Jídlo

Very funny surrealist partially animated dark comedy. It is divided in three segments with independent weird situations: breakfast, lunch and dinner. The first one is by far my favourite, and I would give it a 4.5. I laughed out loud! Luch is also good, and reminds me the style of another famous film by Svankmajer, Virile Games/Manly Games; however, it is the less impressive, and I rate it with a 3.5. The dinner segment, the shortest, have a 4.0 and it is quite funny and cheeky.

Food is like a surreal comedy horror that comments on humanity's relationship with food, all through the lens of Jan Svankmajer's filmmaking lens of stop-motion and live-action mixing, making up for some truly fever-dream-like stories! For a short film it's got a lot of story in its three brief sequences: Breakfast, Lunch, and Dinner.

Food is probably one of the truest films about dining, and possibly one of the greatest criticisms of communism encouraging people 'eating off each-other' (at least that's my interpretation of the Breakfast segment); Lunch's critique of classism in that regard is also very sharp, and Dinner's indulgence of 'eating your own body parts' is comically dark stuff at its finest.

The 1990s were really a remarkable time for stop-motion cinema and Food was something of a radical film in a post-Wallace-&-Gromit world (A Grand Day Out was released in 1989). Also it was an achievement for the Czech Republic finally breaking free from its communist trappings and restrictions on filmmaking.

Food is good stuff; it's plentiful and satirical on what it's covering, and shows the cross-quadrant world of dining and how every experience says something about the consumer (and their priorities) and what they do to get by.

Food is a 4/5 star film. 8/10 IMDb points. It's not for everyone, but it certainly says a lot about all of us. It's like a cerebral stop-motion film. And a good one at that.

It's an apt title and solo-focus for Food to be a Jan Svankmajer short; he's obsessed with it, in case you couldn't tell from his other movies (it's used sometimes to ridiculous amounts in Little Otik), and in both playful and gleefully deranged ways. In this short we see his knack at mixing live-action and stop-motion as two gentlemen at a table have plates of food and eat them up... then they eat the forks, then the plates, then the table, then the chairs, not to mention their clothes, and we see how their mouths suddenly flip over to stop-motion for just that bit of mastication and then back to the real human forms. There's also the great bit with the man as a kind of cash-register of food as people sit down and at the flick of a button on his jacket get plastic forks and other things to munch down on their lot of good. Sometimes its disgusting, and at the end when actual body parts get in the mix of things (including, not too undeservedly, a penis and testicles, which actually are the dividing line that isn't crossed) it's downright crude, but it's downright raunchy and crazy and quintessentially Svankmajer. The icing on the cake, of course, is the Blue Danube used as the two naked men munch on their table.

When I see something like this, I start to think of David Lynch. I've always contended that Lynch has made a career out of putting his nightmares on film. From Eraserhead to Twin Peaks we are haunted by the indifference of the world and the bizarre figures that inhabit it. This is all about the consumption of food, where everything we do is related to eating. But what this film does with gross but stunning animation is brings these strange things to us and perhaps create new nightmares. for us.

This film is one of the tightest most beautiful short films I have seen, as well as being one that truly forces you to think . From an animator who has delivered so many incredible films ,I see this as a true center piece for his constant trials with censorship authorities. Using food itself as a social commentary for poverty and oppression, Jan is able to make us both visually intrigued while still delivering an intellectual point,something rare in todays world of film.