Roja

Roja (1992) : Brief Review -

An early 90s Sensation about Hardcore Patriotism and Hardcore Love. Roja is first of it's kind of theme by Mani Ratnam where he set the love story in the Terrorism atmosphere. He succeeded fulfilling both of them on high note and most importantly he did it positively and without any gimmicks. Roja is a sensation because it came in early 90s, an year before Riot Events took place in India or else the impact and disturbing theme would have fizzled to stand out. And also because Bollywood and South cinema had just started enjoying Masala Films filled with Machoism and Love Triangle based on Sacrifice, but then Roja came with a Love Story set in Sensitive and more realistic atmosphere. Kashmir's backdrop is always sensitive and fragile topic for Indian Movies because if you make just 1 small mistake, only god knows how people are gonna outburst and make it big issue. Fortunately Roja is a safe film cinematically and logically both. The patriotic theme sustains and evokes people to show thier love for the country and at the same time the Love Story runs smoothly. Arvind Swani and Madhoo both provides solid acts and even supporting cast is really good. Roja is truly by all mean a staggering debut for Music Maestro AR Rahman. Each and Every song is Awesome, even the worst case ends at Good. Dialogues are Fantastic, that's it. Kudos for Mani Ratnam for attempting a gutsy product much earlier than expected. He wrote an amazing script and justified it fully with his direction. Probably, the first time Love Story and Patriotism have been bounded together therefore creating a sensational Roja. I hated his 'Dil Se' for the Dumb characterisation but Roja doesn't have anything like that and lives upto all essential elements of Quality Filmmaking. Roja is an early 90s Classic which still manages to hold its impact despite several attempts on same theme.

RATING - 8/10*

By - #samthebestest

Seen it ages ago ,still the memories stay as fresh as seen the first time. The deep struggles endured against militants who are humans also are brilliantly depicted in the movie. Well in the original language of the movie the scenes of village girl trying to cope up with the big city and north Indian culture are very vividly depicted by Mani(lost in translation in other languages). With a crew of supremely talented technicians and back ground staff Mani brings us another classic. He should also be credited for getting the best tunes of a innocently brilliant music genius. They just don't make music like those anymore. Personal Rating 10/10. I would prefer him to direct a movie remake of "THE TENANT" (original by Polanski)

For once it is reasonably clear why the heroine falls in love with the hero, and also the motivation of the hero, even if it is unlikely, is well presented. This was one of the few movies that actually made me cry, and its images of Kashmir are beautiful.

What a movie!!!! This is one movie that i can watch again and again. It was like a breath of fresh air in the stinking stench of typical Hindi movies. This movie gave me hope that Indians too can make decent movies!! But honestly, this movie was much much better then just DECENT!!! I love this movie. I love the guy's passion when he is trying to save the flag from fire!!! What a scene yaar!!!! forget that ..........i say what a movie yaar!!!!!!!!

Everyone who loves cinema and is a movie buff, should definitely have ROJA DVD in their collection! If they don't then they are liars and they don't love cinema and movies!!!!!!

Roja is a film that many feel has been a turning point in Indian cinema. The North, that usually gets all the media hype & coverage in spite of poor techniques and stories got a slap on its face when this Tamil movie was dubbed in Hindi, to enable the larger population to watch this film with a topical theme (of Kashmiri militancy). Movies from the South have always been better in content and form compared to the North. And this movie created that awareness amongst the public there, and its success encouraged many other films to be dubbed in Hindi.

And many a star was born:

1. Mani Ratnam (who had given better films like Mouna Ragam, Nayakan, Geetanjali and Anjali before)

2. A R Rahman aka Dileep Shekar: The man who brought in the New Sound to the Indian film music (lest they forget Music Maestro Ilayaraja's genius, with whom he was a lead keyboard player once) and threat to the copycats of yore: The Annu Maliks and the Anand Milinds

3. Santosh Sivan: The cinematographer, now-turned director

4. Arvind Swamy: The chubby-cheeked fair-skinned hero who appealed to the color-conscious Northies. And his patriotic fervour was well lapped up.

5. Madhoo: The ugly duckling as she was presented in her debut movie was transformed into a lovely and believable Roja- a village belle in awe of the city life and courageous when her life becomes hell with her husband's abduction.

What was interestingly presented in the Tamil Original (but lost completely in the Hindi version, as every character speaks Hindi) was the language problem she faces in the North.

I watched the film thrice.