Pecado mortal

This is an excellent film with all the ingredients for an hour and a half of nervous tension - beautiful girls, a handsome (if scarred) priest, enormous churches, fairground music etc etc .......... not to mention the terrifying face of the killer. In many ways it is related to Hitckcock's "I Confess" ( also an excellent film in its own right and with beautiful music ) but this killer is more perverted and more devious than that of Hitchcock and continued to kill in a religous manner. We do have course have the same dilemma as that of Montgomery Clift in that a priest is not allowed to divulge what has been said to him in the confessionnal. As a catholic I understand this, even though it is frustrating that Christopher Reeves "won't tell" so to speak. Anyway, suspense is maintained throught the film and it all works out quite cleverly so that Reeve is not confronted with the situation where he must spill the beans. The police are obviouly very pragmatic and materialistic and they have difficulty coming to grips with the spiritual problem involved. There are also one or two "decoys" such as the priest's colleage who also uses a respiratory device like that of the killer. The finale of the film is magnificient and worth any of those used by Hitchcock. In fact I would bet my bottom euro that the film director must be a great fan of Hitchcock. When oh when will this be issued on DVD ???????????????

Christopher Reeve was excellent! This film is really Entertaining and you really never find out who the killer is until near the end. Reeve is such a good actor. Fans of Reeve, if you haven't seen Mortal Sins then do because its a good movie!

I have never seen a role more appropriate than this one for Christopher Reeve. It seems as though he was born to play Father Cusack. He delivers a powerful performance in this testimonial. Also, Greg Martinelli and Dennis Paoli offer a gripping story full of plot twists and turns that leave you reeling. The dialogue is flavorful and fresh, reminding viewers of the reality and humanity of the characters. With outstanding plot devices and symbolism, these writers really make life easy for Reeve, Guinan, McMillan, and Allen. The brilliantly crafted screenplay and top notch showings of the aforementioned more than make up for a lackluster if not stolid acting performance by Roxann Dawson, or Roxann Biggs, or whatever she goes by these days. Still, she finds herself unable to bring down this pearl amongst clam shells in a saturated film market. Bravo, and I can't wait for the next collaboration from Martinelli and Paoli.