CALIFICACIÓN DE IMDb
5.4/10
13 k
TU CALIFICACIÓN
Tom y Jerry trabajan juntos a regañadientes para salvar a una niña de su malvada tía.Tom y Jerry trabajan juntos a regañadientes para salvar a una niña de su malvada tía.Tom y Jerry trabajan juntos a regañadientes para salvar a una niña de su malvada tía.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Richard Kind
- Tom
- (voz)
Michael Bell
- Ferdinand
- (voz)
- …
Ed Gilbert
- Puggsy
- (voz)
- …
Howard Morris
- Squawk
- (voz)
Raymond McLeod
- Alleycat
- (voz)
- …
Scott Wojahn
- Alleycat
- (voz)
Tino Insana
- Patrolman
- (voz)
Don Messick
- Droopy
- (voz)
Greg Burson
- Man
- (voz)
Opiniones destacadas
T&J are one my favorite cartoon characters. They are cute and cuddly, and they are a bundle of fun to watch. I used to giggled at their playfulness. Tom never gave up hope in trying to catch Jerry, and Jerry has never failed to find ways to avoid being caught. I still remembered that one time when my mom scolded me, I turned on the TV and watched T&J, and I was not sad anymore. That was how good T&J series were to me.
This film is a good, clean fun for the whole family. If I have kids, I would not mind them watch this film, rather than watching all those new cartoons that is filled with adult humors disguised in cute and cuddly characters. There were no sexual remarks or crass jokes and certainly no double meaning humor.
So who cares if T&J can talk to humans? So who cares if they stop fighting against each other and instead help each other to save the girl from the evil Aunt Pigg? If the film has to follow exactly from the TV series, then what is the point of having to make this film? So, a decent score of 8 out of 10. A clean, fun film for the entire family. And a definite watch for the young and the young at hearts.
This film is a good, clean fun for the whole family. If I have kids, I would not mind them watch this film, rather than watching all those new cartoons that is filled with adult humors disguised in cute and cuddly characters. There were no sexual remarks or crass jokes and certainly no double meaning humor.
So who cares if T&J can talk to humans? So who cares if they stop fighting against each other and instead help each other to save the girl from the evil Aunt Pigg? If the film has to follow exactly from the TV series, then what is the point of having to make this film? So, a decent score of 8 out of 10. A clean, fun film for the entire family. And a definite watch for the young and the young at hearts.
How do you adapt two animated characters from 7-8 minute shorts into an 84 minute movie? There is never an easy solution. Typically it's easier to construct a narrative to entertain and occupy an audience's attention for a few minutes, but when the running time is much longer so must the narrative be. The importance when adapting short film characters for feature films is to keep the original spirit of the characterizations intact, while not forcing the characters far out of their element and having them deviate widely from the original source material. In other words Tom and Jerry: The Movie should not have been the talky, musical buddy-comedy it became. I can understand how the novelty of watching a cat and mouse fight for 84 minutes would eventually wear off; even watching several hours' worth of Tom and Jerry cartoons can eventually become routine, even if they are highly entertaining. This Film Roman production however made too many missteps in an attempt to be different, and instead became an underwhelming experience.
Tom and Jerry: The Movie marked the cat and mouse's first and only theatrically released film; made at a time when American traditional animation was rebounding from stagnation, experiencing a classical revival that lasted for most of the 1990s. Originally created for MGM theatrical shorts in the 1940s by William Hannah and Joseph Barbera, they have since gone through multiple iterations with other animation directors and studios, and spawned several spin-off shows and direct-to-DVD movies. Tom and Jerry typically shared a love/hate relationship; Tom would try to destroy Jerry, while Jerry would try and outwit (while painfully humiliating) Tom, though there were some situations where they would help each other if both could benefit from teamwork. What could have been a big hit in 1993 was instead soon forgotten. The movie opened at #14 at the U.S box office, was commercially unsuccessful and mostly a critical failure. Although the movie has some highlights with its 2D art and music score by Henry Mancini, they are largely overshadowed by poor choices in the script and direction, along with many unnecessary and unmemorable songs.
Tom and Jerry begin their movie in a suburban home not unlike the ones where they would wreck havoc in the original shorts. This time however, their antics cause their owners to accidentally forget them during their move to a new home. A wrecking ball demolishes the house and Tom and Jerry find themselves wandering the streets. Soon they encounter a dog and flea who are pals, and this is where the film introduces its first big mistake: giving Tom and Jerry voices.
Tom and Jerry were originally pantomimes. Up until this movie they had faithfully remained so, even when placed in situations where other characters were communicating with dialogue. Although some of the MGM shorts had Tom talking (though sparingly) in an exaggerated voice, the majority of the acting was done non-verbally, except with the occasional screams of pain emanating from Tom. Screenwriter Dennis Marks had previously worked on the series Tom and Jerry Kids (1990) which primarily led him to work on this movie, and it's unclear whether he or director Phil Roman decided to have Tom and Jerry talk. It's not that Richard Kind and Dana Hill's voice performances are bad, they just don't suit the characters, and giving the title characters voices significantly reduces their non-verbal dramatics. The musical numbers (for which virtually every character has one) further stretches the story which is too thin to last 84 minutes.
The biggest problem however comes later, when the movie introduces Tom and Jerry to a girl named Robyn Starling, and a plot that seems heavily inspired by Disney's The Rescuers. By this point Tom and Jerry are now friends thanks to earlier musical numbers, as they are mostly reduced to supporting roles for what unfolds as Robyn's movie. Robyn has run away from her nasty guardian Aunt Figg, who is keeping her as insurance, hoping that her adventuring father doesn't return from an accident in Tibet, so she and her lawyer Lickboot can keep squandering the Starling fortune. Tom and Jerry encounter Aunt Figg's dog, Ferdinand, whose excessive weight forces him to wheel about on a skateboard. This leads to mayhem in the kitchen, and one of the few times Tom and Jerry act like their natural selves. Their destruction leads to their incarceration with a veterinarian who is more of a prison warden than physician, and to a somewhat wasted cameo by another MGM character, that only older, astute animation enthusiasts would have recognized in the movie's initial run, and many kids today probably wouldn't identify him either. Robyn discovers her Aunt's deception and runs away again, and later winds up with a nautically-centric amusement park owner, Captain Kiddie, and his parrot puppet Squawk.
With all these supporting characters it's upsetting that none of them are more than mildly interesting, even with the capable voice performers behind them. Their development and motivations are quite shallow, especially the adult humans who are eventually driven by greed once a reward is offered for Robyn Starling's return. Even the quirky but friendly Captain Kiddie with his song about world travel, devolves into a greedy opportunist along with the rest. Once the main plot resolves itself, Tom and Jerry return to their traditional antics, and you wonder why they couldn't have been more like themselves in a shorter running time (as they later would be in direct-to-DVD movies). Instead they were made into supporting characters in their self titled movie, to support a musical buddy comedy, with a plot too reminiscent of a better developed plot from an older Disney title.
Tom and Jerry: The Movie has not affected the cat and mouse duo in the long run however, as their continued success on DVD and television has left the 1992 movie as more of a footnote in an otherwise dynamic career, which will likely continue for many years to come.
Tom and Jerry: The Movie marked the cat and mouse's first and only theatrically released film; made at a time when American traditional animation was rebounding from stagnation, experiencing a classical revival that lasted for most of the 1990s. Originally created for MGM theatrical shorts in the 1940s by William Hannah and Joseph Barbera, they have since gone through multiple iterations with other animation directors and studios, and spawned several spin-off shows and direct-to-DVD movies. Tom and Jerry typically shared a love/hate relationship; Tom would try to destroy Jerry, while Jerry would try and outwit (while painfully humiliating) Tom, though there were some situations where they would help each other if both could benefit from teamwork. What could have been a big hit in 1993 was instead soon forgotten. The movie opened at #14 at the U.S box office, was commercially unsuccessful and mostly a critical failure. Although the movie has some highlights with its 2D art and music score by Henry Mancini, they are largely overshadowed by poor choices in the script and direction, along with many unnecessary and unmemorable songs.
Tom and Jerry begin their movie in a suburban home not unlike the ones where they would wreck havoc in the original shorts. This time however, their antics cause their owners to accidentally forget them during their move to a new home. A wrecking ball demolishes the house and Tom and Jerry find themselves wandering the streets. Soon they encounter a dog and flea who are pals, and this is where the film introduces its first big mistake: giving Tom and Jerry voices.
Tom and Jerry were originally pantomimes. Up until this movie they had faithfully remained so, even when placed in situations where other characters were communicating with dialogue. Although some of the MGM shorts had Tom talking (though sparingly) in an exaggerated voice, the majority of the acting was done non-verbally, except with the occasional screams of pain emanating from Tom. Screenwriter Dennis Marks had previously worked on the series Tom and Jerry Kids (1990) which primarily led him to work on this movie, and it's unclear whether he or director Phil Roman decided to have Tom and Jerry talk. It's not that Richard Kind and Dana Hill's voice performances are bad, they just don't suit the characters, and giving the title characters voices significantly reduces their non-verbal dramatics. The musical numbers (for which virtually every character has one) further stretches the story which is too thin to last 84 minutes.
The biggest problem however comes later, when the movie introduces Tom and Jerry to a girl named Robyn Starling, and a plot that seems heavily inspired by Disney's The Rescuers. By this point Tom and Jerry are now friends thanks to earlier musical numbers, as they are mostly reduced to supporting roles for what unfolds as Robyn's movie. Robyn has run away from her nasty guardian Aunt Figg, who is keeping her as insurance, hoping that her adventuring father doesn't return from an accident in Tibet, so she and her lawyer Lickboot can keep squandering the Starling fortune. Tom and Jerry encounter Aunt Figg's dog, Ferdinand, whose excessive weight forces him to wheel about on a skateboard. This leads to mayhem in the kitchen, and one of the few times Tom and Jerry act like their natural selves. Their destruction leads to their incarceration with a veterinarian who is more of a prison warden than physician, and to a somewhat wasted cameo by another MGM character, that only older, astute animation enthusiasts would have recognized in the movie's initial run, and many kids today probably wouldn't identify him either. Robyn discovers her Aunt's deception and runs away again, and later winds up with a nautically-centric amusement park owner, Captain Kiddie, and his parrot puppet Squawk.
With all these supporting characters it's upsetting that none of them are more than mildly interesting, even with the capable voice performers behind them. Their development and motivations are quite shallow, especially the adult humans who are eventually driven by greed once a reward is offered for Robyn Starling's return. Even the quirky but friendly Captain Kiddie with his song about world travel, devolves into a greedy opportunist along with the rest. Once the main plot resolves itself, Tom and Jerry return to their traditional antics, and you wonder why they couldn't have been more like themselves in a shorter running time (as they later would be in direct-to-DVD movies). Instead they were made into supporting characters in their self titled movie, to support a musical buddy comedy, with a plot too reminiscent of a better developed plot from an older Disney title.
Tom and Jerry: The Movie has not affected the cat and mouse duo in the long run however, as their continued success on DVD and television has left the 1992 movie as more of a footnote in an otherwise dynamic career, which will likely continue for many years to come.
What is people's deal with being so critical of movies(for kids usually as in the case of this one) they don't like? And I don't mean simply saying whether or not it appealed to you but really vicious, I spit on your grave, rip your beating heart out of their chest, damn you forever to the pits of oblivion for failing to live up to my happy expectations...
Seriously get over it.
I remember this film from when I was a kid and while admittedly its nothing spectacular, its an enjoyable, funny movie that most kids will love(because lets remember it is a kids film.) Heres a little info on some of the "controversial" aspects of the film.
Tom & Jerry talk - Seriously I don't see what the big deal is, the voices chosen for these two characters are suitable and funny more so than their various speaking voices in the old cartoons (thats right people they did speak in the cartoon.) Its really the highlight of the film as you'd expect.
Tom & Jerry sing - Why not? Tom & Jerry don't fight - In fact they become friends 'sort of' which isn't such a bad message to convey when you think about it, and really at least give the filmmakers some props for trying to do something new with the material.
So the point is just get over yourself and enjoy it.
PS. I just realized I used a quote from The Dark Knight in my summary
Seriously get over it.
I remember this film from when I was a kid and while admittedly its nothing spectacular, its an enjoyable, funny movie that most kids will love(because lets remember it is a kids film.) Heres a little info on some of the "controversial" aspects of the film.
Tom & Jerry talk - Seriously I don't see what the big deal is, the voices chosen for these two characters are suitable and funny more so than their various speaking voices in the old cartoons (thats right people they did speak in the cartoon.) Its really the highlight of the film as you'd expect.
Tom & Jerry sing - Why not? Tom & Jerry don't fight - In fact they become friends 'sort of' which isn't such a bad message to convey when you think about it, and really at least give the filmmakers some props for trying to do something new with the material.
So the point is just get over yourself and enjoy it.
PS. I just realized I used a quote from The Dark Knight in my summary
There are some redeeming qualities to Tom and Jerry: The Movie. There is a good voice cast, that includes Charlotte Rae, Richard Kind, Dana Hill and Tony Jay. The characters are fairly likable, though there may be times when Aunt Figg might scare children. Tom and Jerry still have their likability, Robyn is a very charming character, and the animation is serviceable on the most part, but shoddy in other places.
However, there are a number of things that make this film disappointing. One is the disjointed plot, that has been done better before, and not only that, there is a tendency for it to become unfocused and clumsy. I didn't like the songs either, I found them rather unmelodious and forgettable. The writing wasn't particularly that inspiring, but the biggest disappointment for me was the lack of violence that made the cartoon show such a joy to watch. Instead of the songs, I would've liked to have seen a more focused plot and some violence, so that it could do justice to the show that it took its inspiration from.
Overall, sweet in places, with the occasional likable character, and not awful. But it wasn't at all great, in fact it was disappointing, I just wished it was more faithful to the show. 5/10 for trying. Bethany Cox
However, there are a number of things that make this film disappointing. One is the disjointed plot, that has been done better before, and not only that, there is a tendency for it to become unfocused and clumsy. I didn't like the songs either, I found them rather unmelodious and forgettable. The writing wasn't particularly that inspiring, but the biggest disappointment for me was the lack of violence that made the cartoon show such a joy to watch. Instead of the songs, I would've liked to have seen a more focused plot and some violence, so that it could do justice to the show that it took its inspiration from.
Overall, sweet in places, with the occasional likable character, and not awful. But it wasn't at all great, in fact it was disappointing, I just wished it was more faithful to the show. 5/10 for trying. Bethany Cox
So back in 1992, we had the first attempt at a Tom & Jerry movie made for the big screen. Directed by TV animation veteran Phil Roman and released by Miramax, the film was a critical and financial failure upon its release and is often seen as the starting point of terrible Tom & Jerry movies to follow. It doesn't help that fans of the timeless cat & mouse look down on this movie for having the duo speak, but that alone is actually the least of the movie's problems. That being said, as poor of an effort as the movie turned out to be, there is a surprising amount of charm in it for all the wrong reasons.
Now despite the movie being named after Tom & Jerry themselves, the central problem with it is that the story focuses on a completely different character, Robyn Starling. Tom & Jerry end up taking a back seat to help this blandly written child escape her abusive aunt and reunite with her long lost father, even though this movie should have been theirs in the first place. Perhaps if the movie was executed in an Alice in Wonderland styled narrative where Tom & Jerry roam around the country in search of a new home, it would be a lot more fitting, but as is, we have to sit through a generic cookie cutter plot of someone who belongs in another film altogether. It doesn't help that the musical numbers by famed composer Henry Mancini and lyricist Leslie Bricusse range from charmingly upbeat to obnoxiously repetitive, some of which are immediately forgotten as soon as they're over. Also, you know a Tom & Jerry movie is in trouble when the duo not only barely chase each other around, but most of the slapstick is given to the villain's dumb dog on wheels (go figure).
However, despite the movie's flaws, what does make it somewhat of a curious viewing are the unexpected characters you couldn't imagine being in a movie like this. In addition to Robyn's hysterical aunt Pristine Figg and her hammy lawyer Lickboot, the people Robyn, Tom and Jerry encounter along their ways should have their own shorts altogether. From an obese dog who needs a roller skate to move around, to an insane animal physician sadly named Dr. Applecheek, to a gay Captain Kiddie and his puppet hand Squawk, this cast comes right out of nowhere and are just as bonkers as they sound in description. Plus, the voice actors and animators brought more life to them than the one dimensional script ever did, complete with over the top performances and appealing character designs. Also, as the film keeps on going, the stakes do at least get higher and higher, even if it's painfully obvious what happens at the end. After all, Tom & Jerry can't die in any cartoon, so why even bother trying to do so in the first place?
So in the end, while by no means a great watch, the 1992 Tom & Jerry movie is so bizarre in its execution that it leaves you wondering why the filmmakers chose to take the duo in this direction from the start. While there are better installments with the duo out there, I would recommend this over the 2021 movie, because this one at least has some weird plot points going for it compared to the corporately manufactured HBO Max original. Die hard fans of the duo might not like me in the morning for saying this, but the cat and mouse have been on worse adventures, as bad as this one is.
Now despite the movie being named after Tom & Jerry themselves, the central problem with it is that the story focuses on a completely different character, Robyn Starling. Tom & Jerry end up taking a back seat to help this blandly written child escape her abusive aunt and reunite with her long lost father, even though this movie should have been theirs in the first place. Perhaps if the movie was executed in an Alice in Wonderland styled narrative where Tom & Jerry roam around the country in search of a new home, it would be a lot more fitting, but as is, we have to sit through a generic cookie cutter plot of someone who belongs in another film altogether. It doesn't help that the musical numbers by famed composer Henry Mancini and lyricist Leslie Bricusse range from charmingly upbeat to obnoxiously repetitive, some of which are immediately forgotten as soon as they're over. Also, you know a Tom & Jerry movie is in trouble when the duo not only barely chase each other around, but most of the slapstick is given to the villain's dumb dog on wheels (go figure).
However, despite the movie's flaws, what does make it somewhat of a curious viewing are the unexpected characters you couldn't imagine being in a movie like this. In addition to Robyn's hysterical aunt Pristine Figg and her hammy lawyer Lickboot, the people Robyn, Tom and Jerry encounter along their ways should have their own shorts altogether. From an obese dog who needs a roller skate to move around, to an insane animal physician sadly named Dr. Applecheek, to a gay Captain Kiddie and his puppet hand Squawk, this cast comes right out of nowhere and are just as bonkers as they sound in description. Plus, the voice actors and animators brought more life to them than the one dimensional script ever did, complete with over the top performances and appealing character designs. Also, as the film keeps on going, the stakes do at least get higher and higher, even if it's painfully obvious what happens at the end. After all, Tom & Jerry can't die in any cartoon, so why even bother trying to do so in the first place?
So in the end, while by no means a great watch, the 1992 Tom & Jerry movie is so bizarre in its execution that it leaves you wondering why the filmmakers chose to take the duo in this direction from the start. While there are better installments with the duo out there, I would recommend this over the 2021 movie, because this one at least has some weird plot points going for it compared to the corporately manufactured HBO Max original. Die hard fans of the duo might not like me in the morning for saying this, but the cat and mouse have been on worse adventures, as bad as this one is.
¿Sabías que…?
- TriviaChuck Jones was set to make a Tom and Jerry movie in the 1970s, but eventually pulled out after being unable to find a suitable script.
- ErroresWhen Aunt Figg brings Tom and Jerry to the evil doctor, they are in a small cage. The amount of bars on the cage keeps changing.
- Citas
Lickboot: [discussing Robyn Starling] Just pray the police find her, or we're doomed to return to the ranks of the peasantry. And you'd better hope this rumor that dashing Daddy Starling may have survived the avalanche is just a rumor, or we'll be worse than ordinary. We'll be...
Aunt Pristine Figg: Don't say it!
Lickboot: Poor.
Aunt Pristine Figg: Pennyless!
Lickboot: Bankrupt!
Aunt Pristine Figg: No more m-money?
Lickboot: [in a sinister tone] We've got to have... *money!*
- Créditos curiososCharlotte Rae, who plays Aunt Figg, has bottom billing below every other actor.
- Versiones alternativasPAL printings retain the opening credits sequence from NTSC maters.
- Bandas sonorasTheme from Tom and Jerry/Main Title
Music by Henry Mancini
Produced by Henry Mancini
Performed by the National Philharmonic Orchestra of London
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Detalles
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,560,469
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,255,912
- 1 ago 1993
- Total a nivel mundial
- USD 3,560,469
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