The Power of One

Good film - but read the book, the ending is very different - better all round really! Go on read the Power of One now, then read Tandia. It reaches into your heart and you can feel for PK. If they had made the film as the book i think it would shake some of the greats like - Colour Purple!!

The Power Of One is based on a novel by the very talented Bryce Courtenay. The sequel novel,Tandia, which picks up right where The Power of One left off is equally moving and compelling reading.I am promptly going to go out and read everything else he has written. Both The Power of One and Tandia have moved me beyond words. I am a white South African girl who spent 19 years of my life in SA. I led a very privileged, sheltered childhood growing up in South Africa. I was just 15 when apartheid fell apart. My parents were not racist and in fact my father dedicated his life to working as a doctor in a very poor area but I still , unbelievably, never really had a very clear picture of the horror of apartheid until Mr Courtenay outlined it so vividly in these books.(as I said I was sheltered as a white child)I feel extraordinarily blessed and lucky to have directly avoided the violence and sickness that invaded my country for so long just because I was lucky enough to be born with white skin. I now live in the States but South Africa will always be home. I wept most of the way through both books. I have never been so moved in my life.Mr Courtenay summed up perfectly the collective guilt that white South Africans must carry with them forever more for our people's legacy of hate and brutality and oppression Even if we ourselves are not guilty - our people are guilty.He also, of course, inspires us to believe that one person can make a difference and that sanity,justice and compassion can win in the end even if the fight is long and hard.For those of you who think the characters are too stereotyped- in some aspects you are right. Not all Afrikaaners are the evil, racist villains that are portrayed in the books . However, I certainly encountered people growing up with unbelievable racism, fear and hate who do match some of the characters in the book.So there is truth to his characters also. I have no doubt that the brutality was accurate. One only has to look at historical events in SA history to confirm that. Thank you Mr Courtenay for your wonderful gift and for sharing it with the world.

As for the movie: I must admit it has been years since I happened upon it on television late at night. I do remember being quite swept up in the film but then being disappointed with the direction they chose to take it in. A Hollywood ending on what could have been a remarkable African movie.I do understand that film is a completely different medium and changes were necessary to adapt the book to film. Still I cannot help being disappointed with some of the changes that I deemed uneccessary such as the changing of Peekay's name from the wonderful, mystical"The Tadpole Angel" or "onoshobishobi ingelosi" to "The rainmaker" Come on! That's lame! The rainmaker?!That has none of the same feeling the other names invoke.The addition of the girlfriend just to give Peekay a love interest is unnecessary fluff and her character not well developed enough to warrant such an addition.Nonetheless, the film is still worth seeing.

I must say that I truly do hope that someone else re-makes this and does a better job.Tandia would make a fantastic film also. I am going to buy a copy on DVD and re-watch it and the post my thoughts here after refreshing it in my mind. I highly recommend reading both The Power Of One and Tandia to all interested in the history of apartheid in South Africa or just those looking for a good drama and a fascinating stories with strong characters.Even if you hate to read and are intimidated by the thought of reading such large books- just start- I guarantee you, you won't be able to put both these books down!If you haven't seen the film or read the books, I guess you should watch the film first. Otherwise you will be sorely disappointed and outraged at all the negative changes and you won't be able to truly enjoy the film for what it is: a nice attempt at an adaptation of a marvellous book.

Caution-Minor Spoilers ahead: John Avildsen could be considered the most interesting director of his generation if only for the huge range of quality among his films and the fact these differences seem to have little correlation with his level of experience. His best films include Joe (one of his first efforts), Rocky (several years later), and this film (late in his career). Mixed in between these high points are some moderate successes (Lean on Me and Save the Tiger) and some total dogs (Neighbors, The Karate Kid, WW and the Dixie Dance Kings, and Rocky V). It is hard to believe that it was same person, you either have to credit Avildsen with the 'courage' to take on even the most hopeless of scripts or with such financial desperation that he had to take anything that came his way.

With Avildsen the 'courage' angle (willing to attempt something without fear of failure and able to bounce back after failure) is the more likely, since courage is the recurring theme of most of his films: the solitary individual pitted against the oppressive and dehumanizing forces of the 'status quo'.

This is certainly true of 'The Power of One'. Bryce Courteney's book had that same theme and the film adaptation preserved it. Critics of the adaptation (and lovers of the book) complain that this is about the only thing that Avildsen preserved. While they are technically correct, their complaints are rather silly because the book(s) were basically un-filmable (at least commercially) and film is a different medium making comparison illogical anyway. While all adaptations contain many elements of a story, there will be omissions and changes-particularly with a novel like Courteney's. Those who complain that this adaptation was incomplete and inaccurate probably complained that 'Clueless' was an inaccurate adaptation of Jane Austin's 'Emma'. The point is that a movie is a movie and a book is a book. Actually this film was a blending of Courteney's story with Stephen Covey's 'The 7 Habits of Highly Effective People' with the main character having to move from dependence to independence (private victory) before he can become effectively interdependent (public victory) and influence others. As someone said earlier, 'The Power Of One', despite ending with a statement proposing a bland union of absolute conviction, is not expansive but rather interior in its meaning. And this is indeed the paradox of art, when experiencing something the details are rapidly subsumed (as in subjective).

This is a more political story than the novel but the political elements are superficial and simplistic. And the premise of a white boy leading a whole race of people to their salvation is a bit over the top, an unnecessary and forced way of extending Courteney's individual inner power to a collective unity. But such is the nature of film, where pacing considerations and time constraints make reliance on stereotypes necessary to economically convey a message. And in a sweeping historical story like this there is no way to provide a great deal of depth to the characters. But Avildsen does a good job with his main character, a consistent style of frequent reaction shots of PK remind the viewer that the film is entirely his point-of-view and his impressions as he grows up. The solitary individual pitted against an oppressive power structure, his 'power of one' being an ability to experience personal tragedy/inhumanity and yet retain his humanness, as a child he learns to not let fear restrict the experience of living.

What makes the film good is that while Avildsen's political message is heavy-handed and stereotyped, he makes good use of the time this buys him for other story elements. Some have asked why Fay Masterson's 'Maria' character was added to the screenplay (Maria was not in Courteney's novel). This was a special subtle touch by Avildsen. Masterson is as perfect looking as Nicole Kidman but somehow much more real. Two of the best visual scenes in the film revolve around her character. The first is PK's initial glimpse of Maria in the audience at his championship fight (homage to Rocky's search for Adrian in the crowd). It is visually amazing-Masterson has an angelic glow in this shot which makes PK's instant enthrallment and improbable pursuit seem quite believable. And Masterson handles the subtle acting requirements of this difficult role extremely well, representing those Afrikaners who were able to overcome their childhood indoctrination, see their racist institutions for what they were, and work for change. The other key scene is Maria's funeral where Avildsen shows her father's sudden grasp of what a special person she was, and special for the very qualities he tried to suppress in her while she was still alive. This scene could have been clumsy and silly but Avildsen stages it with such subtlety that we accept that her father has been inspired to work for reform. Film is such a powerful medium because when done correctly it can visually tell a story in a few seconds more convincingly than in a hundred pages of text.

Bottom line this is not a perfect movie nor is it an accurate adaptation of the book. It is a very entertaining film more 'inspired' by the book than adapted from it. It has great visuals of the veldt and has wonderful African music. The historical subject is worth telling and the individual themes of justice, hope, and courage offer a very positive message. 7 out of 10

I watched this film several years ago and it brought back many memories of my life in South Africa. While living there I saw many things that were portrayed in the film so can relate to it. I thought all the actors were very good and but Morgan Freeman's role was truly exceptional and should have won him an Oscar for his portrayal. The accents were very much true to life even though the main characters were not South African. I found the story line very thought provoking and the music was so good I went out and bought the CD. I think it's about time they showed this film on TV as many things can be learnt from this. I feel this film is on a Parr with another South African film called Serafina which dealt with the riots in Soweto.

When Stephen Dorff's character of PK sees the African child reading from the U.S. Declaration of Independence about that all men are created equal, he knew he'd started something. Literacy is always the key to freedom and accessibility to read everything is the second step. The southerners in the slave holding part of the USA knew that well. It was a crime back in the day to teach a black slave to read. In our own country Frederick Douglass knew that well and he counted his education as a first step for freedom for his people.

What I liked about The Power of One is that it goes into the history of the Union of South Africa as seen not from a historian, but from the point of view of a growing boy who was of English parentage. The young man who grew up to be Stephen Dorff because he's orphaned as a child has to go to a school for Afrikaans children. Their resentment of English encroachment and victory in the Boer War runs deep. Their ministers in the Dutch Reformed Church preach a brand of Christianity that can now only be found in the USA among white supremacist fringe groups. It wasn't so long ago it was more in the mainstream here, let alone in South Africa.

Dorff identifies with the blacks because he's an oppressed minority as well. The film takes us through the late twenties. thirties, and forties in South African history. The year 1948 is a critical one as shown here. The coalition building of Jan Christian Smuts came to an end as his South African Party was voted out of office and the white supremacist Nationalist Party of Daniel Malan was voted in. What was informal before became established law at that point. Of course even then a lot of people of good will in all races living there opposed that policy. It remained in affect until Nelson Mandela was elected president.

Young people are shown as the engineers of change in South Africa. Dorff, his friend Dominic Walker, his African boxing rival Alois Moyo and even Fay Masterson whose father is high up in the Nationalist Party are the opponents. All of them give fine performances.

The two most well known names in the cast are Sir John Gielgud as Dorff's English headmaster and Morgan Freeman the African who teaches him to box. The first half of the film is a flashback as Dorff's is reciting an autobiographical essay for class which we don't realize until the classroom is shown. He learned to box to combat the unceasing bullying he took from the Afrikaans kids. Freeman gives a wonderful performance and the coda to it was supplied by Dorff when he says that the Afrikaans policeman who beat Freeman to death was later found strung up in an isolated area.

One of the kids who bullies Dorff grows up to be Daniel Craig who also becomes a policeman who now have powers greater than they had before. Their confrontation in the end is something to see. As a kid Craig idolized Hitler and as an adult we see how he put those ideas into practice. It's a truly malevolent portrayal of hate, you could tell Mr. Craig had a good career ahead of him.

As did Stephen Dorff. He's got a great ear for dialect, right in the tradition of Robert Mitchum. Hard to believe he's an American.

For a great picture of South Africa turning a dark corner in its history, I highly recommend The Power of One.