CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaStory about an inner-city high school teacher who musters the martial arts to thwart the lure of street gangs and their seductive plague of drugs.Story about an inner-city high school teacher who musters the martial arts to thwart the lure of street gangs and their seductive plague of drugs.Story about an inner-city high school teacher who musters the martial arts to thwart the lure of street gangs and their seductive plague of drugs.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Patrick Y. Malone
- Paris Armstrong
- (as Patrick Malone)
Tim DeZarn
- Fast Eddie
- (as Tim De Zarn)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I really liked this movie. I saw it on Sky Movies in 94. Cynthia is my hero! Always beating up the bad guys!
But Cynthia is joined by a great partner named Richard Norton who is a bit of a dish in my opinion.
So basically it's Kris (Cynthia) and Preston (Richard) against the drug King and Queen of LA. The psychotic Conrad Drago and the beautiful Rita Carrion. Who have a load of bumbling lackeys at their disposal including dirty cops, Fast Eddie the nightclub owner and car thief extraodinaire and of course Hannah the Hun, who has a gang of women fighters who do contract beatings. Oh and lets not forget Rita's bodyguard who is may be on the baddie's side but is a very honourable man.
So how can the heroric duo of Kris and Preston defeat all these foes? Well they have Baby! Yes baby the homeless former stockbroker.
I found Brian Thompson's portrayal of Conrad Drago very evil and the brother sister thing was a good storyline element.
OK so I like this movie, I'll shut up now :)
But Cynthia is joined by a great partner named Richard Norton who is a bit of a dish in my opinion.
So basically it's Kris (Cynthia) and Preston (Richard) against the drug King and Queen of LA. The psychotic Conrad Drago and the beautiful Rita Carrion. Who have a load of bumbling lackeys at their disposal including dirty cops, Fast Eddie the nightclub owner and car thief extraodinaire and of course Hannah the Hun, who has a gang of women fighters who do contract beatings. Oh and lets not forget Rita's bodyguard who is may be on the baddie's side but is a very honourable man.
So how can the heroric duo of Kris and Preston defeat all these foes? Well they have Baby! Yes baby the homeless former stockbroker.
I found Brian Thompson's portrayal of Conrad Drago very evil and the brother sister thing was a good storyline element.
OK so I like this movie, I'll shut up now :)
What can I say? This is a lot of fun! It's a B-grade action/crime thriller that knows exactly what it is, and stakes no claim otherwise. The backgrounds of the chief characters skirt the edge of Movie Magic contrivance, and their partnership completely blurs the line. Hair, makeup, and costume design are done well, such as they are, but it seems like all such contributions were specifically guided into pointedly exaggerated styles. The character of Hannah is written with definite overemphasis on her manner of speaking, and Alex Datcher absolutely leans into it, while filmmaker Terence H. Winkless' screenplay calls for similarly overt delivery at other points. One or two lines are repeated as a running joke, and there's cheeky levity built into how many scenes are written and orchestrated. The fight choreography is great, and any scenes of action are fun - and at the same time, though definitely a concoction of such second-tier fare as 'Rage and honor' represents, the story is pretty solid. No one will ever mistake this as something it's not - and it carries no such pretenses - and with that, it's easy to just sit back, relax, and enjoy the show!
Most martial arts flicks of this tenor don't especially require its cast to actually act. That's mostly true here, too, yet there are scenes in which the actors are expected to illustrate some range and nuance - and to my surprise, they rather succeed. No one will ever accuse this ensemble of being world-class performers, yet Cynthia Rothrock, Richard Norton, and somehow even Brian Thompson show glimmers of acting skill to lightly complement their considerable physical prowess. It's a great joy to see Toshishiro Obata here, even in a small supporting part, showing the same force of personality as Chan Lu as he has demonstrated elsewhere; Stephen Davies offers some welcome, consistent comic relief. They're helped by a gratifyingly balanced screenplay that undeniably has B-movie flavors, but some meaningful intelligence and heart as anchors. For all the blunt or overcooked dialogue, it's not insincere, and fits any given moment and the characters. Those characters are given strains of real, varied personalities, and values and beliefs. There's sufficient variety in the scene writing so the movie never feels stale, and enough wit and vigor to keep us engaged while propelling the narrative. And at that - if straightforward and not as completely gripping as it potentially could be, the plot is solid, ably serving its purpose as a vehicle for the action sequences.
Sure, it won't quite be up everyone's alley. If nothing else, I'll admit that it's not quite as high-energy a romp as I had hoped for. That utmost stimulation is traded in for a measure of genuineness to keep us watching; how effective it is - well, that's up to each individual viewer. All I can say is that for my part, I honestly had a good time. 'Rage and honor' is an imprecise blend of silliness and sobriety that somehow churns out a fair measure of entertainment in its content, and behind the scenes aspects like set design and decoration are pretty swell too, and Darryl Way's original music. Whether you're here for the stars, martial arts bombast, or just action generally, there are better features you could be watching - but I think 'Rage and honor' itself is quite well done itself.
Most martial arts flicks of this tenor don't especially require its cast to actually act. That's mostly true here, too, yet there are scenes in which the actors are expected to illustrate some range and nuance - and to my surprise, they rather succeed. No one will ever accuse this ensemble of being world-class performers, yet Cynthia Rothrock, Richard Norton, and somehow even Brian Thompson show glimmers of acting skill to lightly complement their considerable physical prowess. It's a great joy to see Toshishiro Obata here, even in a small supporting part, showing the same force of personality as Chan Lu as he has demonstrated elsewhere; Stephen Davies offers some welcome, consistent comic relief. They're helped by a gratifyingly balanced screenplay that undeniably has B-movie flavors, but some meaningful intelligence and heart as anchors. For all the blunt or overcooked dialogue, it's not insincere, and fits any given moment and the characters. Those characters are given strains of real, varied personalities, and values and beliefs. There's sufficient variety in the scene writing so the movie never feels stale, and enough wit and vigor to keep us engaged while propelling the narrative. And at that - if straightforward and not as completely gripping as it potentially could be, the plot is solid, ably serving its purpose as a vehicle for the action sequences.
Sure, it won't quite be up everyone's alley. If nothing else, I'll admit that it's not quite as high-energy a romp as I had hoped for. That utmost stimulation is traded in for a measure of genuineness to keep us watching; how effective it is - well, that's up to each individual viewer. All I can say is that for my part, I honestly had a good time. 'Rage and honor' is an imprecise blend of silliness and sobriety that somehow churns out a fair measure of entertainment in its content, and behind the scenes aspects like set design and decoration are pretty swell too, and Darryl Way's original music. Whether you're here for the stars, martial arts bombast, or just action generally, there are better features you could be watching - but I think 'Rage and honor' itself is quite well done itself.
Richard Norton and Cynthia Rothrock have teamed up several times in martial arts movies, either as partners or as opponents, both in Hong Kong and in America. This is one of their American pairings, and it cannot qualify as one of their best. The story is sloppy in parts, and the fight scenes are only so-so (and sometimes poorly shot). However, the two leads make an enjoyable team, and the movie gets some extra life from a colorful supporting cast that includes Brian Thompson as the main villain, a quite funny Alex Datcher as "Hannah the Hun", Stephen Davies as a druggie ex-stockbroker that everyone calls "Baby", not one but TWO (Terri Treas and Catherine Bach) stunning redheads (I love redheads), and in a bit part, female kickboxer Kathy Long. A good B-movie cast in a mediocre B-movie. (**)
RAGE AND HONOR belongs to an era of generally good low-budget fare starring Cynthia Rothrock, but it's far from being among her best work. Completists will be able to watch it secure in the knowledge that the Lady Dragon had yet to begin her cinematic descent, but aside from boasting some good production values and a strong cast, it's not anything special.
The story: When an Australian police officer (Richard Norton) becomes witness to a crime of corruption, he teams up with a martial arts-practicing schoolteacher (Rothrock) to secure a tape of the crime from the underworld entity who orchestrated it (Brian Thompson).
The above-average B-movie cast also includes Terri Treas as Thompson's cohort, Catherine Bach as the American police captain, Toshihiro Obata as the former's enforcer, and Alex Datcher as the eccentric leader of an all-women gang. They're directed by Terence Winkless, who has the honor of having directed more episodes of POWER RANGERS than any other filmmaker and does a pretty good job of maximizing his resources and making everything in this film look good, with the exception of a few unnecessary slow-motion shots. He also wrote the movie, and therefore deserves kudos for the surprising twist between Cynthia and Brian for and incorporating Norton's real-life experience as a "rock & roll bodyguard" into his character. He's also dealt negative points for not following up after establishing Thompson as an artsy John Woo-type villain: save for his silly mullet, he's a pretty boring bad guy.
The film's main falling point is its fights scenes, which it has eight of but only a couple which are actually worth watching. There's nothing very wrong with the choreography (highlights include Cynthia performing a somersault ax kick and turning a scorpion kick into a head-scissors), but the camera-work is restrictive and unflattering towards the action. The kicking cast also includes kickboxing legend Peter Cunningham but he has only one fight (of which he is not the star) before being knocked down a flight of stairs by a wino. The rematch between Cynthia and Richard Norton pales in comparison to their stellar bout in MAGIC CRYSTAL. The single standout fight belongs to Norton and Toshihiro Obata, who have a so-so initial bout but whose rematch steals the show, with the latter performing some nifty aikido moves before throwing Norton out a window.
As a whole, the action content ought to tide over casual viewers but won't impress fans of Rothrock and Norton who know what technical mastery they're capable of. The same can be said for the movie as a whole. It's a good Cynthia Rothrock flick, despite her being regularly overshadowed by Norton's character, but as is the case with most stuff from these guys, the film's strengths are balanced out by its deficiencies to provide an ultimately average outing. It's good, but it could have been so much more.
The story: When an Australian police officer (Richard Norton) becomes witness to a crime of corruption, he teams up with a martial arts-practicing schoolteacher (Rothrock) to secure a tape of the crime from the underworld entity who orchestrated it (Brian Thompson).
The above-average B-movie cast also includes Terri Treas as Thompson's cohort, Catherine Bach as the American police captain, Toshihiro Obata as the former's enforcer, and Alex Datcher as the eccentric leader of an all-women gang. They're directed by Terence Winkless, who has the honor of having directed more episodes of POWER RANGERS than any other filmmaker and does a pretty good job of maximizing his resources and making everything in this film look good, with the exception of a few unnecessary slow-motion shots. He also wrote the movie, and therefore deserves kudos for the surprising twist between Cynthia and Brian for and incorporating Norton's real-life experience as a "rock & roll bodyguard" into his character. He's also dealt negative points for not following up after establishing Thompson as an artsy John Woo-type villain: save for his silly mullet, he's a pretty boring bad guy.
The film's main falling point is its fights scenes, which it has eight of but only a couple which are actually worth watching. There's nothing very wrong with the choreography (highlights include Cynthia performing a somersault ax kick and turning a scorpion kick into a head-scissors), but the camera-work is restrictive and unflattering towards the action. The kicking cast also includes kickboxing legend Peter Cunningham but he has only one fight (of which he is not the star) before being knocked down a flight of stairs by a wino. The rematch between Cynthia and Richard Norton pales in comparison to their stellar bout in MAGIC CRYSTAL. The single standout fight belongs to Norton and Toshihiro Obata, who have a so-so initial bout but whose rematch steals the show, with the latter performing some nifty aikido moves before throwing Norton out a window.
As a whole, the action content ought to tide over casual viewers but won't impress fans of Rothrock and Norton who know what technical mastery they're capable of. The same can be said for the movie as a whole. It's a good Cynthia Rothrock flick, despite her being regularly overshadowed by Norton's character, but as is the case with most stuff from these guys, the film's strengths are balanced out by its deficiencies to provide an ultimately average outing. It's good, but it could have been so much more.
Cynthia and Richard work well together another good martial arts action film. But the story line is old. But you got to love Kathryn Bach. The background of Los Angeles and Hollywood is a character in itself. Brian Thompson is a great villain. The director Terence winkless it shows that he is not good with martial actors. Even though he directed power rangers.
Then there is Alex Datcher I think her role could have been expanded. This Movie led to a part 2. But part 2 fails in comparison to the original. So great action great fight choreography. The acting is so 90s. But when it comes down to Cynthia and Richard are two of the best.
Then there is Alex Datcher I think her role could have been expanded. This Movie led to a part 2. But part 2 fails in comparison to the original. So great action great fight choreography. The acting is so 90s. But when it comes down to Cynthia and Richard are two of the best.
¿Sabías que…?
- TriviaShevonne Durkin's debut.
- ErroresDuring their second fight scene, Richard Norton is clearly seen delivering a low kick with his left leg to Toshirô Obata, who in the next shot blocks and intercepts a high kick from the right leg.
- ConexionesFeatured in Joe Bob's Drive-In Theater: Episode dated 16 July 1994 (1994)
- Bandas sonorasDon Giovanni
Written by Wolfgang Amadeus Mozart
Produced and arranged by Michael Elliott and Ken Stange
Published by I.R.S. Motion Picture Music (BMI)
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- How long is Rage and Honor?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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