Bomba de tiempo

The funny thing about "Timebomb" is that it has a similar plot to those Matt Damon "Jason Bourne" flicks: the protagonist, played by Michael Biehn, seems like an average Joe until an experience sees him remembering repressed memories of his time as a government assassin.

Biehn was a strange casting choice. He was beautiful in all those movies he did with James Cameron, and utterly believable as a military man, even one from the future. But here? He's not even looking good. I don't know if it's the hair, or perhaps his looks were fading already, but for much of the movie he looks like Rik Mayall.

He's also just not that good in the role. I don't know why. Maybe it's just that the role sucks, but I found it hard to believe him as the bookish watchmaker he starts the movie as, or even the government assassin we find out he was. And this is the guy who was so believable, and unforgettable, as Corporal Hicks in "Aliens".

Far better in the movie is the beautiful Patsy Kensit. She seems to be quite roundly hated in her home country of the UK, and I'm not sure why. She's a believable actress, and it is easy to root for her.

Since this is a b-movie, aside from not having the best production values, the movie also has a lot more sex and violence than you would expect - and certainly far more than any of the "Bourne" movies. Particularly there is nudity. Biehn keeps having flashbacks to what looks like a Playboy video, featuring a buxom lady rolling around in the nude. Since Kensit plays the woman Biehn takes unwillingly on the run with him, you know eventually they are going to end up in the sack. Here, it happens much later than you'd expect, and the sex scene is kind of awkward. Kensit makes noises like she is in pain, and facial expressions that seem to indicate anger rather than lust. It's over pretty quickly, and isn't that great.

There isn't too much to recommend "Timebomb" for, really. There's one memorable scene with a chase through a porno theatre, shots of the screen showing a woman nude from the waste up, but sound effects indicating hardcore porn. When they finally reach the top-secret assassin training camp, there are some nifty effects of projections on the ceiling, and Biehn lies down in a machine that looks like a huge vagina. But these moments are few and far between - how many times have we seen the guy marked for death by shadowy characters, taking a sexy young woman on the run with him, fighting off the attackers and eventually falling in love? "Timebomb" is painted by numbers.

The minute I saw Patsy Kensit's lips, I knew I had seen her before. It was driving me crazy. I was thrown off by the Hungarian character she played. I have to admit that she was the only reason I watched this movie, and I wasn't disappointed.

She didn't give the full exposure reported in Angels and Insects or Shelter Island, but we did get the view we saw in Lethal Weapon 2 - I finally remembered that awesome performance as the South African secretary! Michael Biehn (Aliens, The Rock, Terminator 2: Judgment Day) was the simple watch repairer that didn't know who he was and why everyone was trying to kill him. He did OK, but Kensit stole the show. You've seen the basic script before in In the Line of Fire, done much better by Eastwood.

Blue, Brown Redd, Green, and Grey were a little over-the top and no match at all, but they provided some exciting moments.

I probably would have given it a higher rating had I just not felt that I had seen it all before.

Well this movie started out fair-to-middlin. I rented it because Tracy Scoggins was in it and so was Patsy Kensit who looks remarkably like Elizabeth Hurley or even Scoggins on the back cover of the video...

But shortly it became painfully obvious that the writer and director, Avi Nesher, was still REALLY into the schlock gimmicks of bad 80s action films. The key things that ticked me off was the "blond timid psychoanalyst" (played by Patsy) who is supposedly an educated woman by the nature of her profession but consistently was instead the "helpless blond ditz" without a shred of common sense. Unfortunately Patsy's character ended up just being the weepy decoration on Biehn's arm who constantly got him into trouble by inadvertently letting the enemy know where he was.

The movie soon went to plain bad shlock complete with the requisite "crashing into Large Neon signs at the top of building" scene. I even picked up the box several times through scanning it closely for evidence of a production date in the early 80s but no, this was made in the early 90s.

The only redeeming features of this movie were Tracy Scoggins who was basically the only believeable aspect of the movie but unfortunately had only about 5 min total of screen time. I loved seeing her in the Cher type wigs in the "flashback scenes". The most memorable scene was her last screen appearance where Biehn is attempting to force her to make a call... She's been hit across the face hard with a chain and knocked down...her face is covered in blood but there are no tears... Not even after he shoots her in the leg. Instead, and this is what makes it memorable...she "pants" through the pain instead of the unbelieveable overused "stoicness" that seems to be a requirement of all such scenes.

I also liked just watching Patsy Kensit and Biehn on the screen. They made a beautiful pair on screen and Biehn kept making me look twice as his profile (esp when wet) closely resemembled that of my favorite B actor, Christopher Atkins. I've certainly rented and watched a lot of truly bad movies just to get more screentime of actors and actresses I like!

The always reliable Michael Biehn plays Eddy Kay, a watchmaker / repairman who, in a show of courage, rescues a woman & her baby from an apartment fire one night. Unfortunately, when news of this act reaches the airwaves, the wrong person finds out: government operative Colonel Taylor (Richard Jordan), who promptly sends his henchmen - a tough lot, but not a bright bunch - after the frightened Eddy, who finds that he actually does have the skills to combat them. He takes it on the lam, abducting psychoanalyst / customer Anna Nolmar (Patsy Kensit) to give him some much needed help in finding out why people would want him dead - and his true identity.

Writer / director Avi Nesher does a decent job with his premise, utilizing what is a pretty familiar plot and injecting a sci-fi angle as well as a "Manchurian Candidate" type story thread. The good thing is that the movie is tautly directed and edited; it has a good forward momentum. Its action scenes are intense enough that they do keep you watching. Things do get a little creepy and bizarre in terms of the brainwashing process. The movie does also have strong echoes of "The Terminator" with Biehn. The main reason why it really works at all is because Biehn is so believable. You can buy him as a normal, average guy - or, at least, a guy who *thinks* he's normal and average - who is overwhelmed at first but turns into a real kick ass hero. The pretty Kensit is good in her part. Jordan excels in one of his loathsome villain roles - he definitely overplays some scenes - and the under utilized Robert Culp and Raymond St. Jacques also do well. Among those playing Taylors' goons are super sexy Tracy Scoggins and none other than Billy Blanks.

B movie devotees will likely find this to be agreeable enough.

Six out of 10.

I am able to admit that the implausibility levels of this movie tend to rise steadily through the entire film; but I enjoyed the chemistry between Kensit and Biehn. At times it also becomes suspenseful. A lot of the scenes leave you scratching your head or wanting more, but I think this film sets out and does its job quite well. It was also good to see Mike Biehn as I really haven't seen him in anything else besides THE TERMINATOR, (I did see THE LORDS OF DISCIPLINE; so so). Other than that I can't say much more except this movie reminds me of the good 'ol late night low-budget action flicks they used to show back in the early 90's on CINEMAX like PRAYER OF THE ROLLERBOYS or CLASS OF 1999!