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IMDbPro

Mistress

  • 1992
  • R
  • 1h 50min
CALIFICACIÓN DE IMDb
5.4/10
2.5 k
TU CALIFICACIÓN
Mistress (1992)
Struggling filmmaker Marvin gets a surprise phone call from an ex-Hollywood executive who wants to turn one of Marvin's screenplays into a movie. Marvin thinks his life's ambition is about to become a reality, until he meets the film's financial backers. Each investor has a young girlfriend whom they force Marvin to offer a role to, and then they also re-write the script until it's unrecognizable.
Reproducir trailer1:39
3 videos
55 fotos
Comedia oscuraSátiraComediaDrama

Agrega una trama en tu idiomaThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers... Leer todoThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).This self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).

  • Dirección
    • Barry Primus
  • Guionistas
    • Barry Primus
    • J.F. Lawton
  • Elenco
    • Robert Wuhl
    • Martin Landau
    • Vasek Simek
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.4/10
    2.5 k
    TU CALIFICACIÓN
    • Dirección
      • Barry Primus
    • Guionistas
      • Barry Primus
      • J.F. Lawton
    • Elenco
      • Robert Wuhl
      • Martin Landau
      • Vasek Simek
    • 16Opiniones de los usuarios
    • 9Opiniones de los críticos
    • 63Metascore
  • Ver la información de producción en IMDbPro
  • Videos3

    Trailer
    Trailer 1:39
    Trailer
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress

    Fotos55

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    + 49
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    Elenco principal38

    Editar
    Robert Wuhl
    Robert Wuhl
    • Marvin Landisman
    Martin Landau
    Martin Landau
    • Jack Roth
    Vasek Simek
    • Hans
    • (as Vasek C. Simek)
    Thomas R. Voth
    • Stagehand
    Jace Alexander
    Jace Alexander
    • Stuart Stratland
    Mary Mercier
    • Shelby's Waitress
    Tuesday Knight
    Tuesday Knight
    • Peggy Pauline
    Eli Wallach
    Eli Wallach
    • George Lieberhoff
    Danny Aiello
    Danny Aiello
    • Carmine Rasso
    Jean Smart
    Jean Smart
    • Patricia Riley
    Robert De Niro
    Robert De Niro
    • Evan M. Wright
    Bill Rotko
    Bill Rotko
    • Valet
    Dimitri Dimitrov
    • Maitre'D
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Beverly Dumont
    Chuck Low
    Chuck Low
    • Bernie
    • (as Chuck Lowe)
    Ernest Borgnine
    Ernest Borgnine
    • Ernest Borgnine
    Laurie Metcalf
    Laurie Metcalf
    • Rachel Landisman
    Fríða Aradóttir
    • Mrs. Evan M. Wright
    • (as Frida S. Aradóttir)
    • Dirección
      • Barry Primus
    • Guionistas
      • Barry Primus
      • J.F. Lawton
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios16

    5.42.5K
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    Opiniones destacadas

    8rupie

    brilliant and underrated

    A sadly underrated movie. Hollywood could not have loved it because of the cruelly true things it says about how movies are made, and about how a writer's creative vision becomes corrupted and debauched on its way to the screen. That doesn't sound like a setup for a comedy, but a wonderfully dark comedy it is, with some richly witty dialogue. Landau's performance is superb (he is one of the best actors around), and the descent of Wuhl's character from idealistic writer to desperate self-promoter - a sad journey - is made humorous. Wonderful bits by Eli Wallach, Danny Aiello, and all three mistresses.
    6Theo Robertson

    It`s Not BATMAN 3 That`s For Sure

    The info button described MISTRESS as thus " An earnest screenwriter sees his dream mangled in the Hollywood movie machine . Robert DeNiro is a crass moneyman demanding a role for his talentless mistress " Great I thought , this is going to be like THE KING OF COMEDY except it`s set in Hollyloot . Twenty minutes later DeNiro`s still not appeared and I`m aware of one thing - info buttons are never right

    The info button wasn`t so much wrong but it was rather misleading . DeNiro does indeed play a crass moneyman who is after a role for his mistress but she`s not exactly talentless . The plot mainly revolves around a failed director/screenwriter called Marvin who finds himself having to severly alter his script if he wants it produced , it`s a sort of satire/black comedy on the Hollyloot system of film making and once you get over the initial disappointment of it not being a Scorsese / DeNiro masterpiece it`s an enjoyable film , and one with a lot of scathing truth like a pitch is all down to presentation , casting is down to who the actress is sleeping with and a producer`s vulgarity is only matched by his ignorance . Also watch out for the line " This isn`t BATMAN 3 " which at that time hadn`t been produced yet . I guess someone made BATMAN 3 as a homage to MISTRESS ?
    8GeorgeC

    Worth seeing

    Bob Wuhl, never acclaimed because he has little range, actually turns in an excellent performance as a screenwriter who pulls out all the stops to get his script filmed. Martin Landau is his producer, and the money men they find, one of whom is Robert DeNiro in a wonderful role, all want him to cast their mistresses in the film. Although the film is slow at times, excellents performances all around make this worth seeing.
    george.schmidt

    The anti - "Player"

    MISTRESS (1992) *** Robert Wuhl, Robert De Niro, Martin Landau, Sheryl Lee Ralph, Danny Aiello, Eli Wallach, Jean Smart, Ernest Brognine (cameo). Bitingly funny satire about a struggling filmmaker wanting to make his dream script facing obstacles by each financial backer wanting their mistress in the film. Christopher Walken and Laurie Metcalf have small roles.
    10darlene-27

    the most accurate depiction of Hollywood outsiders trying to bust in

    Knowing several real-life wannabe actors, screenwriters, directors, and producers, none of whom are exactly 'A-List,' I thought this movie was an accurate portrayal of the twists and turns that the life of a project and one's personal life take while one, lacking connections, tries anything to come up with financing to get a potentially great movie off the ground.

    Look at how long it took to get "Ray" funded and made -- 10 years! Similar stories abound. It takes a monumental effort to get anything made that's a little bit different. Guys who control the money don't like risk! With all its iterations depending on the focus of the potential underwriter -- think Money-Man -- with a colorful cast of stars, all playing well-written characters, I can't get enough of this movie. I own it and have watched it many times. A real laugh fest for those captivated by all things "Hollywood." The name IMHO ruined this movie's chances at the box office. It implies a certain salaciousness that is simply not there. It is a warm and sweet movie about guys trying to help their sweethearts achieve their dreams. Should have been titled, 'The Darkness and the Light,' which is the name of the screenplay they are trying to produce, or 'A Hollywood Story,' or something similarly innocuous. Worth seeing by all means!

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    Intereses relacionados

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    Drama

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Evan Wright's (Robert De Niro) opinions regarding the lack of sex in Marvin's (Robert Wuhl) script was inspired by real-life conversations that writer and director Barry Primus had with producers while attempting to find a backer for the film.
    • Errores
      The boom mike drops below the frame during the meeting with George and Peggy while Stuart mentions possible changes to the script.
    • Citas

      Marvin Landisman: That's it. I'm going back to the original script! I'm not making any changes. Any changes!

      Stuart Stratland Jr.: Marvin, what are you talking about? They won't make the film! Don't be self-destructive.

      Marvin Landisman: Help me, Stuart. I mean, you're a smart guy. There's a great story here. Just help me use these women to tell it. It's my fault. I never told you what this all came out of.

      Stuart Stratland Jr.: It's about that actor comitting suicide on your film.

      Marvin Landisman: No. It's about how I killed him.

      Stuart Stratland Jr.: What?

      Marvin Landisman: Believe it or not Stuart once I was pretty hot. From an old novel I wrote a script about a ruthless gambler who destroys someone he loves. Life changes for him and then isolated and desperate, he realizes who he is and he kills himself. Pretty grim stuff but I got Warren Zell. Warren was a very special actor. He was an original but he had been through a lot and he wasn't acting anymore. See, I had been his student. He trusted in my plan and I convinced him that I could give what he had been through meaning. Warren was amazing. The film suddenly had an incredible mystery to it. Actually it was too good. The producers loved the rushes and thought it might be a Christmas release. Oh, they had one small change. Take out the suicide. Instead have the character recite some speech like, "There's always another day." It was at four o'clock in the afternoon. I had a terrible headache. I can still hear the thud.

      Stuart Stratland Jr.: God, that's sick. He was crazy!

      Marvin Landisman: Of course he was or he wouldn't have jumped. But he was too weak to fight us any other way. He had to remain honest to himself and the suffering he represented. I was betraying him. Turning this into an insane farce. Don't you see, Stuart? This is what the film *needs* to be about. The fact that not everything is for sale. That some things just have to be left as they are. Help me, Stuart. I want his death to mean something.

      Stuart Stratland Jr.: Marvin, they're only making this to put their girlfriends in it.

      Marvin Landisman: Then take out the painter.

      Stuart Stratland Jr.: He's a photographer and we can't take him out. The whole thing revolves around him!

      Marvin Landisman: Okay, leave him in. But take out the suicide.

      Stuart Stratland Jr.: What are you, crazy? After all the trouble we went through to sell it? That's the only element everyone agrees on!

      Marvin Landisman: I can't bear him dying amidst all this crap! Let him get hit by a car. Let him leave town! Some shit!

      Stuart Stratland Jr.: It's a little late for that, Marvin. The suicide stays!

      Marvin Landisman: You take it out! I'm not gonna have him turned into a comic book. I'm not gonna murder him again!

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Unforgiven/Mistress/Death Becomes Her/Enchanted April/London Kills Me (1992)
    • Bandas sonoras
      Sex Goddess
      Written by Galt MacDermot, Gerome Ragni and James Rado

      Performed by Tuesday Knight (uncredited)

      [Peggy sings the song as her audition for Marvin]

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    Preguntas Frecuentes17

    • How long is Mistress?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de julio de 1992 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Checo
    • También se conoce como
      • Hollywood Mistress
    • Locaciones de filmación
      • Los Ángeles, California, Estados Unidos
    • Productoras
      • Meir Teper
      • Mistress Productions
      • Tribeca Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 1,102,469
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 34,146
      • 9 ago 1992
    • Total a nivel mundial
      • USD 1,102,469
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 50min(110 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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