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TU CALIFICACIÓN
Un sacerdote practicante de vudú resucita a Matt Cordell, quien toma su placa y regresa de la muerte para cumplir sus órdenes.Un sacerdote practicante de vudú resucita a Matt Cordell, quien toma su placa y regresa de la muerte para cumplir sus órdenes.Un sacerdote practicante de vudú resucita a Matt Cordell, quien toma su placa y regresa de la muerte para cumplir sus órdenes.
Grand L. Bush
- Willie
- (as Grand Bush)
Opiniones destacadas
With Maniac Cop 2, director William Lustig and screenwriter Larry Cohen imagined a mixture of bloody slasher and crime thriller The French Connection, and delivered just about the most satisfying sequel imaginable to an original that was hardly great. It delivered on car chases, action set-pieces and slasher mayhem, backed with a witty, sharp script and an impressive cast. It also delivered a full-body- burn climax that was as exciting as it was technically impressive. While part two looked at William Friedkin's classic thriller for inspiration, just where Maniac Cop 3: Badge of Silence found inspiration is anyone's guess, other than perhaps the sort of drivel you used to find buried on the bottom shelf of the video store. Lustig and Cohen have both disowned the movie since its release, and it isn't difficult to see why.
Citing studio interference, Lustig walked from the set half-way through filming for the movie to be picked up by inexperienced producer Joel Soisson, who is uncredited. The resulting film is less than a half-baked idea: a lumbering mess of a film, primarily made up of filler that is, at times, downright unwatchable. Having clear Matt Cordell's name and buried him with honours in tact, Detective Sean McKinney (Robert Davi) had hoped to have seen the last of the 'Maniac Cop'. His close father-daughter-like relationship with young police officer Katie Sullivan (Gretchen Becker) is ground to a halt when she is gunned down and placed into a coma by junkie Frank (Jackie Earle Haley), only for two 'nightcrawler' cameramen to smear her name with some edited footage. After being resurrected by a Voodoo priest, Cordell sees Sullivan as an equally tortured and unfairly disgraced soul, and sets about claiming her for his own.
It's hard to know where to start with Maniac Cop 3, as the film is so lacking in ideas and structure that it barely has a beginning, middle and end. When it hits a wall, it looks to its predecessor for ideas. So we are treated to another convenience store shootout, another high speed chase, and another finale involving a full body burn. In its defence, the climax mixes both a high speed chase and a full body burn, and while it goes on for a little too long, you have to appreciate the complexity of such an intricate set-piece. Cordell, again played by Robert Z'Dar, is relegated to little more than a glorified cameo in his own movie, appearing ever now and then to carry out a bloody deed seemingly for Voodoo priest Houngan (Julius Harris), whose motives are still unclear when the credits roll. As a fan of the first two Maniac Cop movies, it's easy to feel as cheated as Lustig did as he stormed off set.
Citing studio interference, Lustig walked from the set half-way through filming for the movie to be picked up by inexperienced producer Joel Soisson, who is uncredited. The resulting film is less than a half-baked idea: a lumbering mess of a film, primarily made up of filler that is, at times, downright unwatchable. Having clear Matt Cordell's name and buried him with honours in tact, Detective Sean McKinney (Robert Davi) had hoped to have seen the last of the 'Maniac Cop'. His close father-daughter-like relationship with young police officer Katie Sullivan (Gretchen Becker) is ground to a halt when she is gunned down and placed into a coma by junkie Frank (Jackie Earle Haley), only for two 'nightcrawler' cameramen to smear her name with some edited footage. After being resurrected by a Voodoo priest, Cordell sees Sullivan as an equally tortured and unfairly disgraced soul, and sets about claiming her for his own.
It's hard to know where to start with Maniac Cop 3, as the film is so lacking in ideas and structure that it barely has a beginning, middle and end. When it hits a wall, it looks to its predecessor for ideas. So we are treated to another convenience store shootout, another high speed chase, and another finale involving a full body burn. In its defence, the climax mixes both a high speed chase and a full body burn, and while it goes on for a little too long, you have to appreciate the complexity of such an intricate set-piece. Cordell, again played by Robert Z'Dar, is relegated to little more than a glorified cameo in his own movie, appearing ever now and then to carry out a bloody deed seemingly for Voodoo priest Houngan (Julius Harris), whose motives are still unclear when the credits roll. As a fan of the first two Maniac Cop movies, it's easy to feel as cheated as Lustig did as he stormed off set.
Out of all the "Maniac Cop" series, this one was a letdown. However, out of due respect, I've always liked the character no matter what. This time, he tends to a policewoman who was gunned down during a stand-off. And Matt Cordell(Robert D'Zar) is enforced to "protect and serve". Since none of the other officers would help her, Det. Sean Kenny(Robert Davi) and Cordell are on the same page. Cordell takes on the usual trash crooked cops to be exact. I liked the part where he puts on guy under several exposures of X-rays. Then there's the scene where Kenny tells Cordell that she's been cleared of all wrongdoing. Somehow, underneath his hulking and ravaged exterior belies a interior that's anything but supernatural, it's human. Both went with the explosion, and covered in white. To me, it goes to show that love never dies, especially when Cordell touches the dead woman's hand from the sheets. I mean good grief, let her be. This version got a little sappy, yet will he continue the fight against crime, or will he settle down? This one got me baffled! 2 out of 5 stars!
"Maniac Cop 3: Badge of Silence" is yet another solid sequel that is just as good as the previous two movies in the series. As weird as it may seem, the maniac cop (played again by Robert Z'Dar) seems to have a heart in this one when he starts protecting a female cop who was wounded in a shootout and was said to be too hard on criminals. Now the crazed cop goes on another killing spree and it is up to Robert Davi (repraising his role from "Maniac Cop 2" to stop him. If you're a fan of the first two, be sure not to miss this entry with the exciting climax with the crazed cop a flame behind the wheel of a car. *** out of ***** Stars.
Officer Matt Cordell (Robert D'Zar) returns yet again in this, the apparent final sequel to William Lustwigs 1988 original movie.
Far from being laid to everlasting rest after having his name cleared in the previous entry, our undead psycho slayer is resurrected here once more, this time by a voodoo priest (for reasons that are never actually explained) However it seems that beneath all that rotting flesh is a lonely heart as evidenced when he takes an amorous interest in a female police officer after she is gunned down during a drug store robbery. It seems that our misunderstood anti-hero wants her to join him in his un-death, again to be achieved by voodoo machinations. Before this, he resolves to bring about the violent dissolution of all those people who contributed to her comatose state and in addition those who would aggravate it (including in the later category the always excellent Robert Forster!)
Returning once more is the welcome face of Robert Davi who ironically shares a similar agenda to Cordell i.e. to punish those responsible, but who is none too compliant with the undead marriage plans.
It has to be said straight out that the film in question is not a patch on its two predecessors in terms of either story, script, action scenes or gore content. However, having said this and despite the hokey plot, the film does contain a few great set pieces including a cool scene where Davi rolls down a hospital corridor on a bed towards the bad guys and jumps out from under the covers with guns blazing.
Overall then, for fans of the series this is well worth a watch. Maybe with some luck we'll yet see Matt Cordell rise from the grave once more hopefully sometime soon for a fourth entry in the series .
Far from being laid to everlasting rest after having his name cleared in the previous entry, our undead psycho slayer is resurrected here once more, this time by a voodoo priest (for reasons that are never actually explained) However it seems that beneath all that rotting flesh is a lonely heart as evidenced when he takes an amorous interest in a female police officer after she is gunned down during a drug store robbery. It seems that our misunderstood anti-hero wants her to join him in his un-death, again to be achieved by voodoo machinations. Before this, he resolves to bring about the violent dissolution of all those people who contributed to her comatose state and in addition those who would aggravate it (including in the later category the always excellent Robert Forster!)
Returning once more is the welcome face of Robert Davi who ironically shares a similar agenda to Cordell i.e. to punish those responsible, but who is none too compliant with the undead marriage plans.
It has to be said straight out that the film in question is not a patch on its two predecessors in terms of either story, script, action scenes or gore content. However, having said this and despite the hokey plot, the film does contain a few great set pieces including a cool scene where Davi rolls down a hospital corridor on a bed towards the bad guys and jumps out from under the covers with guns blazing.
Overall then, for fans of the series this is well worth a watch. Maybe with some luck we'll yet see Matt Cordell rise from the grave once more hopefully sometime soon for a fourth entry in the series .
The plot apparently was not the main consideration of the people who decided to make this, the second sequel to the 1988 surprise hit; that's the only way to explain why there are so many gaps in it (like "Who is that voodoo master?", "Why did he choose to resurrect the Maniac Cop" and "Why does the Maniac Cop kill / help good AND bad guys so arbitrarily?"). Since justice had been set straight at the end of the previous installment, there is no really compelling reason for the title character to return from his grave, so the whole movie seems pointless and unmotivated. But the lengthy chase sequence near the end is so fast-paced and well-done that made me raise the film's rating by half a star. (**)
¿Sabías que…?
- TriviaThe film had a troubled production. When director William Lustig's rough cut came in at only 51 minutes, he refused to shoot the additional scenes the producers as well as the film's distributor, Overseas FilmGroup, wanted and quit the project. The balance of the picture was directed by co-producer Joel Soisson. Prior to Blue Underground's DVD and Blu-ray release of the movie in 2013, Lustig was the film's credited director, but the Blue Underground version is credited to the Director's Guild of America pseudonym Alan Smithee.
- ErroresSeveral recognizable landmarks in Los Angeles can be spotted in the film, despite that it's supposed to take place in New York City.
- Citas
Det. Sean McKinney: I can't imagine the kind of pain you feel Matt. I'm not gonna pretend to. But don't condemn her to the same fate. She deserves better. You cleared her. She's at peace. Let her go, Matt. Let her go.
Matt Cordell: *talking to Houngan, the Voodoo Priest* "Finish it!
- Versiones alternativasOriginally rated NC-17, some extreme violent acts were cut so the film could receive an R-rating by the MPAA.
- ConexionesFeatures Bestia implacable (1988)
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- How long is Maniac Cop 3: Badge of Silence?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Maniac Cop 3: Badge of Silence
- Locaciones de filmación
- Calvary Cemetery, Woodside, Queens, Nueva York, Estados(cemetery sequence - lifted from Maniac Cop 2)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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