff. The film is always interested, but never really intriguing; although the plot does work well and the ending is fitting in context. Overall, this is not great or a must see film; but its decent enough and I don't regret watching it.