Cuestión de honor

This is my all-time favorite movie. I've probably watched it 300 times and I can recite it line by line. I once wrote the script during the course of one semester in a class I hated. I still have the notebook.

Demi Moore definitely is the film's weakest link, but the acting is superb and Aaron Sorkin's story sucks you in from the opening minute. There is so much great dialogue, headlined by Tom Cruise's courtroom battle with Jack Nicholson at the movie's climax.

Too many people say the movie is average because it's "too slow," but I really believe anyone who appreciates good acting and good stories has to put this one near the top of their list.

Top Ten best reasons why 'A Few Good Men' is one of the best movies ever made.

#10 Direction: Reiner perfectly paces a 2+ hour film, giving all the cast freedom to actually act and develop the story beautifully without any scene dragging.

#9 Cinematography and score: excellent scenes and music; making you believe you are there.

#8 Despite your feeling on Cruise (God, I hate people who judge his couch-jumping to his talent on film) he delivers a perfect transfer from 80s hot-shot/top-gun to real acting. Watch him challenge Jessep in the closing.

#7 It simply had the unfortunate timing of coming out the same year as 'Unforgiven' and 'Scent of a Woman' and lost best pic. Both of those were excellent movies and it would be tough for any voter.

#6 All actors given time to show depth, creativity and originality. I absolutely loved Moore, Bacon, Sutherland, Pollak and Cruise.

#5 In addition, even though everyone's performance was spectacular and Nicholson's was a brief one, he still stole his scenes and strongly deserved an Oscar. (I mean, c'mon…'You can't handle the truth!' scene was worth an award.)

#4 The Dialogue. Please, the main characters were good enough at bantering back and forth, but just witness the conversation between Cruise and the newspaper man.

#3 Chess = Courtroom. If Cruise's Kaffee performance wasn't evidence the direct correlation between chess and courtroom, I don't know what will. (i.e. Where's the mess-hall?)

#2 How many movies since 1950 have you seen end with "The End"? They seemed to know this would be a classic, without excessive violence, language, no sex or nudity.

#1 Everything, and I mean EVERY THING in this movie worked…but simply judge it on one of the BEST SCENES of any movie ever: "You can't handle the truth!"

Neo military lawyer Danny Kaffee (Tom Cruise) defends Marines accused of murder; they contend they were acting under orders.

Peter Travers of Rolling Stone magazine said "That the performances are uniformly outstanding is a tribute to Rob Reiner (Misery), who directs with masterly assurance, fusing suspense and character to create a movie that literally vibrates with energy." Richard Schickel in Time magazine called it "an extraordinarily well-made movie, which wastes no words or images in telling a conventional but compelling story." Todd McCarthy in Variety magazine predicted, "The same histrionic fireworks that gripped theater audiences will prove even more compelling to filmgoers due to the star power and dramatic screw-tightening."

I just wanted to share that, because all I can say is I agree entirely.

This is one of the movies, I have watched many many times. First few times, Tom Cruise seemed to be giving an ordinary performance; probably my shortcoming that I was not able to understand his character. But, then I realized that he was playing exactly the character he was supposed to portray and he did it in a impeccable manner - wow!!!! He was just second to Jack Nicholson.

I could not imagine if anyone else could have replaced Jack Nicholson - his stellar performance (as always) and the intensity and ferocity with which he delivered his dialogues - man, even his facial expressions at times were worth a watch.

Story line and plot don't seem to be so strong and there will be many people who would not agree with its end and even with the message of the movie, which is although not so clear but definitely points towards some of the not so best practices being followed in any country's army (over discipline in the name of straightening the people and getting things in order or even avoiding any further chaos or things being run by certain people just to settle their personal scores and run in a way they think is the best, even disregarding other people's reasonable opinions). However, the other things apart, movie was a treat to watch. Director Rob Reiner and writer Aaron Sorkin didn't leave any stone unturned when it came to dialogues in the movie - in fact, the dialogues delivered by each and every character (not only Jack Nicholson) have been simply stunning.

Guantanamo Bay is, apart possibly from the 38th Parallel in Korea, the only place left on earth where the US Military still confronts hostile Stalinism, eyeball to eyeball. Ceded to the USA after the Spanish-American War of 1898, Guantanamo is America's only outpost on the island of Cuba. Marines guarding the perimeter of the naval base are under immense pressure. Here in the Cold War's last remaining hotspot, they are responsible for protecting the Free World.

A border incident has occurred. A marine sentry has fired a 'live' round in the direction of the communists. One of his colleagues has informed on him, bringing on himself a 'code red'. The 'code red' is an unofficial disciplinary measure, imposed by a marine squad when a member offends against the unit's esprit de corps. Having been gagged, bound and beaten, the marine dies at his colleagues' hands. There will now be a court-martial.

Demi Moore plays Lieutenant-Commander Joanne Galloway, a lawyer in the Navy's Internal Affairs Department. A deft plot device has her rehearsing to herself a request to be assigned to the case as she walks across the parade ground, efficiently conveying necessary information to the viewer.

Dan Kaffee (Tom Cruise) is a smart, flippant, good-looking young Navy lawyer. His father was a renowned jurist, and Dan feels the burden of his father's reputation. Indeed, his casual, tongue-in-cheek attitude to the law is his way of avoiding comparison with his father. You can't fail if you don't even try.

Kaffee is assigned to defend the two marine privates accused of killing the informer. Why a junior officer should be given conduct of such a serious case is baffling, unless of course the Marine Corps wants these men to be found guilty, in order to protect somebody more important...

Colonel Nathan Jessep is fascinating. Jack Nicholson always turns in a magnetic performance, but this one is special. He makes his character by turns urbane, self-assured, sarcastic, professional and menacing.

Gradually, Demi and Tom start to pull together and to function as a defence team. The 'code red' doctrine is exposed as a pernicious practice.

If the film is a stock courtroom drama pretty much like all the others, it certainly has qualities which set it apart. Three outstanding performances from the stars, Nicholson, Cruise and Moore, make it a bit special. The denouement is very hard to believe, but there are things in the film which linger in the memory and compensate for the exaggerations of the plot.

The opening credits roll over lovingly-filmed images of a precision-drill rifle squad in action. The viewer is, from the very start, placed emotionally in the context of a severe, inflexible discipline which is both admirable and unnerving. Kaffee indulges in some sparkling legal jockeying. Though he may lack trial experience, we feel that he will defend these men ably. He is nobody's fool. The flirtatious bickering between Kaffee and Galloway is well done. Jessep's walk to the witness stand is a moment of high drama, with Nicholson filmed from a low angle, emphasising the formidable authority of the man.

This clever, highly-polished film finally convinced me that Cruise can act. As for Demi, I am still unable to figure her out. What is it about her that remains stubbornly unsympathetic? She has abundant intelligence and talent, and is exquisitely beautiful, and yet is is impossible to warm to her. Does she get these parts because of her dark personality, or do the roles colour our perception of her?