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Malcolm X

  • 1992
  • PG-13
  • 3h 22min
CALIFICACIÓN DE IMDb
7.7/10
107 k
TU CALIFICACIÓN
POPULARIDAD
3,131
708
Malcolm X (1992)
Home Video Trailer from Warner Home Video
Reproducir trailer2:46
19 videos
99+ fotos
DocudramaEpicPeriod DramaPolitical DramaPsychological DramaTragedyBiographyDramaHistory

Épica biográfica del controvertido e influyente líder nacionalista estadounidense, desde sus primeros años de vida y carrera como un gánster, hasta su ministerio como miembro de la Nación de... Leer todoÉpica biográfica del controvertido e influyente líder nacionalista estadounidense, desde sus primeros años de vida y carrera como un gánster, hasta su ministerio como miembro de la Nación del Islam.Épica biográfica del controvertido e influyente líder nacionalista estadounidense, desde sus primeros años de vida y carrera como un gánster, hasta su ministerio como miembro de la Nación del Islam.

  • Dirección
    • Spike Lee
  • Guionistas
    • Arnold Perl
    • Spike Lee
    • Alex Haley
  • Elenco
    • Denzel Washington
    • Angela Bassett
    • Delroy Lindo
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    107 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,131
    708
    • Dirección
      • Spike Lee
    • Guionistas
      • Arnold Perl
      • Spike Lee
      • Alex Haley
    • Elenco
      • Denzel Washington
      • Angela Bassett
      • Delroy Lindo
    • 238Opiniones de los usuarios
    • 92Opiniones de los críticos
    • 73Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 19 premios ganados y 24 nominaciones en total

    Videos19

    Malcolm X
    Trailer 2:46
    Malcolm X
    Issa Rae and Aldis Hodge Celebrate Denzel Washington's Legacy
    Clip 3:20
    Issa Rae and Aldis Hodge Celebrate Denzel Washington's Legacy
    Issa Rae and Aldis Hodge Celebrate Denzel Washington's Legacy
    Clip 3:20
    Issa Rae and Aldis Hodge Celebrate Denzel Washington's Legacy
    Essential Black Films of the 1990s
    Clip 1:14
    Essential Black Films of the 1990s
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints
    Spike Lee: Four Decades of 'Wake Up!'
    Clip 3:05
    Spike Lee: Four Decades of 'Wake Up!'
    Malcolm X: Cooks
    Clip 1:52
    Malcolm X: Cooks

    Fotos125

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    Elenco principal99+

    Editar
    Denzel Washington
    Denzel Washington
    • Malcolm X
    Angela Bassett
    Angela Bassett
    • Betty Shabazz
    Delroy Lindo
    Delroy Lindo
    • West Indian Archie
    Spike Lee
    Spike Lee
    • Shorty
    Albert Hall
    Albert Hall
    • Baines
    Al Freeman Jr.
    Al Freeman Jr.
    • Elijah Muhammad
    Theresa Randle
    Theresa Randle
    • Laura
    Kate Vernon
    Kate Vernon
    • Sophia
    Lonette McKee
    Lonette McKee
    • Louise Little
    Tommy Hollis
    Tommy Hollis
    • Earl Little
    James McDaniel
    James McDaniel
    • Brother Earl
    Ernest Thomas
    Ernest Thomas
    • Sidney
    Jean-Claude La Marre
    • Benjamin 2X
    • (as Jean LaMarre)
    O.L. Duke
    O.L. Duke
    • Pete
    Larry McCoy
    • Sammy
    Maurice Sneed
    • Cadillac
    Debi Mazar
    Debi Mazar
    • Peg
    Phyllis Yvonne Stickney
    Phyllis Yvonne Stickney
    • Honey
    • Director
      • Spike Lee
    • Guionistas
      • Arnold Perl
      • Spike Lee
      • Alex Haley
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios238

    7.7107.4K
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    Opiniones destacadas

    10planktonrules

    It inspired me...

    As I watched MALCOLM X, I was surprised how much I liked the film and how interesting it was. So interesting, in fact, that I soon was inspired to read "The Autobiography of Malcolm X" that was compiled and written by Alex Haley. Then, I read a rather interesting (warts and all) account of Malcolm X's mentor, Elijah Mohammad.

    From what I have since learned from these and other sources, I was quite impressed at the movie--it seemed to try very hard to get the story right. Malcolm X's life was neither over-glorified nor was he portrayed the opposite--the story seemed to be quite balanced and without a serious ax to grind. It would have been easy to make the movie just an attack on the Nation of Islam or an attempt to make the title character some sort of saint.

    As for the acting, it was super. The script, excellent. The direction, first-rate. An excellent film that everyone should see--it is fascinating from start to finish.
    10awhyte2323

    Excellent and interesting

    I was only familiar with the history and influence of Malcolm X before I saw the film so I can't really judge it's faithfulness or accuracy. But as a film, I thought it was great. I really like Spike Lee; he keeps things fast-paced and interesting with his camera angles and colours/lighting. For awhile after Malcolm first begins his activism with the nation of Islam, you find yourself conflicted, both respecting the man and often disagreeing with him. Lee handles it well without condemning or supporting really, just showing Malcolm's gradual transition in his beliefs. The inserted documentary footage, especially at the end, shows how Malcolm's words still relate today. Someone commented that they only watched an hour of the movie and Lee doesn't know how to tell a story but maybe if they would be slightly more open-minded, realize it's not a literal adaptation of the autobiography, and actually finish the film, they could understand that Lee does not just want to tell the story of one man but rather wants it to reflect the struggle of a race. I really enjoyed the film; it was long but never slow and definitely worth watching.
    10Hermit C-2

    Epic film does justice to its subject.

    Spike Lee struggled mightily to get 'Malcolm X' made, financially and artistically. But when all was said and done, he produced an epic blockbuster and a definite treatment of the man's life.

    There's great differences between the two as well, but to me Lee has many things in common with Oliver Stone. Both of them seem to have been born to make films. Both of them are uncompromising in bringing their artistic (and moral) vision to the screen, and neither will try to seduce the public by catering to their tastes. Both present their own interpretation of facts without apology. (For example, from what I've read it's not certain that Malcolm's father was actually killed by Klansmen. But Lee isn't in the same league as Stone when it comes to playing fast and loose with the "truth.") Stone even ends his movie 'Nixon' in a similar way to 'Malcolm X,' with footage of real-life figures blended in, though I'm not accusing Stone of imitation.

    This movie has an epic sweep and scope and as a director Lee is up to the challenge. He is served well by being able to direct in several styles, one of which is almost cartoonish: witness the scene where Malcolm (Denzel Washington) and Shorty (played by Lee himself) go stepping out at the Roseland Ballroom, resplendent in their zoot suits. Some comic relief is welcome at times because otherwise the serious, heavy message of the picture might be overwhelming. For instance, the movie opens with a full-screen shot of an American flag while we hear a voice-over of one of Malcolm's most rousing, or inflammatory speeches, depending on how you look at it ("I accuse the white man of being the greatest murderer on the planet!") The flag begins to burn and eventually forms a flaming 'X' as the fiery rhetoric continues. But if you haven't been scared away, the next scene shows the young man Malcolm Little in a funny situation, having his hair straightened by a concoction that threatens to burn off his scalp.

    Denzel Washington has won beaucoups of rightly-deserved accolades for his amazing performance in the title role. If you've ever heard or seen Malcolm X's speaking, you will be astounded at the similarities in tone and cadence. The illusion is so real one may not recognize that real archival footage of Malcolm is used late in the film. But this is not a case of style over substance here. Between Washington's talent and Lee's directing and screenwriting, an unforgettable character emerges. The film boasts other fine performances by Al Freeman, Jr. (especially good as Elijah Muhammad, a controversial figure in society, and eventually to Malcolm himself), Delroy Lindo, Albert Hall, Kate Vernon, Ernest Thomas and many others in its large cast.

    It's clear that Lee doesn't care for the Motion Picture Academy and they don't particularly care for him. But the snubbing he and his picture got at Oscar time would be comparable to Richard Attenborough and 'Ghandi' not being nominated the year that film was made. Ordinarily, one would think this film is the kind of production Hollywood loves to honor. But Academy Award nominations or not, the film 'Malcolm X' is like the man himself: impossible to ignore.
    QueenMakeda84

    Brilliant

    This film was absolutely brilliant. Spike Lee is a genius. We're studying him in my film class and a lot of his works are controversial, but I think they're necessary. Malcolm X was beautifully acted by Denzel. He took Malcolm's mannerisms and passion into himself and carved this wonderful character. The film traced him from a young kid to his Nat'list days to his death. His beliefs were different, but he never compromised himself. Considering where he came from and the time he grew up in, no one can really yell and scream about why he was the way he was. So many want to glorify King as the only leader of the time, but X was a leader in his own right. His ideas weren't that different from King's. His approach was honest and a response to the times. Denzel shows every emotion in his face that seemed to formulate in his mind. I seriously thought of him as Malcolm. He really had to earn people's respect from the background he came from and I liked that. Nothing was glossed over and no stone left unturned. Malcolm X is a great film and worth the watch!
    Sargebri

    The Biggest Snub in Oscar History

    This is one of the greatest epics on one of the most complex individuals of the twentieth century. However, this was also a victim of one of the greatest snubs in Oscar history. Despite the greatness of this film it was only nominated for two Academy Awards. Denzel Washington, deservedly, was nominated for his performance. However, he was beaten out by Al Pacino for his portrayal of a blind former army officer in Scent of a Woman. But perhaps the biggest snub was suffered by Spike Lee. Lee made the film come to life as he told Malcolm's story, but he wasn't even nominated for his work. Perhaps it was because of his controversial statements regarding blacks in Hollywood that caused him to be snubbed. No matter what, this film should have received at least six or seven nominations, especially for Angela Bassett and Al Freeman.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The image of Denzel Washington holding the M1 Carbine and peering out the curtains is a direct visual recreation of an iconic photo that appeared in LIFE magazine.
    • Errores
      Malcolm watches television news footage of race riots, including the March 1965 attack on the Edmund Pettus Bridge in Selma, Alabama and the 1967 Newark, New Jersey Riots. Both incidents took place after Malcolm was assassinated in February 1965.
    • Citas

      Malcolm X: We were discussing the disciples. What color were they?

      Chaplain Gill: Well, I don't think we know that for certain.

      Malcolm X: But they were Hebrews, were they not?

      Chaplain Gill: That's right.

      Malcolm X: As was Jesus. Jesus was also a Hebrew.

      Chaplain Gill: Why don't you just ask your question.

      Malcolm X: What color were the original Hebrews?

      Chaplain Gill: I have told you - that we don't know that for certain.

      Malcolm X: Then you can't believe for certain - that Jesus was white.

      Chaplain Gill: Just - just a moment. Just a moment. God is white.

      [pointing to a painting of a white Jesus hanging on the wall]

      Chaplain Gill: Isn't it obvious?

      Malcolm X: Well, that

      [nodding to the painting]

      Malcolm X: is obvious, but we don't know if it's obvious that God is white. The honorable Elijah Muhammad teaches us that Jesus did not have blond hair and blue eyes. The honorable Elijah Muhammad teaches us that the images of Jesus that are on prison walls and churches throughout the world are not historically correct; because, history teaches us that Jesus was born in a region where the people had color. There's proof in the very Bible that you've asked us to read in Revelations, first chapter, verses 14 and 15, that Jesus had hair like wool and feet the color of brass.

      Chaplain Gill: Just - just what're you saying?

      Malcolm X: l'm not saying anything. l'm proving to you that Jesus was *not*, and I quote one of my lndian brothers here, he was not a paleface. Amen.

    • Créditos curiosos
      At the end of the credits the film is dedicated to Alex Haley, author of the book the movie is based on. There is also a picture of the book and a special note that says: "Read 'The Autobiography of Malcolm X'"
    • Conexiones
      Edited from JFK (1991)
    • Bandas sonoras
      Someday We'll All Be Free
      Written by Donny Hathaway (as Donny E. Hathaway) and Edward U. Howard

      Used by permission of WB Music Corp. and Kuumba Music Publishing Company

      Produced by Arif Mardin

      Performed by Aretha Franklin

      Courtesy of Artista Records, Inc.

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    Preguntas Frecuentes

    • How long is Malcolm X?
      Con tecnología de Alexa
    • Was Malcolm really killed by members of the Nation of Islam?
    • Can Malcolm's conversion & rebirth to Islam be attributed to one person alone, namely Baines?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de noviembre de 1992 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Japón
    • Idiomas
      • Inglés
      • Árabe
    • También se conoce como
      • X
    • Locaciones de filmación
      • Phakamani Combined School, Soweto, Johannesburgo, Sudáfrica(epilogue)
    • Productoras
      • Largo International N.V.
      • JVC Entertainment Networks
      • 40 Acres & A Mule Filmworks
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 33,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 48,169,910
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 9,871,125
      • 22 nov 1992
    • Total a nivel mundial
      • USD 48,169,910
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      3 horas 22 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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