Map of the Human Heart

Did you ever feel you "discovered" something or somebody: a real gem that none of your friends knew about? Well, that's the way I feel about this film, a real sleeper than few people have ever heard about. When they see it - at least the friends I've shown it to - they enjoy it, too. This is an excellent romance story that's quite different, quite touching and quite haunting. This is one of the few movies that actually cost me some sleep after I first saw it one evening.

The two main characters are "half-breeds," Avik (or "Holy Boy") is an Eskimo- white man and "Albertine," an Indian-French female. Both are well-played as kids and as adults. The filmmakers did an amazing job finding two kids who really look like the two adults probably would have looked like when they were young and with the same voice inflections and accents.

As adults Jason Scott Lee and Anne Parillaud are memorable. So is the cinematography, particularly the Dresden bombing scene which is simply jaw- dropping.

Warning: the movie is heart-wrenching at times with not a happy ending, but I think that helps make this film so memorable, so haunting. Even the music is haunting.

This is a strange, mystical movie. Either it's going to mean very little to you or it's going to be something special you'll want to see a number of times.

This film reflects its international pedigree. Canadian films are wonderful when viewed in their "language" and film syntax, kind of a cross between French & English & Australian films in caprice, intelligence, plot development, and subjects.

American movie goers and film watchers (and Reviewers here) find something missing or too over-the-top in Canadian projects, wherever they're financed. "Snow Walker" was good but not "Hollywood." "Battle of the Brave" was good; not exactly Hollywood. "Map of the Human Heart;" very, very good in its own vernacular. Very good - and moving and thought-provoking, and so on ...

"Map..." has a love scene that could have come from the mind & imagination of Spielberg. Though not long or overly explicit, it may be one of the most unique and remarkable and perfectly contextual in all of film. Beautiful. Watch and see, near, or in, the 3rd Act.

Annie Galipeau is young here, and good, and presages her role in "Grey Owl" with Pierce Brosnan.

Thanks MIRAMAX for putting money into risky, off-the-worn-sprocket-hole projects.

This film is one of the best romance films i have ever watched. At first I just watched it cause Jason Scott Lee was in it so I thought there was gonna be some butt whupin in it but as I watched on I realized that it wasn't that kind of movie. This is the tale of a good Inuit boy with nothing but good intentions and his love for his childhood sweetheart. He get's screwed over again and again by fate until finally he gets a chance to fulfil his wishes but fate intervenes yet again for the final time. This movie was very moving, very sad. The acting in it was superb and makes me wonder why Lee isn't a bigger star than he is. Through out the movie you can't help but feel bad for Avik. Poor guy. I just saw this movie, 2002 and I can't believe that I missed it until now. 9/10

This movie came highly recommended to me; but outstripped all expectations. Outstanding acting, especially from the little boy Eskimo, then from Jason, as the adult character/pilot for the RAF. Absolutely beautiful cinematography; a story that kicks the heart strings in many ways -- kicks and tickles, too, a few times. How about making love on top of a blimp/buzz-bomb decoy? Tastefully done, naturally; but gives you the idea of the style and flavor of this love/war/human condition gem. Lots of wild aerial stuff, all through, nicely woven throughout the tale. Might want to bring your parachute to the theatre... Oh, did I mention a vertiginous scene inside high up in the Albert Hall, a tryst? Snowmobiles and French beauties, etc. Formidable. Like the fire at the end of "Gone with the Wind?" Might want to see the flames in this one, too.

This is an engrossing love story and adventure, told in flashback. The film does not resort to lurid melodrama, to recycled storylines, but seems to grow organically and unpredictably. The imagery of the film resonates long afterwards. We experience the horrors of war and the exhilaration of reunited lovers, and the film's final scene is truly haunting and heartbreaking. A remarkable achievement.