Medicine Man

A fine movie, not to be judged on the basis of Hollywood's usual recipe for storytelling. The eccentric scientist Robert Campbell (Connery) who has found a cure for cancer out in the jungle, is not able to reproduce its exact composition. Biologist Rae Crane (Bracco) biologist has dropped in from academia to be his judge and jury and decide on Campbell's continued funding.

The film pays a fair amount of attention to scientific detail (such as "running baselines" and using "experimental controls") interspersing it throughout with lively and shrewd exchanges between Campbell and Crane. To that they add mildly sarcastic observations on field work and fund-raising committees. Whilst this scientific sub-story line runs along, we are shown glimpses of life in a sympathetic tribe for which Campbell has become a sort of sugar daddy. Ethics and personal choice confront both scientists as they struggle with the decision to reserve the last bit of serum either for the good of humanity or the life of one of the tribe's children.

McTiernan has weaved all these elements excellently and Connery and Bracco play their roles so convincingly that you could be excused for thinking they may have scientific backgrounds in real life.

The film is a feast for educated people - which is probably the reason why many of the critics have missed the fine points and proceeded to rattle off some vitriolic commentary more aimed, in my view, at self-aggrandizement than constructive film criticism. One even complained that Medicine Man didn't quite match up to Die Hard. Now there is a proper comparison for you.

Well, I suppose a lot of people did not seem to like this movie. I did. It's one real flaw was obvious from the beginning, a preachy, environmental tone. Aside from that, it has a lot to recommend it. First, Sean Connery can scarcely do anything bad. He lifts a maybe ho-hum script into the sky. He is simply believable as his character at all times. Lorraine Bracco was pretty, and hit all of her part as well. Her nasal New York accent seems to have grated on some of the commentators, but I believe that it was the director's intent. The conflict may have been a bit formulaic, but you have to have SOMETHING to make a movie about. I'd say check it out.

When this movie came out in 1992, many critics seemed to feel that it was mediocre, or average at best. Even as a hardcore Connery fan I avoided the film simply based on a handful of reviews I had read in the media at the time.

Fast forward nearly ten years and the mixed reviews here on imdb reinforced my apathy towards the film. It wasn't until I borrowed a copy through a local library that I finally watched the movie just now, and I fail to see why it's supposedly not up to par. I thought it was a fine film in most respects: the storytelling was good, the dialogue was snappy, the cinematography was wonderful, and it had a positive message. It's not an action movie, but I never felt bored at all...if anything, it was a refreshing change of pace and scenery, and Sean Connery continues to astound me with his versatility. His acting was superb, which is not really a big suprise, but he seemed more into this role than some others I've seen him in. Even the wig and ponytail looked real!

Like a lot of other people, I found Lorraine Bracco's character quite annoying, almost insufferable at certain points, but that's the whole point: her character is supposed to be like that, and the truth is that if she didn't come across as so irritating then that would have been failed acting skills on her part. I think she did a great job at being annoying, which is what she was supposed to do. I imagine that if you took some ivy league lab rat scholar and dumped them right in the middle of a situation and place that's totally foreign to them, you'd probably get a reaction like the one she portrayed. I found the two leads had a good chemistry, and the constant tension and conflict between them was very convincing and helped to propel the story along.

All in all an enjoyable film, but some of the other aspects could have and should have been expanded. I felt that they spent too much time searching the trees for the plant they needed, and the whole conflict with the developers was thrown in at too late a juncture. These aren't major failings however, so I'd recommend the film to anyone looking for something a bit different, and it's a must for any Connery fan. Don't wait ten years to see it simply because some critics didn't think it was a masterpiece. Screw the critics!

The "Medicine Man" is set in the middle of the Amazon Rainforest which has become home to the eccentric Dr. Robert Campbell (Sean Connery), a biochemist doing field research. In befriending the natives and studying the `Tribal Witch Doctor' (Angelo Barra Moreira), he has accidentally discovered the cure for cancer from a flower extract that grows wild in the rainforest. He is assisted by Dr. Rae Crane (Lorraine Bracco) in trying unsuccessfully to duplicate the formula, before the commercial loggers come in and destroy his hope for a cure. Dr. Crane comes to the jungle with the motive of pulling the research grant for the project, as Dr. Campbell has been uncooperative with the bureaucracy. Coming to the jungle with guilt and regret from a prior research trip, `Morcara,' his work becomes his life, escaping reality and trying to compensate for the devastation he experienced. It was interesting to see how the natives accepted him, brought him into their `circle.' They accepted his medical knowledge and entwined it with their superstitions and natural remedies. He became so protective of the tribe, respecting their way of life, and customs that they come to trust him and call him the `Medicine Man.' The movie was released on February 7, 1992 and while the work of Director John McTierman, was different than his other movies "Hunt for Red October" or the "Predator," Sean Connery played out the part well. The sound of his voice is always welcomed. I've seen him in stronger parts, but I cannot see anyone taking his place beside Lorraine Bracco. The knowledge and wisdom of the experienced is passed to the inexperienced. I liked the environmental message that the director sent. The scenery was great from the tree top scenes to the trip through the jungle and the waterfalls. Anytime elements of nature can be used to heal the human body or someone can survive in the jungle by utilizing the natural habitat is a wonderful thing. It shows us everything actually depends on the natural creation of the earth from which it came.

While this film not a hugely profound experience, and has been sanitised for a mainstream audience, it is nevertheless enjoyable and entertaining. Action auteur John McTiernan tries his hand at a different genre, and for the most part, actually succeeds very well. He crafts an easy-going, stylish and witty film that while mainly dialogue driven is engrossing and well-paced right up to the films conclusion.

However, it is the conclusion that is the main weakness of the film. The film sets everything up plot wise very well, and I was expecting something more spectacular regarding the films climax. There was a great opportunity to have a much greater set piece as the audience never really sees that actual impact of the series of events that take place in the film's final act play out – too much is implied by jumping events forward to the aftermath of a major event.

Filmed on location in the Mexican jungle (doubling for the Amazon) McTiernan gets some very good performances from the Native American actors. While Lorraine Bracco in my view came in for too much criticism. Initially she does not seem to have a grip on her character and the performance comes off as forced – and is dangerously close to wooden. However, as the film goes along her character evolves well and gradually becomes more likable and warm. What probably complicates matters is she is up against the trenchant screen presence that is Sean Connery. Yet again he absolutely dominates the film by sheer charisma, and his flawed Robert Campbell character is truly engaging and carries the picture – but also makes Bracco's performance appear second rate for a large chunk of the film. However, Bracco getting a Razzie nomination was just an excuse for a bit of celebrity bashing.

Director McTiernan is ably supported by excellent technical contributions, most notable Don McAlpine's excellent photography, but particularly Jerry Goldsmith's outstanding score, which elevates the material and creates a terrific atmosphere. It is particularly effective in heightening the moments of tension towards the film's climax.

Overall, an enjoyable film that is marred only by Bracco's uneven performance at the start of the film, and a rushed in unsatisfying climax.