El showman de los sábados

Billy Crystal's directorial debut was not a big success mainly due to the fact that people had no idea how multi-faceted he had the ability to be. This is not a comedy. This is a very moving drama about a comedian and his life, both public and private. There are several highly insightful moments and some real movie magic present. I assume Crystal had help with his directing, as there are a few crafty camera shots. I personally don't mind that most critics overlooked this movie, but I am very glad that the Academy recognized David Paymer, as Crystal's watching-from-the-wings brother, with a Best Supporting Actor nomination. He and Crystal play off each other wonderfully. They act so much like brothers throughout the years of the film, Paymer's last name might actually be Crystal.

Helen Hunt, Ron Silver, and Jerry Orbach have good roles, albeit fairly small. There are also several cameos, including Lowell Ganz and Babaloo Mandel. They co-wrote the movie with Crystal, and this duo have their names on Happy Days episodes, as well as a slew of films. This information is helpful to the humor when they appear as a couple of goofy young writers.

This fine film is not without a couple of drawbacks. The make-up job on Crystal and Paymer in their old age is far from realistic. This aspect of the film needed Rick Baker. The other item that detracts this from being a truly great film is that it is essentially a biography of a fictional person who isn't a very nice guy. The movie has a few moments where it wants the viewer to feel sorry for him for ruining his own life. To me, however, it is great storytelling and wonderful acting. It is sad, poignant, and, upon first viewing in 1992, nothing I expected from the mind of Billy Crystal.

If you've never seen this picture because you have heard too many negative things, please give it a viewing. You could very well be surprised.

Billy Crystal is a self-indulgent ass. Every time Howard Stern plays the tape of Stuttering John asking when the sequel to this shipwreck is coming out, and Billy is heard to lose his cool, it reminds me how close in personality he is to Buddy Young. At least Jerry Lewis, who is similarly capable of hilarious self-importance, got the joke when he took the part in KING OF COMEDY. This will go down with Bill Murray's wrongheaded foray into Serious Acting in THE RAZOR'S EDGE and Robin Williams' continuing descent into self-parody as a cautionary tale for the ages: a comedian ought to laugh at himself as much as the audience laughs at him. Otherwise he's going to give us the filmic equivalent of Eddie Murphy's R&B albums, every time. When will they learn?

Anyone who's paid attention to cinema knows who Billy Crystal is. Whether he's the wisecracker who occasionally hosts the Academy Awards, or the star of breezy comedy flicks, he's a perfectly recognizable face. But what you might not know is that in 1992, he directed and starred in a serious movie. "Mr. Saturday Night" casts him as a comedian long past his prime. Watching the movie, I got the feeling that the character was a composite of several noted comedians from the '50s. He's the sort of character who shifts between amicable and rude in one breath.

I guess that the movie's point is that there's no way to stay at the top forever, especially with how quickly things change (note the scene of "The Ed Sullivan Show"). Nonetheless, the movie does shift between comedy and drama; is there a way for Crystal not to be funny when he has the chance? You're sure to laugh at the scenes where he performs in front of audiences.

David Paymer received an Oscar nod for his role as the protagonist's exasperated brother and agent. He's an actor who doesn't get the recognition that he deserves. In a better world, this movie would've turned him into one of the most sought-after people in entertainment.

Anyway, the movie isn't a masterpiece, but worth seeing. Watch for appearances of Helen Hunt, Jerry Orbach, Richard Kind (Meemaw's friend on "Young Sheldon" and Bing Bong's voice in "Inside Out") and in a cameo, Jerry Lewis.

Buddy Young, Jr. (Billy Crystal) is a talented comedian after forty years of struggling to reach the top. But Buddy can be unsympathetic man towards his comedy, his family and especially his long suffering brother/manager (David Paymer). Now Buddy has to make a choice between pushing forward to his dying career or making piece with the family, he's hurting.

Directed by Billy Crystal (Forget Paris, Have a Nice Day, 61) made his directorial debut with this sometimes flawed but an genuinely touching and bittersweet comedy. Crystal is good in the lead role, since it's based on his comedy character routine but when Crystal plays the older version of his character. He's hardly convincing as the older Buddy, especially with the heavy make-up role. Which he looks like Carl Reiner than himself. Paymer and Julie Warner as Buddy's wife plays the older version of their characters more convincingly. Paymer received an Oscar Nomination for his terrific supporting performance.

DVD has an good anamorphic Widescreen (1.85:1) transfer and an fine-Dolby 2.0 Surround Sound. DVD has an interesting commentary track by Crystal, which Paymer joins him during the last fifty minutes of the movie. DVD also has three new featurettes with Crystal and Paymer, deleted scenes with introduction by the director, gag reel and the original theatrical trailer. This dramatic comedy has good supporting roles for Oscar-Winner:Helen Hunt and Ron Silver. Some amusing cameos by Jerry Orbach, Jerry Lewis and an young Adam Goldberg. This is one of the few underrated films of Billy Crystal, which he appears in. Written by Crystal, Lowell Ganz and Babaloo Mandel. Which Ganz and Mandel wrote comedies like "City Slickers 1 & 2", "EDTV" and "Greedy". (****/*****).

Took a chance and bought the DVD for an extravagant amount of money(well £2.99 to be exact) and it turned out to be an unexpected delight. Billy Crystal is brilliant as an acerbic comic ably supported by David Paymer as his long suffering brother. If your expecting an out and out comedy you might be disappointed, but as a moving story of someone's life who happens to be a comedian, it's touching, poignant and sometimes very funny. Although Paymer got an Academy Award nomination, Crystal who let's face it is the only reason to watch the awards got nothing,zero,zilch, not a dickey bird... but as someone once said "don't get me started..." (8/10)