CALIFICACIÓN DE IMDb
7.5/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaAt a reception for a fading film star making a screen comeback, a gushing, pushy fan is poisoned by a drink apparently meant for the actress.At a reception for a fading film star making a screen comeback, a gushing, pushy fan is poisoned by a drink apparently meant for the actress.At a reception for a fading film star making a screen comeback, a gushing, pushy fan is poisoned by a drink apparently meant for the actress.
- Nominada a1 premio BAFTA
- 3 nominaciones en total
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Opiniones destacadas
So, here we are with the redoubtable Miss Marple, a lovely Claire Bloom and a fine cast. Some of the neighborhood regulars are back, like Ms. Bantry, the maids, Inspectors Slack and Craddock. It is fun to be at Gossington Hall again, albeit under new owners. Of course, that's key to the storyline and adds to the interest. I liked Ms. Bantry before and again in this. The relationship between her and Ms. Marple is interesting. Somehow, their talks offer up a spark that leads to a rewarding line of inquiry. Inspector Slack is always an entertaining character, in attitude expressing looks, droll remarks and the die hard approach he always takes, many times in error.
One review here mentions a part of the book that greatly impressed me as well. It was a description of Heather Badcock. In the allusion to her village parallel, Alison Wilde, she says, " She didn't know what people were like. She'd never thought about them. And so, you see, she couldn't guard against things happening to her. It comes really from being self-centered and I don't mean selfish by that. You can be kind and unselfish and even thoughtful. But you never really know what you may be doing most people have a sense of protection. They realize when it's unwise to say or do something because of the person or persons who are taking in what you say, and because of the kind of character that those people have. But as I say, AW never thought of anybody else but herself. She was the sort of person who tells you what they've done and what they've seen and what they've felt and what they've heard. They never mention what any other people said, or did. Life is a kind of one-way track, just their own progress through it. Other people seem to them just like – like wallpaper in a room. I think HB was that kind of person."
And of Ms. Badcock particularly, " she wasn't a considerate woman. Kind, yes. Considerate – no. She would be fond of him (her husband) and look after him when he was ill and see to his meals and be a good housekeeper, but I don't think she would ever – well, that she would ever even know what he might be feeling or thinking. That makes a lonely life for a man."
However, Ms. Marple did speak most of this in this adaptation, which was revealing of the woman's vulnerability to danger.
Some say this is a weaker entry in the BBC Marple lineup, but I don't see it like that. The 1980 version with Taylor/Hudson et al. and Lansbury as Ms. Marple strayed more from the book - well, it's the Hollywood treatment. Some compare this BBC version to that since it came along later, but shouldn't. The BBC series is entirely truer. They did it right. The village and settings are always wonderful. I enjoy it thoroughly, one for the collection to see regularly. This gets a "well done" from me.
One review here mentions a part of the book that greatly impressed me as well. It was a description of Heather Badcock. In the allusion to her village parallel, Alison Wilde, she says, " She didn't know what people were like. She'd never thought about them. And so, you see, she couldn't guard against things happening to her. It comes really from being self-centered and I don't mean selfish by that. You can be kind and unselfish and even thoughtful. But you never really know what you may be doing most people have a sense of protection. They realize when it's unwise to say or do something because of the person or persons who are taking in what you say, and because of the kind of character that those people have. But as I say, AW never thought of anybody else but herself. She was the sort of person who tells you what they've done and what they've seen and what they've felt and what they've heard. They never mention what any other people said, or did. Life is a kind of one-way track, just their own progress through it. Other people seem to them just like – like wallpaper in a room. I think HB was that kind of person."
And of Ms. Badcock particularly, " she wasn't a considerate woman. Kind, yes. Considerate – no. She would be fond of him (her husband) and look after him when he was ill and see to his meals and be a good housekeeper, but I don't think she would ever – well, that she would ever even know what he might be feeling or thinking. That makes a lonely life for a man."
However, Ms. Marple did speak most of this in this adaptation, which was revealing of the woman's vulnerability to danger.
Some say this is a weaker entry in the BBC Marple lineup, but I don't see it like that. The 1980 version with Taylor/Hudson et al. and Lansbury as Ms. Marple strayed more from the book - well, it's the Hollywood treatment. Some compare this BBC version to that since it came along later, but shouldn't. The BBC series is entirely truer. They did it right. The village and settings are always wonderful. I enjoy it thoroughly, one for the collection to see regularly. This gets a "well done" from me.
And so the fabulous BBC productions of the Miss Marple stories draw to a close... perhaps not the best of Christie's stories, but it still offers many delights as a piece of television, including the reappearance of a host of familiar characters from previous outings. It would appear this was Watford's last screen appearance before her death in 1994, and watching her recreate Dolly Bantry is therefore bittersweet. The timing, intonations and tiny details she brings to the part are delicious (as they were in The Body In The Library), and all her scenes with Hickson are quite wonderful. The story is probably a tad convoluted, yet it really is the small details that make it another triumph - Dolly and friends' reaction to the marble bathrooms; Mrs. Brogan's hilarious 'buttering' (totally authentic); Hickson's disapproval of Miss Knight's fussing. Slightly confusing that Castle's clever depiction of D.I. Craddock has now become another of Jane Marple's nephews (they weren't related in A Murder Is Announced), but it's still a joy to see him return in another cloud of cigarette smoke.
So, all this and one last brilliant, expertly crafted portrayal of "the Marple woman" by Joan Hickson. Now all we need is for someone to revisit Ms. Hickson's career and issue some of the many films she appeared in on DVD.
So, all this and one last brilliant, expertly crafted portrayal of "the Marple woman" by Joan Hickson. Now all we need is for someone to revisit Ms. Hickson's career and issue some of the many films she appeared in on DVD.
I think on seeing the 1981 Hollywood version and the 1992 version I do feel that being 'British myself that it is much better to keep to the authors way of telling the story as this is Agatha Christies way and that is why she is so popular. As for Joan Hickson playing the part of miss Marple I feel she is perfect and that Agatha Christie was right in her choice and of course she must be right. As to the plots they are meant to be intriguing and complicated not to be made easy to work out .
An earlier version of this movie "The Mirror Crack'd (1980) ASIN: 6302990149" was made with a lot of glitzy characters. Some of them were quite well such as Rock Hudson (Jason Rudd). Others were distracting as they let their real personalities overwhelm the characters. One of the worst was Angela Lansbury's portrayal of Miss Jane Marple; she was much too cutesy. This film was to Americanize (black and white, judgmental.) and half the characters were combined for brevity.
Based on a novel, Christie, "Agatha. Mirror Crack'd, the", the film Miss Marple: The Mirror Crack'd from Side to Side (1992) (TV) (UK: series title) stays true to form. Joan Hickson as Miss Marple. Agatha Christie always considered her as the ideal Miss Marple; she shows this through her reserve savvy. Jane takes an interactive interest in the mystery and yet each character as part of the discovery, stands on their own. The ending of the story is as is in life, it is appropriate, not black and white judgmental.
Based on a novel, Christie, "Agatha. Mirror Crack'd, the", the film Miss Marple: The Mirror Crack'd from Side to Side (1992) (TV) (UK: series title) stays true to form. Joan Hickson as Miss Marple. Agatha Christie always considered her as the ideal Miss Marple; she shows this through her reserve savvy. Jane takes an interactive interest in the mystery and yet each character as part of the discovery, stands on their own. The ending of the story is as is in life, it is appropriate, not black and white judgmental.
I can hardly believe that three British people above have referred to the beautiful Claire Bloom as and American actress. One of them credited her being American with having enlivened the proceedings, and one blamed her being American for faults in the production.
Can it be that British people don't know that she is regarded in the United States as one of the most distinguished English actresses? She made her debut in Charlie Chaplin's LIMELIGHT. And could anyone seeing her as Lady Marchmain in BRIDESHEAD REVISITED imagine that she was anything but English? She also appeared on British television as Joy Davidman in SHADOWLANDS.
Can it be that British people don't know that she is regarded in the United States as one of the most distinguished English actresses? She made her debut in Charlie Chaplin's LIMELIGHT. And could anyone seeing her as Lady Marchmain in BRIDESHEAD REVISITED imagine that she was anything but English? She also appeared on British television as Joy Davidman in SHADOWLANDS.
¿Sabías que…?
- TriviaWhen Inspector Craddock visits Miss Marple for the first time, they linger near the entrance to the sitting room. When the camera swtiches perspective to Jane's, over Craddock's shoulder we can spot two framed drawings of Hickson in her younger days.
- ErroresDuring the tennis match between Marina Gregg and Dr Gilchrist, at love-40 Dr Gilchrist serves to Marina from the right hand court. However, at love-40, the server must always serve from the left hand court.
- Citas
Miss Jane Marple: [last words of Joan Hickson as Miss Marple] More tea, vicar?
- ConexionesFollows Miss Marple: The Body in the Library (1984)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Agatha Christie's Miss Marple: The Mirror Crack'd from Side to Side
- Locaciones de filmación
- Nether Wallop, Hampshire, Inglaterra, Reino Unido(St Mary Mead)
- Productoras
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